Document Prints and Multiples

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Wifredo Lam, Cuban (1902 - 1982) - L'Antechambre de La Nature, Year: 1966, Medium: Etching, Image Size: 10.75 x 5.75 inches, Size: 13.5 x 8.75 in. (34.29 x 22.23 cm), Description: F...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

This Egypt poster was created circa 1960 by the gifted American artist David Klein (1918 -2005) for TWA. The image utilizes figures from ancient Egyptian mythology to highlight the d...

Simon's original travel poster for "Les Vosges Sports d'Hiver" encapsulates the timeless appeal of winter adventures in the Vosges Mountains, conveniently located within a short jour...

Robert Willson SCULTURE - VETRO - DEDICATA AL MAESTRI DEL VETRO DI MURANO ROBERT WILLSON, 1964 Offset lithograph on wove paper 27 1/2 × 20 1/2 inches Un...

This romantic poster recalls imagery from the Belle Époque era and promotes Moët Champagne, which has a 270 year history. Moët & Chandon , is a French fine winery and co-owner of the luxury goods company LVMH Moët Hennessy Louis Vuitton SE. Moët et Chandon is one of the world's largest champagne producers and a prominent champagne house. Moët et Chandon was established in 1743 by Claude Moët, and today owns 1,190 hectares (2,900 acres) of vineyards, and annually produces approximately 28,000,000 bottles of champagne. By the late 1800s this brand had a long-established reputation of glamour and prestige, associated with success and royalty. Award winning artist Vince McIndoe...

Original poster of Roberto Matta created in May 68, with the slogan: Disciples occupy the discipline. For a revolutionary discipline. Born on November 11, ...

This striking 1939 travel poster by Sénéchal was designed to promote the renowned Plombières-les-Bains spa town in the Vosges region of France. Commissioned by the Société Nationale ...

Vintage Exhibition poster - created on the occasion of the exhibition at Galerie Lelong Paris 1989 In great condition

Malory, Thomas. MORTE D'ARTHUR. J. M. Dent, London, 1893. First Edition thus. Edition of 300 printed on Dutch handmade paper, this copy Numbered "72." (There was a "regular" editi...

Art Nouveau Cinderella theater poster by Dudley Hardy, published in 1897 by Imprimerie Chaix, Paris, the printing house known for publishing the works of Belle Epoque master Jules Ch...

"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. The artist's name is written lower right. This piece depicts an Art Deco repr...

G Girl (2009) by Hush Five Colour Screen Print with Spot Varnish 28 x 60 cm Edition 150 Signed and Numbered (75/150) by the artist HUSH is a British mixed media artist who trained a...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Ed Ruscha SCIENCE IS TRUTH FOUND OUT (RED)ITION, 2022 100% Silk twill Signed in the plate and numbered 130 × 130 cm 142.5 x 141 cm (Framed) Edition of 500

Griffon was one of the earlier French bicycle producers, but not much history about the company has been preserved. This poster highlights not just the company's bicycles but also it...

Musee National, Message Biblique, The Angel of Judgment Marc Chagall (after), Russian (1887–1985), an interpretative rendering of a lithograph executed by Charles Sorlier Date: 1974 Lithograph Poster, signed in marker Edition of 5000 Size: 30 in. x 20.5 in. (76.2 cm x 52.07 cm) Printer: Mourlot, Paris Publisher: Society of the Friends of the National Marc Chagall Biblical...

Vintage rare poster realized in occasion of Helnwein's Exhibition in Hamburg, Germany. Good condition except for some folds.

Vintage advertising poster made by Derouet Lesacq in 1939 for the National Lottery with the slice of the Eiffel Tower. Economy - Paris Lafayette Paris

This charming image was created in Italy in 1949 by Damiani to promote the product Il Globo. While the viewer may initially think that Il Globo may be a fashion related product, it i...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

DAVID SHRIGLEY Witness my Joy Screenprint in colours on 410gsm Somerset wove Hand Signed, dated verso Edition 9 / 125 in pencil verso Published by Galleri Nicolai Wallner Sheet 75 x...

Artist: (after) Pablo Picasso (Spanish, 1881-1973) Title: "Galerie Louise Leiris (The Painter & His Model)" Year: 1972 Medium: Lithograph, Exhibition Poster on light wove paper Limit...

Theophile Alexandre Steinlen, French/Swiss (1859 - 1923) - Artiste Animaliers, Year: 1981, Medium: Poster with Embossed Cat Blindstamp, Size: 20.5 x 25 in. (52.07 x 63.5 cm), Prin...

Original EXPO ’74 World’s Fair Spokane, USA calendar. Archival linen backed and in excellent condition, ready to frame. As a World’s Fair calendar, you would expect this item to be r...

A Hot Finish is a fun, bold and colorful caricature of the racing scene in the early 1900’s. As the winning horse and his jockey are racing to the finish...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...

French Vintage Exhibition Poster for Yves Brayer (1975). Newly framed, the poster announces an exhibition of the lithographs of Yves Brayer at the Musée du Vieux Marseille. Discovere...

Original French travel poster: EPINAL. Chemin de Fer de l’Est. Excellent condition. No repairs, no damage, linen backed, A condition. Bright and colorful full lithograph. Linen...

Created by one of the true pioneers of psychedelic poster design, this original 1967 piece by Victor Moscoso captures a pivotal moment in the merging of counterculture, music, and graphic experimentation. Designed for the Hawaii Pop Rock Festival, this poster advertises an impressive lineup featuring Canned Heat...

