Water Prints and Multiples

Untitled (Nr. 1009) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul...

36" x 15" Unframed Limited Edition Giclée & Silkscreen on Paper Numbered of 75 Hand Signed by Tom Everhart

CHAREWICZ Gochka (XXe) Michel Butor's Herbarium Signed and numbered 2/29 Dimensions: 42 x 32 cm. Toutes marges.

"Untitled (Nr. 0457)" Landscape Photography 18" x 24" in Ed. 5/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminatio...

Justin Pollmann "Vessel Kratered" 2022 Inkjet Transfer Collage, Monotype 42"x27" Inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s ...

limited_edition silkscreen print Edition number 50 Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:50 cm x D:0.1cm Sold Unframed Please note that insitu ima...

Untitled (Nr. 0402) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

Title: Provence Village lithograph in colors after a painting by the artist Dimensions: 38 x 28 cm from the edition of 250 as issued in Warnod, Andre...

This piece can be framed for an additional $1,500. 4" white border

Sea Garden Olga Poloukhine, French/American Etching with Aquatint, signed and numbered in pencil Edition of 150 Image Size: 17.5 x 23.5 inches Size: 22.25 i...

This piece can be framed in white wood for an additional $550.

St Paul’s In A Puddle By Michael Wallner [2018] limited_edition Brushed aluminium, wood Edition number 25 Image size: H:54 cm x W:40 cm Complete Size of Unframed Work: H:43 cm x W:3...

Ian Phillips Catching the Light Limited Edition Linocut Print on Paper Edition of 12 Image Size: H 83cm x W 122cm x D 0.01cm Sold Unframed Free Ship...

Reflection by Rob Barnes [2021] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Ple...

By the Seaside [2019] limited_edition linocut Edition number 1-6 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed ...

"Heatwave" Photography 20" x 20" inch Edition 2/36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox...

Moongazers [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Ple...

Valley of Gold By Chris Keegan [2021] limited edition Screen print Edition of 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:54 cm x W:54 cm x D:0.1cm Sold U...

Fowey Sailing [2021] Limited Edition Screen Print on Paper Edition number of 20 Image size: H:25 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:40 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Fowey River Racing is a limited edition print by Robyn Forbes...

"Sky Climb" Photography 40" x 30" inch Edition 1/24 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fashion...

Katie Hallam Siver Sea Limited Edition Digital Photograph Edition of 75 Image Size: H 103cm x W 50cm x D 1cm Sold Unframed Ready to Hang Please note that in situ images are purely an...

Venezia, Campo de l' Abazia, 1984 plate mm 491 x 243 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospective...

Deluxe signed limited edition acrylic print Edition of 20 Bright and colourful beach scene with lots of detail, ready to hang on the wall. Nick's artistic process is a captivating...

Clifford Singer is an authority on reality. In February of 1977, Singer attended the Whitney Museum Biennial where he met Salvador Dali while viewing a Richard Estes painting. Bot...

Leroy Neiman Bjorn Borg 1977 23 3/4 x 17 1/4 in. From the rare limited edition of 300 Original serigraph in colors on paper Hand signed and numbered in pencil

ARAQUÉM ALCÂNTARA Dead Tree, Jau, The Amazon, Brazil, 2001 Black and White Photography 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box fra...

Venice, Rio dei mendicanti, rif. 530 Original, signed and numbered etching, inches 20.4 x 31.1 (cm 52.7 x 79.4) The etching was exhibited last year in the critical retrospective tha...

Lands and Waters 24, Wales Coast, United Kingdom, 2016 32x40 inches Edition of 9 Archival Pigment Print UNFRAMED Also available in: 48x60 inches Edition of 5 Archival Pigment Print...

Lands and Waters 21, Path, United Kingdom, 2016 32x40 inches Edition of 9 Archival Pigment Print Unframed Also available in: 48x60 inches Edition of 5 Archival Pigment Print Unfram...

Lands and Waters 16, Westcombe, United Kingdom, 2016 32x40 inches Edition of 9 Archival Pigment Print UNFRAMED Also available in: 48x60 inches Edition of 5 Archival Pigment Print U...

