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Walter SchnackenbergBonbonnière & Eremitage by Walter Schnackenberg, German cabaret poster, 19201920
1920
$3,500
£2,613.95
€3,033.10
CA$4,847.52
A$5,434.04
CHF 2,833.73
MX$66,608.02
NOK 35,908.08
SEK 34,138.94
DKK 22,630.86
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About the Item
Walter Schnakenberg’s 1920 poster promoting the decadent (and likely debaucherous) Munich cabaret Bonbonnière & Eremitage.
The costume and poster designs of Walter Schnakenberg defined ballet and cabaret during Germany’s Weimar Republic. “The modern poster as we know it–large, colorful images printed in quantities on paper–is a relatively modern invention, coming to a recognizable form just before the close of the 19th century. While Paris was unquestionably the center of the world when it came to Poster Art at the opening of the movement, by 1910 Germany had established itself as a landmark for groundbreaking graphic artists. With advances in lithography, German printers were creating some of the most powerful ink-on-paper works in Europe; the simple elegance of the German aesthetic combined with sophisticated printing techniques make the lithographed art posters of this era more kin to oil paintings than contemporary posters.”
-Quote from Transcendent Luxury by Thomas Negovan (2016)
This lithograph was published in 1920 by O. Consée in Munich. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity.
Notable museum collections and institutions featuring works by Walter Schnackenberg include: Victoria and Albert Museum; Virginia Museum of Fine Arts; Cooper Hewitt, Smithsonian Design Library
- Creator:Walter Schnackenberg (1880 - 1961, German)
- Creation Year:1920
- Dimensions:Height: 11.25 in (28.58 cm)Width: 8.88 in (22.56 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Period:
- Condition:Exceptional condition commensurate with age. Inks are incredibly dense, bold, and free of fading. Image will display beautifully.
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU1493210872802
Walter Schnackenberg
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects.
Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.
In his later years, Schnackenberg explored the unconscious, using Surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color.
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(Biography provided by Galerie Fledermaus)
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