Lisa Meek

Toxic Beauty

2025

This ready to hang piece is constructed out of paper that was torn from book pages and sculpted into colorful flowers. Lisa Meek’s sculptures, collectively titled Biblio Botany, pos...

Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tinted adding a dimension of color to the work without obscuring the words on the page Lisa Meek’s sculptures, collectively titled Biblio Botany, possess a duality that is reflective of the artist herself and her eclectic range of interests. As a practicing medical professional with an inherent artistic drive, Lisa Meek has made impactful contributions to those she interacts with in both office and gallery spaces. The polarity of these worlds conglomerate beautifully, manifesting through her notable success in both fields. Lisa’s pursuit of a cosmetological career has always been paralleled with a desire to create, to utilize her artistic prowess in order to share her perspective and initiate important conversations. This desire has been integral to her experience since early adolescence, when she began acting upon her creative drive by depicting nature scenes.  The process in which Lisa assembles her sculptures is quite complex. In order to achieve depth and nuance, Lisa employs considerable intention throughout the planning process. With great admiration and ponder, Lisa cuts pages out of various literary works which highlight topics she wishes to discuss, human rights often being central. Attention to detail is vital; certain books possess qualities unsuitable for paint and shape manipulation. Every aspect of her work is deliberate; the symbolism associated with color and flower species, the pairing of literature, the minute details of shape and object placement. This layered production process exemplifies Lisa’s contemplative nature.  Prior to 2018, the majority of Lisa’s work was created on traditional canvas. Spurring from her exposure to contemporary mediums, she was able to redefine her creative denotations and expand her personal definition of art. The surface work of Liza Lou...

14"x19"x6" For Melissa Pokorny, found objects constitute the starting point for elaborate sculptures that have explored gender roles, the public and private spheres, and the nature/culture divide. More recently, her work engages the connection between “things” as potent containers of memory, capably representing loss and estrangement, and the deeply haunted landscape of the everyday. Unremarkable objects become activated and heightened as they are positioned within larger tableau. The compulsion to collect, the status of marginal objects and things, and speculative connections result in fractured narratives that address these occulted objects, the allure of magical thinking and the collapse of the boundaries between the animate and inanimate. Pokorny has been an exhibiting artist for over twenty years. Her large scale, assemblage-based sculptural works have been widely exhibited at venues across the US. Recent solo shows at Platform Gallery in Seattle and Front Room Gallery in New York augment a long career of solo exhibitions, beginning with Gallery Paule Anglim, in San Francisco and continuing with Bodybuilder and Sportsman in Chicago. Selected group exhibitions include venues such as Yerba Buena Gardens, Southern Exposure, Victoria Room, and New Langton Arts in San Francisco, Foodhouse Gallery in Los Angeles, Gallery 400, Columbia College,The James Hotel, and Devening Projects +Editions in Chicago, and The Richard Peeler...

ADRIANA MARMOREK LUSH, 2020 porcelain, blown glass 9.84 x 16.93 x 10.24 in. 25 x 43 x 26 cm. flower