Recognized as a pioneer of nature photography in Brazil, Araquém Alcântara (b. 1951) has, for over five decades, built a monumental visual legacy that celebrates and defends the coun...

Two-dimensional work of a businessman wearing a life vest rowing in a lifeboat.

beautiful work

Recognized as a pioneer of nature photography in Brazil, Araquém Alcântara (b. 1951) has, for over five decades, built a monumental visual legacy that celebrates and defends the coun...

ARAQUÉM ALCÂNTARA The Amazon Forest, Carabinane Tree, Brazil Black and White Photography 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plex...

ARAQUÉM ALCÂNTARA Jalapão, Tocantins, Brazil, 2013 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plexiglas Also available in 60 x 40 inches...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Recognized as a pioneer of nature photography in Brazil, Araquém Alcântara (b. 1951) has, for over five decades, built a monumental visual legacy that celebrates and defends the coun...

This photogravure in colour from the year 2000/2001 is the sixth sheet from Peter Doigs series ‘100 Years Ago’. This copy is signed and numbered in pencil below the image on the righ...

Cascina Rosina, 1983, rif. 469 Etching inches 15.2 x 15.3 (mm 387 x 390). Contemporary Art Italian landscape, Lanca Gelata, rif. 405 Original etching, signed and numbered. Limited ...

This piece can be framed for an additional $1,500. 4" white border

Infinity Field, Lefkada Series: Untitled, screenprint in colors, on T.H. Saunders paper, 1977, signed in pencil. Published by Marlborough Graphics, New York. Very good condition....

This piece can be framed for an additional $1,500. 4" white border

Rio Ognissanti, Venezia, rif. 529 Etching inches 19.29 x 33 - mm 490 x 840 The etching was exhibited last year in the critical retrospective that the city of Milan promoted and set ...

Venice Rio San Barnaba, rif. 535 Platemark inches 27.24 x 11.42 - mm 692 x 289 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in ...

Edition of 11.

Cristina Schek Diving Upwards, 2022 Framed Archival Pigment Print Anti-Reflective Museum Glass Signed certificate of authenticity included. Framed: 64.5 x 54.5 cm 25 1/2 x 21 1/2 in....

Cascina San Pietro, 1982, rif. 435 Etching inches 13.5 x 25.1 (mm 347 x 637). Contemporary Art Etcher. A prominent figure of the art of engraving in Italy, Federica Galli was born ...

Venezia, Canal Grande ref. 549 Etching inches 23,19 x 31,26 - mm 589x794 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a vill...

It is a limited series of 5 copies. Printing on 315gr fine art paper with a white border of around 2 cm. Color photography mixed media digital collage.

Milwaukee's iconic spots are captured in watercolor and available as hand-embellished giclée. They are printed on archival quality watercolor paper and specially hand embellished so each giclée is a unique mixed media piece of artwork. The artist Julia Taylor added special original touches to each print in 'The Milwaukee Series 2020' 32" x 22" art Growing up in a small farming community in Indiana, I learned to draw early in life. I earned spending money by sketching portraits at county fairs and illustrations in weekly papers. Art teachers in high school and college taught me ways to master drawing fluidly from life. In college, my small stained glass...

Title: Notes of Water II (Notes of Water I is also available) Edition: 21 of 40 image size: 73 x 41 cm / 28,7 x 16,1 “ Paper size: 106 x 78 cm /...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. From the edition of 225. Artwork is in excellent condition. Certificate of auth...

Hand signed, titled and numbered by the artist. Image size approx 20 x 24 inches. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers ...

Don't Depend on the Heavens Art Work by Xlyang County Amateur Fine Art Production Group. Published by Shanghai People's Publishing House. 1975

Hand signed and numbered by the artist. Image radius approx 24 inches. From the main edition of 300. Artwork is in excellent condition. Certificate of Authenticity is included. All...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate of authenticity included. Edition...

From the Atlantique Suite. Serigraph on paper. Hand signed and numbered by the artist. Image size 17 x 23 inches. Edition of CXV. Artwork is in excellent condition. Certificate of...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...