Post-Impressionist Prints and Multiples
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Item Ships From: USA
Style: Post-Impressionist
"Moorea" Contemporary Impressionist Serigraph of Tahiti
Located in Laguna Beach, CA
"Moorea" is an beautiful hand pulled serigraph created from the oil painted on location in Tahiti by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
La Roue Qui Tourne 1999 Limited Edition Lithograph
Located in Rochester Hills, MI
Raya Sorkine
"La Roue Qui Tourne"
wedding in Venice - 1999
Print - Lithograph on Arches Archival Paper 39'' x 29.5''
Edition: signed in pencil and numbered 105/190
IMAGE SIZE; 33"...
Category
1990s Post-Impressionist Prints and Multiples
Materials
Lithograph
'Flamenco', Paris, Louvre, Salon d'Automne, Academie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955.
A Post-Impressionist figural monotype showing a woman standing beneath a tree in t...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Paper, Monotype
'Woman in a Red Dress', Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
A sensitively colored and modeled monotype by this Paris-trained, California Post-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Monotype, Paper
Bougival
Located in Fairlawn, OH
Bougival
Woodcut, 1914
Signed and numbered in pencil
Edition 30, this numberd 22
Printed on laid Van Gelder Zonen paper
Published by Henri Kanweiler, Paris
Printed by Paul Birault, Paris
Bougival is located west of Paris, on the left bank of the River Seine.
This woodcut was inspired by Vlaminck's 1905 Fauvist masterpiece of the same title in the collection of the Detroit Institute of Art.
An impression of this image is in the Yale Univeristy Art Gallery,
Condition: Very slight sun staining, otherrwise very good
Image/block size: 13 1/4 x 16 1/4 inches
Sheet size: 19 1/8 x 22 1/8 inches
Reference: Walterskirchen 11b
Maurice de Vlaminck (4 April 1876 – 11 October 1958) was a French painter. Along with André Derain and Henri Matisse, he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour.] Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905.
Life
Maurice de Vlaminck was born on Rue Pierre Lescot in Paris. His father Edmond Julien was Flemish and taught violin and his mother Joséphine Caroline Grillet came from Lorraine and taught piano His father taught him to play the violin.[3] He began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou In 1894 he married Suzanne Berly. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Vlaminck, then 23 and already active in anarchist circles in Paris, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship.] When Vlaminck completed his army service in 1900, the two rented a studio together, the Maison Levanneur, which now houses the Cneai,[6] for a year before Derain left to do his own military service. In 1902 and 1903 he wrote several mildly pornographic novels illustrated by Derain. He painted during the day and earned his livelihood by giving violin lessons and performing with musical bands at night.
Vlaminck participated in the controversial 1905 Salon d'Automne exhibition. After viewing the boldly colored canvases of Vlaminck, Henri Matisse, André Derain, Albert Marquet, Kees van Dongen, Charles Camoin, and Jean Puy, the art critic Louis Vauxcelles disparaged the painters as "fauves" (wild beasts), thus giving their movement the name by which it became known, Fauvism.
In 1911, Vlaminck traveled to London and painted by the Thames. In 1913, he painted again with Derain in Marseille and Martigues. In World War I he was stationed in Paris, and began writing poetry. Eventually he settled in Rueil-la-Gadelière, a small village south-west of Paris. He married his second wife, Berthe Combes, with whom he had two daughters. From 1925 he traveled throughout France, but continued to paint primarily along the Seine, near Paris. Resentful that Fauvism had been overtaken by Cubism as an art movement Vlaminck blamed Picasso "for dragging French painting into a wretched dead end and state of confusion". During the Second World War, Vlaminck visited Germany and on his return published a tirade against Picasso and Cubism in the periodical Comoedia in June 1942. Vlaminck wrote many autobiographies.
Vlaminck died in Rueil-la-Gadelière on 11 October 1958.
Artistic career
Two of Vlaminck's groundbreaking paintings, Sur le zinc (At the Bar) and L'homme a la pipe (Man Smoking a Pipe) were painted in 1900.
For the next few years Vlaminck lived in or near Chatou (the inspiration for his painting houses at Chatou), painting and exhibiting alongside Derain, Matisse, and other Fauvist painters. At this time his exuberant paint application and vibrant use of colour displayed the influence of Vincent van Gogh. Sur le zinc called to mind the work of Toulouse-Lautrec and his portrayals of prostitutes and solitary drinkers, but does not attempt to probe the sitter's psychology—a break with the century-old European tradition of individualized portraiture. According to art critic Souren Melikian, it is "the impersonal cartoon of a type. In his landscape paintings, his approach was similar. He ignored the details, with the landscape becoming a vehicle through which he could express mood through violent colour and brushwork. An example is Sous bois, painted in 1904. The following year, he began to experiment with "deconstruction," turning the physical world into dabs and streaks of colour that convey a sense of motion. His paintings Le Pont de Chatou (The Chatou Bridge), Les Ramasseurs de pommes de terre (The Potato Pickers...
