Clothing Prints and Multiples

Sketch for a theatrical Costume is a modern artwork realized after Sergei Eisenstein in the mid-20th Century. Mixed colored phototype print. Includes frame: 45 x 34 cm Fair condit...

Portrait De Ma Mere is a beautiful etching realized by the French painter, engraver, lithographer, and typographer Henri Charles Guérard after Wh...

Signed: Eisho zu From the series: "Contest of Beauties in the Pleasure District" (Kakuchi bijin-kurabe) Format: Oban Publisher: Yamaguchi ya Chusuke The courtesan Midorigi of the Wakamatsu ya bordello depicted against a decorated ground, holding an ornamental sculpture of an ox. Eisho Chokosai was a pupil of Eisho Hosoda, and is also known as Eisho Hosoda. Reference: Richard Lane...

The Courtesan is an original print realized between in the beginning of XIX century by Keisai Eisen This is a mixed colored xylograph. Include passeparto...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Guy Georget (1911 - 1992) Espagne - Pilgrims Original vintage poster 100 x 62 cm One of the fantastic posters Georget designed for the Spanish tourist board. Two pilgrims progress...

Jennifer Bartlett Fire, 1998 (from The Elements) Etching 33 1/4 x 33 inches Ed. 80

Branko Bahunek, Croatian (1935 - ) - Woman with Apples (Unique). Medium: Screenprint, Signed in Pencil, Edition: State Proof, Size: 28.5 in. x 21 in. (72.39 cm x 53.34 cm)

Femme Riche et Femme du Peuple au Caire is a hand colored lithograph realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costume...

Anonymous (19th century) Eton College Courtyard Lithograph 29 x 38 cm Mounted to board.

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

This original circa 1900 poster for Tat Cheong & Co. presents a stunning example of early Chinese advertising, promoting the brand's premium cigars. Set against a delicate, pastel ba...

Lithograph for Luigi Emilio Caldanzano’s Art Nouveau advertisement for Lenti Radio-Attive, which marketed “radioactive” eyeglass lenses claim...

Richard DAVIES (1945-1991) Young Girl at the Funfair, 1983 Original etching and mezzotint Handsigned in pencil Numbered / 30 On vellum 28 x 38 cm (c. 11 x 15 inch) REFERENCES : Cat...

M M.Pot de Naz is an original lithograph realized by Frenc artist Honoré Daumier in 1832, plate 270 from La Caricature n°130. In good conditions. Included a frame. This lithograp...

Uses and Customs -King of Italy is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

"Designer Homage: Valentino Fall 2015 Collection", 2021, digital collage, print, matted and framed, figurative, Digital Print / Feminist Art and Contemporary Feminist / Figurative Ar...

Uses and Customs - 13th and 12nd Century is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Samurai, " Japanese man in the costume of ceremony", is an original Hand-colored lithograph on paper, realized by an Anonymous artist of the 19th Century....

Vanity Fair color chromolithograph caricature of Rev. Edgar Sheppard "A Great Marrier" by Spy (Leslie Ward) March 14, 1904 from the "Clergymen" series....

Artist: Gianni Bertini, Italian (1922 - 2010) Title: Bambole Year: 2002 Medium: Serigraph, signed and numbered in pencil Edition: 71/75 Paper Size: 42 x...

Erte (Romain de Tirtoff) (French/Russian, 1892-1990) Michelle Lithograph Signed `Erte’ (lower right) and numbered `21/300’ (lower left) Frame measures 39.1/4 x 30.3/8 in. (100x 77 cm.)

Taira no Munekiyo Captures Tokiwa no Mae is an original modern artwork realized by Utagawa Hirosada (Japanese, active 1825–75) in 1856. Woodcut print oban format. Signature Ichiyosa...

"Femme Des Aït MGuild" translated to "Woman of the Aït MGuild" is plate number 19 in Jean Besancenot's stunning portraits and depictions of the people ...

Emile BELLET (1941-) Woman in Red with Bouquet of Wild Flowers Original lithograph Handsigned in pencil Limited to 300 numbered copies + 36 Artist Proofs On vellum 47 x 36 cm (c. ...