Original limited edition poster for Mozart '91, Salzburg. Published by Marlborough Gallery, New York. Lithograph printed on Arches paper with deckled edges. This original lithograph...

Publisher GKM. Edition of 150 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The lan...

"Blind Man’s Bluff at the Imperial Russian Court" lithograph is hand-signed and numbered in pencil. Philippe Noyer was born June 28, 1917 in Lyon. After a traditional course of study at the elite Ecole des Roches, Noyer enrolled in the Beaux Arts (Fine Arts) School of Lyon, before going to Paris to study at the Paul Colin School of Art and experience the whirlwinds of Surrealism first hand on Paris' Left Bank. Philippe Noyer started his painting career in 1943. That same year he met the famous Paris art...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital f...

7 volumes, complete. Six 8vo volumes (292 x 190 mm), and one 4to (Huitieme année, 1919, 310 x 245 mm). Publisher's pictorial paper board portfolios, patterned endpapers, housing loos...

Artist: Bernard Buffet Medium: Original Lithographic Poster, 1969 Dimensions: 30.3 x 20.5 in / 77 x 52 cm Arches Poster Paper - Perfect Condition A This lithographic poster after Bernard Buffet was executed by Charles Sorlier in 1969, under the artist's supervision for the exhibition "Les Peintres Témoins de Leurs Temps...

Artist: Kees Van Dongen Medium: Lithographic Poster, 1964 Dimensions: 30.25 x 20.5 in

Roy Lichtenstein As I Opened Fire, set of 3 Lithographic Posters: An authorized reproduction of Roy Lichtenstein's painting entitled "As I Op...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Signed in the plate and unnumber...

This wonderful lithographic and photographic poster was created as a mixed media to promote an exhibition of Jacques Prévert's surrealist and symbolist...

Salvador Dali Sol y Dali Vintage lithographic poster (Mourlot workshop) Printed signature in the plate Edited in 1967 by Jean Schneider On paper 78 x 54 cm...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 184/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Number...

Like a Rolling Snowball (2019). Lithograph by Izumi Kato Limited edition of 300 numbered and signed by the artist 17 7/10 × 13 4/5 in 45 × 35.1 cm Edition 155/300 "Like a Rolling...

A signed, limited edition silkscreen on canvas with diamond dust. Edition of 25 Part of the Playboy collection which sees iconic magazine covers giv...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

"In the Beginning There Were Mistakes" is a Gallery Poster featuring the artwork of CHARLES BRAGG (American, b. 1931). The print measures 28 x 22 inches and is unframed. It is Plate-...

A screen print on arches paper. Produced in 1990. Edition of 33 + 5 Artist Proofs. This being number 27/33. Littmann P.182. Signed and numbered in pencil by the artist. This work wa...

In this 1923 travel poster by Léon Constant Duval, the medieval village of Beynac-et-Cazenac cascades down a limestone cliff along the banks of the Dordogne River, crowned by the imp...

In the realm of artistic mastery, Marc Chagall emerges as a luminary, renowned for his ethereal and enchanting creations. Born in Vitebsk, Russia, in 1887, Chagall's artistic journey took him from the bohemian streets of Montmartre to the global stage. A trailblazer in the world of modern art, Chagall's work is characterized by a harmonious blend of whimsy, symbolism, and a deep connection to his Jewish heritage. The 1956 Kunsthalle Bern poster...

Artist: Faile Title: Save Stilettos Size: 39 x 27.5 in Medium: Silkscreen Edition: of 100 Year: 2016 Notes: Custom Framed 18 Color Silkscreen Ink on Paper Archival Coventry Rag 290gsm. Signed & Stamped, Faile 2010 "The prints where released in conjunction with the Bedtime Stories show featuring some of the new processes involved in the wood paintings. These are 18-color silkscreen prints on an archival Coventry Rag 290gsm, deckled edge paper. Based off 3 new images from the show. It was quite a journey to try and convey the wood block paintings...

Engraving on gold plate on a silver base. Signed by the author and numbered. Edition of 3.000. Very good condition.   Corrado Cagli (Ancona, 1910 - Rome, 1976) was an Italian art...

In the golden twilight of the 19th century, when print culture merged with the rising tide of decorative modernism, Alphonse Mucha emerged as a visionary who would forever redefine t...

Brasserie Schneider was a company based in Brive, France that specialized in sodas and beer. Albert Quendray created this image of a well-to-do group of companions enjoying afternoon...

The 1949 original poster by Pablo Picasso, created for the Exposition de la Paix (Peace Exhibition), is a masterful and poignant symbol of hope and unity in the aftermath of World Wa...

An entire generation was traumatized by the grotesque classroom films on driving safety. After their sensible removal from the education system, these films became the stuff of legen...

Law And Order by Harry Bunce [2021] limited_edition Original Print mounted on mountboard Edition number 24 Image size: H:59 cm x W:73 cm Complete Size of Unframed Work: H:59 cm x...

Paper Size: 40.75 x 27 inches ( 103.505 x 68.58 cm ) Image Size: 38.75 x 25 inches ( 98.425 x 63.5 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible ma...

This stunning 1937 original travel poster by Roland Hugon was commissioned by the PLM (Paris-Lyon-Méditerranée) railway company to promote luxurious overnight travel to the Côte d’Az...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...