Category
1910s Post-Impressionist Prints and Multiples
Materials
Woodcut
"The Colors of Spring" Contemporary Impressionist Floral Serigraph
Located in Laguna Beach, CA
"The Colors of Spring" is an beautiful 94 color hand pulled serigraph created from the oil painted from life in the artists Laguna Beach studio by Maria Bertran. This Contemporary Im...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
'Nude', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA, Carmel
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Monotype, Paper
'Hostellerie des Chiens du Guet' — 1920s British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression.
Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm).
ABOUT THIS WORK
In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market.
ABOUT THE IMAGE
The Hostellerie des Chiens du Guet is a small hotel at the edge of...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Monotype
"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting capture...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
La Peche lithograph (woodcut)
By Raoul Dufy
Located in Belgrade, MT
Raoul Dufy was an important multifaceted French artist who worked in a variety of media including painting, print making, mural design, theatre and costume design, upholstery, wall paper, ceramics, and fabric. In his paintings he often depicted the circus, equestrian scenes, Parisian cafe life, yachting scenes, colorful views of the French Riviera, and musical events in a distinctive style that combined the various artistic trends of the day, most notably Fauvism. Born in 1877 in Le Havre France, and after a year of military service in 1900, Dufy won a scholarship to the Ecole Nationale superieure des Beaux-Arts, in Paris, studying under Othon Friesz. He exhibited extensively throughout Paris and France at the various salons, including the Salon des Tuileries. For the 1937 Exposition Internationale in Paris, Dufy completed one of the largest paintings ever conceived, a 250...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph, Woodcut
"Reine de Joie" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original....
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Rue vue d'en haut" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Scene de famille" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Scene de famille" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Place Clichy" lithograph
Located in Henderson, NV
Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Place le soir" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Lithograph Lady Rider Woman on a Horse Marie Laurencin French Post Impressionist
Located in Surfside, FL
Marie Laurencin (French, 1883-1956)
Lithograph of a colored pencil drawing depicting a woman wearing a hat and riding horseback side saddle,
Edition "37/115" to lower left and hand signed "Laurencin" in pencil to lower right, with a cloth mat and housed in a silvered wood frame.
Dimensions: Image, 12" H x 16" W; frame, 19.75" H x 23.5" W x 1.5" D.
Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.
Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting.
During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist."
Laurencin's oeuvre include painting, watercolor paintings, drawing, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...
Category
Mid-20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
"May Belfort" 1974 Albi Museum-authorized limited edition poster
Located in Boca Raton, FL
"May Belfort" 1974 reproduction of an 1895 poster by Henri Toulouse-Lautrec produced under the auspices of the Lautrec Museum in Albi, France. Authenticated with museum seal authoriz...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph
Saint-Tropez-Le Port
By Paul Signac
Located in Fairlawn, OH
Saint-Tropez-Le Port
Color lithograph, 1897-1898
Signed in pencil lower right (see photo)
Numbered in pencil lower right: No. 68 (see photo)
From: Album des Peintres-Gravures, 1898
Published by Ambrose Vollard, Paris
Printer: Auguste Clot, Paris
Edition: 100
Numbered: No. 68
Reference: Una Johnson, Vollard, No. 188, reproduced pale 35
Kornfeld & Wick, No. 19 b/b
Condition: Very fresh colors
One tiny spot in the upper margin above the image (see photo)
Image size: 17 1/8 x 13 inches
Frame size: 32 3/4 x 27 1/4 inches
Archival framing by Galerie Maximilian, Aspen, CO
Museum glass
22K Gold leaf hand carved frame...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph
Etude de femme (Study of a Woman), 1893
Located in Palo Alto, CA
Henri de Toulouse-Lautrec Etude de Femme (Study of a Woman), 1893 is a lovely depiction of a nude subject delicately undressing at her bedside. She ap...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph
Set of Four Framed Wood Cut Prints After André Derain
By André Derain
Located in Pasadena, CA
Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François).
The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph, Woodcut
La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride)
Located in Palo Alto, CA
Henri de Toulouse-Lautrec La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride), 1896 is captivating work featuring a woman lounging unaffectedly in a striped ch...
