Symbol Prints and Multiples

Lithograph in colors on Arches paper Published by George J. Goodstadt, Inc., Ridgefield, Connecticut (with their blindstamp) 29.5 x 41.3 inches Signed and numbered in pencil, editio...

Color woodcut with pochoir embellishments on fine silver mica ground By Kano Shuho, or Yamakawa Shuho, 20th century Japanese Artist

Jean Cocteau ( 1889 - 1963 ) Vé and Astrology ceramic's pendant : Vé : signed underneath White 1ere variant ( Terre blanche en relief ). page 212 Size: 7 x5.5 cm catalogue rai...

Part of my 'Jew-ish' series, a limited edition print of my original oil and acrylic painting, bringing pop art and my Jewish culture together Fine art pigment print 50cm x 60cm ...

Giclee print on archival cold press cotton rag, edition 11 of 25 with 5 APs. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signa...

And Then and then and then and then and then (Yellow), 1999 by Takashi Murakami Offset print, in silver ink signed and numbered by the artist 26 4/5 ...

Fernand HERTENBERGER (1882-1970) Calvary: Christ carrying the Cross, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blin...

During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) c...

Hand signed and numbered by the artist. Artwork image size 22 x 27 inches. Custom framed as pictured. Edition of 300. Artwork is in excellent condition. Certificate of Authentici...

Ultra rare and clever Banksy Americans Working Overhead Sticker. Printed with “018/BNK/5Y” on bottom of sticker. That is the item number for the sticker. Banksy made these with numbe...

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK IN 10 by Frank Schott 58 x 77.3...

Medium: original lithograph. Catalogue reference: Mourlot 300. Executed for Derriere le Miroir in 1961, and published in Paris by Maeght. Sheet size: 14 1/2 x 11 inches (370 x 277 mm...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Fritz Köthe “Untitled II” Color Offset Lithograph Signed and numbered by hand Edition: 100 Size: 27.3 × 23.4 on 30.6 × 26.1 inches COA provided The painter Fritz Köthe (1916-2005) i...

Lithograph on Arches paper with embossing and gold foil by the Spanish surrealist artist Salvador Dali. From the 1977 Twelve Apostles Suite (sometimes referred to as the Knights of the Roundtable Suite). Signed and numbered in pencil. This image is sometimes referred to as "Visions of Camelot." Edition Size: 350. Paper Size: 22.5 x 18.8 in. Referenced in; The Official Catalog of the Graphic works of Salvador Dali" by Albert Field as 72-14 C. Published by S. Wajntraub, P. Moore, A. Lancel and J. Carpentier, Paris. Framed Provenance: Martin Lawrence Gallery...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Arntz, Wilhelm F., and Jean Arp. Hans (Jean...

Ultra cool Banksy sticker resembling a British street sign. The number on the bottom “016/BNK/5Y” is the item number for this sticker. Banksy used number designations in a lot of his...

Robert Indiana Blue Alphabet , 2011 Screenprint in colors on wove paper 40,0 x 32,5 in (101.6 x 82.6 cm) Edition: AP 1/5 Signed, dated, annotated and numbered in pencil by Robert Ind...

The 1974 Temple University Music Festival and Institute poster, designed by acclaimed graphic artist Milton Glaser, is a timeless piece that encapsulates the essence of both music an...

Keith Haring Pop Shop bag c.1987: Rare original 1980s Keith Haring Pop Shop collectible featuring Keith Haring’s Three Eyed Smiling Face on a double-sided vinyl pouch. A classic 1980s Keith Haring Pop Shop collectible that is well-suited for display. Medium & Dimensions: Screen-printed heavy-weight vinyl pouch with sliding zip top. Double-sided. Approximately 9x9 inches. Condition: Well-preserved and in very good overall vintage condition. Unsigned from an edition of unknown; scarce. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened...

Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...

Clever Banksy Sticker. Graffiti Artists Must Report To Reception Before Starting Work. Printed with “BNK/5Y 020” on bottom of sticker. That is the item number for the sticker. Banksy...