Artist: Kiyoshi Saito (Japanese, 1907-1997) Title: Children Year: Circa 1960 Medium: Color woodcut Edition: Unknown Paper: Japan Image (block mark) size: 9.5 x 4.25 inches...

Uses and Customs - 13th and 14th Century is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Uses and Customs - 13th and 14th is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the go...

Uses and Customs - 14th Florentines is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Uses and Customs - Pompa is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Nobleman, Cambridge (1815) Aquatint with original hand colouring 30 x 25 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Mardin Turk is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Turc de Mardin". The work is part of...

Uses and Customs - Ceremony of marriage in Russia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "H...

Meeting in Akashi is an original modern artwork realized by Utagawa Kunisada II and Hiroshige II in 1864. Woodcut Print Oban Format. From the series "Omo...

Bijinga, The art of tea ceremony for a day is an original artwork realized in 1896 by Mizuno Toshikata (1866 - 1908). Oban yokoe From the series "Chanoyu nichinichi gusa" (The art ...

Scene at Night on a Veranda is an original modern artwork realized by Utagawa Hirosada (Japanese, active 1825–75) in 1860. Original woodcut print chuban diptych format, 1860. Signat...

Desperation is an original artwork realized for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, Bensley, 1810. This artwork portrays a historical woman...

Paul Jacoulet ( France, Japan 1902 - 1960 ) Title: La Mariée Seoul, Corée Medium: Woodblock Print Size: 15.5 in. x 12 in. Movemen...

Italian Costumes of the 13th and 14th Centuries  is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Galeazzo Visconti is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Servitor, Bachelor of Divinity, Collector (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). A Servitor; Bachelor of Divinity; and Collector of the University of Oxford. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Uses and Customs -King of Italy is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Robert Anderson, American (1945 - 2010) - On the Amazon, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP, HC, Image Size: 19.5 x 16 inches, ...

An American painter, printmaker, and illustrator. His work was featured in "The Masses" and at the Metropolitan Museum of Art and Pennsylvania Academy of the Fine Arts. This wood en...

"Designer Homage: Mara Hoffman Fall 2014 Collection", 2021, digital collage, print, matted and framed, figurative, Digital Print / Feminist Art and Contem...

Uses and Customs - Nuns is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government,...

"Sun, Moon and Stars". Three beauties enjoy a full moon on the veranda of a teahouse or restuarant. The woman on the left kneels and adjusts her lavishly printed kimono. The beauty in the center has her hair down, and behind her is a screen against which shadows are beautifully silhouetted, which adds an air of mystery. The seated woman on the right is perhaps a geisha, as we see a shamisen lying next to her. Before her is a tray with an assortment of foods. One may surmise that the beauties are being compared to the sun, the moon, and the stars. On the left we glimpse a full moon shining over the peaceful bay, and boats at harbor. Original first edition Japanese color woodblock print triptych...

After Gustav Klimt, Max Eisler Plate #4, Bildnis Baronin Wittgenstein; dark grey monochrome collotype after the 1905 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...

Etienne Prosper BERNE BELLECOUR (1838-1910) Woman in Traditional Japanese Suit Looking at the Sea Original etching Printed signature i...

Surreal Grail IV (feathered hat, rosy cheeks) 2019, digital collage, print, framed and matted, figurative, Digital Print / Feminist Art and Contemporary Fe...

Original UK Lobby Card of Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour Keywords: James Bond, 007, action, Thriller, Great ...

Star Wars 1977 Vintage Lobby Card #2 Size: 10×14″ inches / 25 x 35 cm Star Wars (retroactively titled Star Wars: Episode IV – A New Hope) is a...

Uses and Customs - Chinese lady is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Arab Merchant is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Marchand Arabe". The work is part ...

Norma Jeane Mortenson or better known as Marilyn Monroe – iconic, beautiful and maybe the most known Hollywood Stars of the 20th century. Born and raised in Los Angeles, USA, she spe...

The Reproaches of Virgil is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n...