Symbol Prints and Multiples

Robert Indiana The New Glory Penny from The American Dream Portfolio, 1997, (48/395) Screenprint in color 22 x 17 in

Luis Miguel Valdes (Cuba, 1949) 'La Paleta I', 2014 woodcut, watercolor on paper Velin Arches 300 g. 12.1 x 15.8 in. (30.5 x 40 cm.) ID: VAL-3G2014-331 Hand-signed by author ________...

Marko Spalatin: Graphic Work 1968-197, published in 1979 by Litho Productions, Madison, WI, features an introduction by Joseph Wilfer. This hardcover edition, bound in cloth with a d...

The etching (Crucifixion) is signed and titled in pencil. Signed 'Fred' and possibly dated '27' in the image at lower left. It's in an usually spare drawing style but one that Nagl...

Antonio Diaz Cortes (Mexico, 1935) 'Kamazotz ', 2006 engraving on paper Velin Arches 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: DIA-101

Alexis Kcho Leiva (Cuba, 1970) 'Canaima II', 2003 silkscreen on paper Canson 320 g. 27.2 x 39.4 in. (69 x 100 cm.) Edition of ID: KCH-117 Unframed

Victor Vasarely (1906-1997) - Abstract composition ""Fifties"" Silkscreen / Serigraph from 1973. Edition of 125. Dimensions of work: 37.2 x 28.2 cm. Hand signed. The work is in ...

Original WW1 poster: Keep this Hand of Mercy at its work. War Fund Week. One hundred Million Dollars. Original WW1 lithograph, archival line...

Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...

This vibrant and engaging poster, designed around 1930 by French illustrator M. Pineau, served as a dynamic invitation to join the Touring Club de France (TCF), one of France’s most ...

With immigration comes culture and culinary delights to light up the American skyline – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as ...

Antoni Tapies Llambrec-1 Catalogue raisonné: Galfetti 539 Lithograph Year: 1975 Signed by hand and inscribed Edition: H.C. Size: 7.4 × 9.8 on 29.6 × 21.5 inches Over the course of h...

This artwork titled "Fish Become Birds" 1999 is an original colors stonecut on thin tissue paper by Canadian/ Inuit artist Kavavaow (Kavavau) Mannomee, b.1958. It is hand signed, titled, located, dated, described and numbered 4/50 in pencil by the artist. The subject size is 16 x 23.25 inches, sheet size is 24.5 x 29 inches. It is in excellent condition. About the artist: Qavavau born in Brandon, Manitoba in 1958 where his mother, Paunichea, was hospitalized for treatment of tuberculosis. He returned to Cape Dorset...

This exclusive softcover book, published by Maeght Editeur and printed by Arte, spans 43 pages and is a highly sought-after collector's item. The publication features an impressive a...

This is a first-edition serigraph poster designed by Allan D’Arcangelo for the 1968 Lincoln Center Festival in New York, one of the cultural highlights of the city's annual art calen...

Damien Hirst, Rainbow Heart, Small Laminated Giclee Print on Aluminium, 2020 Laminated Giclée print on aluminium composite panel. From a limited edition 1181 of 3510 Excellent, 'as new' / unused condition. Sold in original protective shipping casing / box, as issued by the publisher. Hand-signed and numbered by the artist, verso. 13.8 × 14.3 in (35 × 36.4 cm) Notes: Created in 2020 as a limited edition, the 'Butterfly Heart' edition consists of digitally made photographed real butterfly wings placed onto a heart-shaped aluminum panel. This edition includes Hirst´s best-known motifs; the butterflies, and the rainbow color alignment on the heart-shaped print. Shortly after graduating from Goldsmiths, in 1989, Hirst began working on a series of paintings after seeing flies get stuck on primed canvases in his Brixton studio. Taking this idea, but wanting to create something beautiful, Hirst started fixing the bodies of dead butterflies...

Letter B is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

First edition exhibition poster by Alan D’Arcangelo, created for his exhibition at the Smithsonian Institution, Washington, D.C. Published by List Art and printed in serigraph by HKL...

Robert Indiana Marylin, 2008 Screenprint in colors on wove paper 40,0 x 32,5 in (101.6 x 82.6 cm) Edition: AP 3/12 Signed, editioned, and dated in pencil, lower right PROVENANCE: The...

Robert Indiana Blue Alphabet , 2011 Screenprint in colors on wove paper 40,0 x 32,5 in (101.6 x 82.6 cm) Edition: AP 1/5 Signed, dated, annotated and numbered in pencil by Robert Ind...

Eduard Diem Geometric Composition #3 (3D-construction, Op Art, Lyonel Feininger) 3D-Construction Year: 2020 Signed and numbered by hand Edition: 25 Size: ...

Polygon: Square (Number Four) is a limited edition serigraph created by Robert Indiana, published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio ...

This signed and numbered serigraph by Judith Murray was created for the benefit of the Lincoln Center Mostly Mozart Festival in 1991. Renowned for her contributions to abstract art, ...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The term "calumet" ref...

Edition of 150, signed and numbered by the artist. The Paris Review publishes writings and poetry by aspiring writers young and old. The publications are paid for partly by the sale...