Category
1880s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Troupe de M'lle Eglantine" 1974 Albi Museum authorized limited edition poster
Located in Boca Raton, FL
"Troupe de M'lle Eglantine" 1974 reproduction of an 1896 poster by Henri Toulouse-Lautrec produced under the auspices of the Lautrec Museum in Albi, France. Authenticated with museum...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Coin de rue" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Vernazza" Contemporary Impressionist Serigraph of Cinque Terre, Italy
Located in Laguna Beach, CA
"Vernazza" is an beautiful hand pulled serigraph created from the oil painted on location in Cinque Terre, Italy by Maria Bertran. This Contemporary Impressionist painting captures a...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
"Ballets Russes" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful r...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Frontispice pour la Lithographie en Couleurs" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Maison dans la cour" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. Accordin...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Portrait" lithograph
Located in Henderson, NV
Medium: lithograph. Medium: lithograph. Printed in 1939 by Mourlot Freres and published by Teriade for Verve (Volume 1, Number 5-6). Size: 13 3/4 x 10 1/8 inches (347 x 257 mm). Ther...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Arc de Triomphe" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Rue le soir sous la pluie" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Le Figaro" lithograph
Located in Henderson, NV
Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Changement de residence
Located in Henderson, NV
This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 1/4 x 12 in...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Salomé" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Salomé" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Salomé" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper
Located in Soquel, CA
"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper
Bold and saturated depiction of pueblo buildings by Margie Dickson (American, b. 1938). These buildings are h...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Paper, Pastel, Screen
"Moorea" Contemporary Impressionist Serigraph of Tahiti
Located in Laguna Beach, CA
"Moorea" is an beautiful hand pulled serigraph created from the oil painted on location in Tahiti by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
"Salomé" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Salomé" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Nature morte aux Poissons" lithograph
Located in Henderson, NV
Medium: lithograph (after the 1947 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Salomé" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Salomé" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Nature morte aux Poissons" lithograph
Located in Henderson, NV
Medium: lithograph (after the 1939 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Henri Toulouse Lautrec, Original Lithograph 1897
Located in Saint Augustine, FL
Artist: Toulouse Lautrec (1864 -1901) French
Title: The Chestnut Vendor
Medium: Lithograph,
Year: 1897
Signature: Signed in Plate (TL) Lower Left
Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed
A lithograph of a Toulouse Lautrec drawing...
Category
Late 19th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Le Sourire 3
Located in Henderson, NV
This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 4 x 7 1/4 inc...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
Le Sourire 2
Located in Henderson, NV
This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 5 1/2 x 8 3/4...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
Te Arii Vahine
Located in Henderson, NV
The English title is "Woman of Royal Blood". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful T...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
Soyez amoureuses, vous serez heureuses
Located in Henderson, NV
The English title is "Be in Love and You Will Be Happy". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
Le Porteur de Fei
Located in Henderson, NV
This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 1/2 x 11 in...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
Vintage Fauvist Color Lithograph Porch Scene Jamaican Artist Van Pitterson
Located in Surfside, FL
Afternoon Delight
Wicker front porch chair and furniture.
Framed 19 X 23 image is 13 x 17.
Lloyd van Pitterson was born in Jamaica, West Indies. H...
Category
20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
"Doorway To The Garden" Contemporary Impressionist Serigraph of Provence
Located in Laguna Beach, CA
"Doorway To The Garden" is an beautiful hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting captures...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
"Teeny" lithograph by Henri Matissse
Located in Hinsdale, IL
HENRI MATISSE
(1869 – 1954)
Teeny
Duthuit-Garnaud 723
Linocut, c. 1938
From an edition of 1500
Image Size: 12.2” x 9.5”
Published in The Homage to Henri Matisse
Published by Galerie d’Art Contemporain de Paris
Matisse's striking linocut shows Alexina "Teeny" Duchamp, the second wife of artist and pioneer of the ready-made, Marcel Duchamp. She was married to Pierre Matisse, Henri Matisse's eldest son, first and they had three children, Jacqueline, Paul and Peter. They separated in 1949 but Matisse was incredibly fond of his daughter-in-law until his death in 1954.
Henri Matisse (French, 1869-1954) is primarily known as the founder of the Fauvist movement, a result of Impressionism, whose works fundamentally altered the course of Modern Art in the late 20th Century. Innovative in his original treatment of the human figure and an expressive use of color, Matisse forged his own pictorial language. Matisse's career can be divided into several stylistic periods, but he remained focused on discovering “the essential character of things” through his art.
Matisse considered his drawing to be a very intimate means of expression. The method of artistic execution — whether it was charcoal, pencil, crayon, etcher’s burin, lithographic tusche or paper cut — varied according to the subject and personal circumstance. His favorite subjects were evocative or erotic — the female form, the nude figure or a beautiful head of a favorite model.
Matisse’s etchings...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Linocut, Lithograph
'Woman Seated', Paris, Louvre, Académie de la Grande Chaumière, SFAA, LACMA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950 on Cannery Row sardine paper.
Winner of the Prix Othon ...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Monotype, Paper
Maisons sur la Rivière, Canal à Nemours (Houses on the River, Nemours Canal)
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "Maisons sur la Rivière, Canal à Nemours (Houses on the River, Nemours Canal)"
Portfolio: Revue de l'Art Ancien & Moderne
*Issued ...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Lithograph
'Woman in a Kimono', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA
Located in Santa Cruz, CA
Estate stamped, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1950.
A substantial monotype and gouache showing a young woman seated, her kimono fallen open and b...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Monotype, Gouache, Paper, Graphite
Nana
By Jules Pascin
Located in Long Island City, NY
"Nana" is an original lithograph after a early 20th Century painting by Jules Pascin. The work bears the artist's stamp signature and numbering in pencil. Estate authorization by Luc...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Lierre
Located in Washington, DC
Artist: Henri Matisse (after)
Medium: Original lithograph
Title: Lierre
Portfolio: The Last Works of Henri Matisse
Year: 1958
Edition: 2000
Framed Size: 17" x 17"
Sheet Size: 14" x 1...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Post-impressionist prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.
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