Jean Cocteau ( 1889-1963 ) " Femme à l'écharpe rouge " Exemplaire d'Auteur . hand signed Jean Cocteau . Partially glazed white earthenware plate with engobe conceived in 1958 In an ...

Braque is known to have spent years working on this project, the illustrations for Lettera Amorosa by René Char. This exquisite work from the book utilizes sweeps of color to create ...

TECHNICAL INFORMATION Keith Haring Pop Shop IV (C) 1989 Screenprint 13 1/2 x 16 1/2 in. Edition of 200 Pencil signed, dated, and numbered Condition: ...

Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Do...

Keith Haring Untitled (Free South Africa #3) 1985 Lithograph 40 x 32 inches AP 11/15, apart from the edition of 60. Published by Edition Schellmann,...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Robert Indiana ART , 2013 Screenprint in colors on wove paper 40 x 35 inches (101.6 x 88.9 cm) (sheet) Edition: AP 2/7 Signed, dated, annotated and numbered in pencil by Robert India...

large scale original photograph with "frameless" glass face mounting from a series of conceptual motivational messages on classic Americana billboard signs in the iconic landscape of...

"Yield" by Allan D’Arcangelo uses the familiar road sign as a symbol of caution and submission, reflecting themes of modern life, societal control, and decision-making. The yield sig...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...

This original poster was created for a 1980 exhibition of Eduardo Chillida’s works at the Museum of Art, Carnegie Institute in Pittsburgh. Known for his mastery of form and space, Ch...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Takashi Murakami, a pivotal figure in contemporary art, is renowned for his ability to blend traditional Japanese aesthetics with modern pop culture. His 2016 limited edition print, ...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Italian maestro Lucio Fontana, a trailblazer in spatialism and the mastermind behind "Concetto spaziale," pushed artistic boundaries with his innovative use of plexiglass. One such groundbreaking exhibition unfolded at Galleria il Quadro Biella. Fontana, renowned for his Spatialist theories that advocated for a fusion of art and technology, harnessed the transparent allure of plexiglass to redefine the boundaries of artistic expression. The exhibition at Galleria il Quadro Biella became a testament to Fontana's avant-garde spirit and his relentless pursuit of transcending traditional artistic mediums. With plexiglass as his canvas, Fontana delved into a realm where space and art converged. The material's transparency allowed for a unique interplay of light and form, creating an immersive experience for the viewer. Each piece, a testament to Fontana's mastery, unfolded a narrative that extended beyond the physical confines of the gallery. Silvio Zamorani...

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

City reflection, print, limited 15, signed by the author.

Boris Lovet-Lorski, 'Untitled (Nude Crucified)', lithograph, edition 250, 1929. Signed and numbered 19 in pencil. Number 19 of Volume 2, a series of 10 lithographs published by the a...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...

This high-quality screen print is a reproduction of Pablo Picasso’s Toros en Vallauris, faithfully capturing the bold, expressive energy of his ori...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-D) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

Original Passion Play Tercentenary Oberammergau, 300th-year anniversary poster (1634 - 1934). "Germany Invites You!" This archivally linen-backed poster is the English version. It fe...

Medium: lithograph (after the drawing). Printed in 1953 for the art revue Derrière le Miroir (issue number 52) and published in Paris by Maeght. Sheet size: 15 x 22 inches (378 x 560...

