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Claes Oldenburg
Soft Alphabet

1978

$41,053.55
£30,000
€35,313.56
CA$56,337.21
A$63,082.63
CHF 32,913.37
MX$768,615.59
NOK 417,647.17
SEK 397,071.26
DKK 263,592.51
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About the Item

Complete set of 41 sewn cotton, sand-filled bags, contained in a wooden box with screenprinted box lid, 1978, signed and numbered from the edition 13 of 16 (there are also 2 artist’s proofs), published by Multiples Inc., New York, overall: 743 x 565 x 70 mm (29¼ x 22¼ x 2¾ in.)
  • Creator:
    Claes Oldenburg (1929, American, Swedish)
  • Creation Year:
    1978
  • Dimensions:
    Height: 29.26 in (74.3 cm)Width: 22.25 in (56.5 cm)Depth: 2.76 in (7 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    Seller: 1081911stDibs: LU47016437152

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Orpheum Sign
By Claes Oldenburg
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Aquatint on BFK Rives paper, 1962, signed and numbered ‘ea’ from the edition of 60, printed by Atelier Goerges Leblanc, Paris, published by Galleria Schwarz, Milan, sheet: 254 x 190 ...
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16 Postcards
By Claes Oldenburg
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Complete set of 16 postcards, 1976, each postcard titled and captioned on verso, originally published by Edition Hansjörg Mayer, Stuttgart, London, Reykjavik to accompany Oldenburg’s...
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M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version
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Located in London, GB
Screenprint and lithograph in colours on BFK Rives paper, 1973, signed and numbered in white pencil, a proof aside from the edition of 300, printed by Styria Studio, Inc., published ...
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Claes Oldenberg (b.1929) is a Swedish-born American artist, renowned for his contribution to Pop art by way of his iconic soft sculptures and public installations. In 1962, Oldenburg debuted his revolutionary soft sculptures at the Green Gallery in New York. Three giant, squishy sculptures of an ice cream cone, a hamburger, and a slice of cake, swelled across the gallery floor, forever changing the way we define sculpture. It has been noted that Oldenburg's early work was largely inspired by Yayoi Kusama's hand-sewn phallic-shaped soft sculptures that enveloped the surfaces of ironing boards, sofas, and boats. Click here to see an exhibition poster featuring a later example of Kusama's soft sculptures. Ranging from voluminous hamburgers (famously on display at the AGO) to ballistic badminton shuttlecocks, Oldenberg's colossal sculptures replicate commonplace objects on a grand scale, often disrupting the environment they inhibit with curious and playful subtexts. The confrontational nature of Oldenberg's sculptures places an emphasis on the viewer, asking us to reconsider our relationship to these recognizable, but obscure, objects. "Geometric Mouse...
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