Diseases of Skin is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante...

Different French orders of chivalry of the Crusades is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original titl...

Rita Simon (aka Atirnomis), American (1938 - ) - Rara Avis, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: AP 30, Image Size: 33.5 x 24 inches, Size: 3...

1969 exhibition poster by Ernest Trova, Editions at Pace, created as a color lithograph. This vibrant piece highlights Trova’s distinctive style, making it a valuable addition for co...

Setsugo-Δ Mezzotint, 1977 Signed, titled and numbered in pencil (see photo) Edition: 30 (8/30) Provenance: Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014 Hamanishi Large 12 HAMANISHI Katsunori...

1938 original advertising poster for RAI Amsterdam stands as a testament to both the artistic prowess of its creator and the significance ...

This 1973 Dutch political poster was created for Jongerenfront, a radical youth movement advocating anti-imperialism and revolutionary solidarity. The bold imagery and striking color...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Giclee print on archival cold press cotton rag, edition 11 of 25 with 5 APs. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signa...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Size of sheet is ca. 29.5 x 21 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It com...

Antiquities of Herculaneum  - Letter of the Alphabet B,  from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Valeri...

Composition is a beautiful original lithograph realized by Jose Ciuha (1924-2015) Hand-signed on the lower right. Good conditions. The artwork represents...

Surrealistic image of a snake balancing a reflective sphere. Signed and numbered from the edition of 55. This is an older print, and one of Sietins larger images. The illusions and ...

Vere, hic homo iustus erat is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...

Antiquities of Herculaneum  - Letter of the Alphabet B,  from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...

This artwork titled "Three Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original lithograph on Arches paper by renown Bri...

Antiquities of Herculaneum  - Letter of the Alphabet B,  from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the 1955 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This serene and evocative composition reflects Braque’s lifelong fascination with the motif of birds—symbols of freedom, transcendence, and spiritual equilibrium. Oiseaux sur fond bleu captures the artist’s delicate synthesis of abstraction and nature, where the silhouettes of birds emerge in lyrical harmony against a radiant blue field. The image embodies Braque’s mature artistic vision: a perfect balance between movement and stillness, light and shadow, emotion and intellect. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, 1955 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1955 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published by Editions de la revue Verve, Paris, 1955 Notes: Excerpted from the album (translated from French), The illustrations in this album are printed from the sketch-books—carnets de travail—which Georges Braque has been keeping up for thirty years and more, and which constitute a daily record of fragments of the visible world that have caught his attention and ideas for paintings that have occurred to him. In fact the only difference between these sketch-books and the diaries kept by so many writers is that here the entries are not written but take the form of gouache or watercolor sketches. Hitherto Braque has always refused to make public these albums, which he takes with him wherever he goes and which comprise the bulk of his work as a draftsman. Now at long last he has authorized the printing of a number of pages of these albums, selected by himself with our co-operation. About the Publication: Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published in 1955, represents one of the most intimate and revealing projects in Georges Braque’s career and one of the final great achievements of the legendary Verve periodical. Under the direction of Teriade, Verve became a beacon of artistic collaboration, uniting the finest artists and writers of the modern age. This special issue departs from the grand thematic volumes of previous years to offer a rare glimpse into Braque’s personal creative process. The lithographs—printed by Mourlot Freres—faithfully reproduce pages from Braque’s private sketchbooks, which span three decades of his artistic evolution. Each image captures the immediacy of his thought, the fluidity of his brush, and the disciplined spontaneity that defined his practice. The 1955 issue of Carnets intimes stands as both an artistic document and a deeply human record of the artist’s inner vision, exemplifying Verve’s enduring mission to unite art, poetry, and philosophy in perfect harmony. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseaux...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Ex Libris Obratil  is a Contemporary Artwork realized in the mid-20th Century.  Woodcut print Artwork on ivory-colored paper. Hand-signed in pencil on the lower right corner. The w...

Moody depiction of a press by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, giving the impression that the press is located in a dark room. The press is d...

Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

Ex-Libris - Karlis Rozenbergs is an Artwork realized in the 20th Century. Woodcut on paper.  Good conditions. The artwork represents a minimalistic, clean design, through precisen...

The 1952 original poster by Claude Lepape for "Le Centenaire de la Médaille Militaire" is a commemorative piece that celebrates the 100th anniversary of ...

Ex-Libris -Herta Heeren is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness .

Anatomy of Animals is an etching realized in 1771 . It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's signature...

Letter T is an etching realized by Luigi Vanvitelli artist of 18th century. Good condtions. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original ti...

'S' From 'Hockney's Alphabet' By David Hockney David Hockney is a renowned British artist known for his vibrant paintings and innovative use of technology in art. His work often e...

Experience the artistry of fashion with the handmade clothing advertisement page from "The David Lance Goines Poster Book," published in 1978. This striking page exemplifies David La...

Antiquities of Herculaneum - Letter of the Alphabet T, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century. Good conditions ...

"Weddigen" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe...

Pattern is an original lithograph realized by Pirro Cuniberti in the 1960s. Good conditions. The artwork is depicted through harmonious colors.