Alfredo Sosabravo (Cuba, 1930) 'Viejo pescador', 2001 silkscreen on canvas 28.8 x 37.1 in. (73 x 94 cm.) Edition of 75 ID: SOS1289-005-075 Unframed ______________________________________ Manuel Alfredo Sosabravo  Born: 1930, Sagua la Grande, Matanzas, Cuba.  Studies: Between 1955-1957 he studied at the Elementary School of Applied Plastic Arts attached to the Academy of Fine Arts San Alejandro, in Havana, Cuba.  Experience: Member of the Association of Cuban Recorders and teaches several drawing and engraving courses at the National School of Art Instructors. In 1965 he entered the Graphic Experimental Workshop of Havana. In 1993 he teaches a mural ceramic course at the Faculty of Fine Arts of the University of Tenerife in the Canary Islands, working in turn at the Giuseppe Mazzotti Museum House 1903 in Albissola Mare, Italy.  Exhibitions: It is included in the 1959 annual Salon, Palace of Fine Arts, Havana. He made the first personal exhibition of importance in 1967 with oil-collages and ceramics in the Havana gallery. In 1973 he placed on the mezzanine floor of the Habana Libre Hotel a mural composed of 555 pieces of ceramics started since 1971. In 1997 he presented Sosabravo, The Guardian of the Small, in the Art Gallery, Madrid, Spain. In 2001 he exhibited graphic and painting works in El Comune de Orvieto Italia, in the Sala Conca de la Laguna, Tenerife and at the Feria de la Estampa in Madrid. In Cuba, he built the 10 m2 mural called Carnaval de la Habana for the Residencial América real estate. In 2002, Galería Cernuda Arte, Coral Gables, Florida, shows his works at the Art Miami Fair. In the United Kingdom he exhibited Murano glass oil paintings and sculptures. The Biennale di Ceramica nell'Arte Contemporary of Albissola Mare, Savona, invited him to participate with works that he would carry out in the San Giorgio da Poggi workshop. In 2003 his work was part of the Important Cuban Artworks...

The etching (Crucifixion) is signed and titled in pencil. Signed 'Fred' and possibly dated '27' in the image at lower left. It's in an usually spare drawing style but one that Nagl...

Boris Lovet-Lorski, Untitled (Crucifixion), lithograph, edition 250, 1929. Signed and numbered 7 in pencil. Number 7 of Volume 1, a series of 10 lithographs published by the artist a...

Janet Davidson-Hues Signed, Sealed and Delivered Year: 2011 Medium: Lithograph Edition: 20 Paper: Rives BFK, White Paper Size: 13.125″ x 42″ Image Size: 6.625″ x 36″ Signed lower rig...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Hard to find Banksy Petrol Head Sticker. This image was created by Banksy as an anti-war message against the Iraq war. A Petrol Head is an English term referring to a person that is ...

Edition of 150, signed and numbered by the artist. The Paris Review publishes writings and poetry by aspiring writers young and old. The publications are paid for partly by the sale...

Banksy sticker. Petrolhead. (Petrolhead is an English term that refers to a car enthusiasts). This is Banksy’s commentary on the oil impact that cars have. Also an anti-war message c...

1990s Keith Haring exhibition poster: Original Exhibition poster for Keith Haring at San Francisco Museum of Modern Art, May 08-September 08, 1998; an exhibit which featured a complete retrospective of Haring's work, from his childhood doodles and early New York subway drawings to large-scale paintings during his final years. Off-set lithograph on heavy wove paper. 24 x 36 inches. Unsigned from an edition of unknown. Bright, vibrant colors. Some minor signs of handling; otherwise very good overall. Contains trademark of Haring Estate on lower center edge. Further Background: Image featured in this poster is Haring's, "Drawing for Headstand 1988. De Young Museum's regarding Haring's symbolism here: "Human figures depicted upside-down are usually B-boys and B-girls, the dancers of hip-hop, doing the iconic move in which they spin on their head. Figures contorting in backbends or jumps are probably also depictions of break dancers." Haring’s work has long been a part of San Francisco’s visual culture. He created works for diverse venues in San Francisco during his lifetime, including murals for DV8, a club once located in the South of Market neighborhood, and a huge, multi-panel painting for the South of Market Childcare Center (also known as the Saint Patrick's Daycare Center). Haring’s outdoor sculpture Untitled (Three Dancing Figures) (1989), located at Third and Howard Streets, is a prominent feature of Moscone Convention Center, and his triptych altarpiece The Life of Christ (1990) is installed in the AIDS Chapel at Grace Cathedral...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man watering a tree. Scene takes place at night and there is ...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The term "calumet" ref...

Original American Red Cross vintage poster. Linen backed and ready to frame. The Red Cross nurse warming thousands, feeding thousands, hea...