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Angelo Di BenedettoAngelo Di Benedetto Mid-Century Abstract Metal Sculpture, Signed, Brutalist Art
$3,750
£2,830.02
€3,239.95
CA$5,288.74
A$5,806.38
CHF 3,029.20
MX$70,265.29
NOK 37,966.33
SEK 35,774.27
DKK 24,185.34
About the Item
This striking mid-century modern abstract sculpture is a rare, original work by acclaimed American artist Angelo Di Benedetto (1913–1992). Crafted in industrial metal, the piece masterfully blends geometric forms with organic movement—hallmarks of Di Benedetto’s distinctive style. Measuring 13 ¼ x 11 ¼ x 7 ½ inches, this one-of-a-kind sculpture captures the artist’s ability to evoke emotion through minimalist, yet powerful, design.
The work reflects Di Benedetto’s lifelong exploration of form, symbolism, and material, particularly his fascination with the circle as a universal motif. A compelling piece for collectors of modernist sculpture, it embodies the artist’s fusion of industrial techniques with spiritual and abstract expression.
About the Artist:
Born in New Jersey to Italian immigrant parents, Angelo Di Benedetto studied at Cooper Union and the Boston Museum School. A key figure in the postwar American modern art movement, he exhibited widely in New York before relocating to Colorado, where he co-founded the Denver Art Center. Di Benedetto's work spans painting, printmaking, and sculpture, often exploring deeply personal and spiritual themes. He was awarded an honorary doctorate from the University of Colorado in 1977.
Provenance: Estate of Angelo Di Benedetto.
- Creator:Angelo Di Benedetto (1913 - 1992, American)
- Dimensions:Height: 13.25 in (33.66 cm)Width: 11.25 in (28.58 cm)Depth: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:very good to excellent condition.
- Gallery Location:Denver, CO
- Reference Number:Seller: 247611stDibs: LU27311320242
Angelo Di Benedetto
Angelo Di Benedetto Born New Jersey 1913
Died Central City, CO 1992 The son of Italian immigrants from the Salerno province in southern Italy, as a teenager Di Benedetto worked to study at the Cooper Union Art School in New York City (1930-34) from which he graduated with a certificate in freehand drawing. He won a scholarship to the Boston Museum Art School where he studied for three years, beginning in 1934. In 1937, he entered his first juried exhibition at the Montclair Museum in New Jersey, winning first prize and first honorable mention. In December 1938, the Royal Netherlands Steamship Line sent him on a two-month ethnological study trip to Haiti, his first exposure to a different environment outside the United States. In 1940, his Haitian paintings were exhibited at the Montross Gallery in New York – his first solo show. Before World War II, Di Benedetto traveled extensively around the United States doing regional paintings. During the war in 1941, Di Benedetto volunteered for a secret mission based in Eritrea, Africa before the Allied invasion. Following Africa, he served as an orientation officer and aerial photographic officer in the District of Columbia. In 1945 he was assigned to a mapping unit at Buckley Airfield in Denver where he served until his discharge in 1946. Like many other servicemen stationed at the time in Colorado, Di Benedetto chose to remain in Colorado, impressed by the state’s physical grandeur and healthful climate. He settled in the old mining town of Central City in 1947. In 1949 Di Benedetto and his wife, ceramist Lee Porzio, opened the Benpro Art School in his studio where he conducted summer art classes. In 1950, Di Benedetto teamed up with Frank Vavra to open the Denver Art Center. He and Vavra were founding members of the 15 Colorado Artists. Denver Art Center in downtown Denver only lasted about a year. Undeterred by its lack of success, Di Benedetto continued to give workshops, classes, and lectures in Denver and elsewhere. His efforts earned him an honorary doctorate from the University of Colorado in 1977. For more than three decades he explored the circle in paint, sculpture, and shaped canvas. Because abstraction touched upon his deep feelings and spirituality, he felt he could make visible that part of life which “we feel but almost never see.” Di Benedetto died in Central City, Colorado in 1992.
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