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Marlen RichardLarge Handmade Tapestry Textile Wall Hanging Wool Mixed Media Marlene Richard
$2,500
£1,938.43
€2,199.51
CA$3,583.64
A$3,896.70
CHF 2,053.18
MX$47,333.61
NOK 25,812.63
SEK 24,197.26
DKK 16,505.39
About the Item
Eclectic, mixed media wall hanging textile tapestry by Marlene (Marlen) Richard featuring abstract embroidery atop free hanging locks of fabric over a black background embellished with gilt fabric accents. Hand made and hand embroidered. This had a paper artists label but it has since become detached. Overall image resembles a colorful pop art sunset over ocean waters. Hanging cords in various fabrics, colors and textures. Her work bears the influence of Sheila Hicks and bears similarities to Latin American, Colombian textile artists Olga de Amaral and Stella Bernal. Hand made, hand woven felt and wool spectacular textile wall hanging fabric sculpture by Miami woman artist Marlene Richard. It consists of long hanging pods from a woven back. (this is a sort of tapestry, not the Aubusson or Gobelin type but more of a 3D sculptural wall piece.)
- Creator:Marlen Richard (American)
- Dimensions:Height: 77 in (195.58 cm)Width: 36 in (91.44 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211223222
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Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf).
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'North Woods Suite'
This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available.
Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches
Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso
Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship.
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Selected Solo Exhibitions
2018 - Silo Gallery, Nantucket Island School of Design and the Arts
2011 - Silo Gallery, Nantucket Island School of Design and the Arts
2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts,
2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA.
2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME
Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME
2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME
2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA
2001 - New Work, Works Gallery, Philadelphia, PA.
Selected Group Exhibitions
2020 - Maine Quilts: 250 Years of Community, Maine State Museum
2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery
2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME
2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June
2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College
2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT
Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum
2011 - Instruct, The Studios at Key West
Artpark 1974-1984, University of Buffalo Center for the Arts,
2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA
2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery
2005 - Rooted in Tradition, Foothills Art Center, Golden, CO
2004 - Envision 20/20, Colby College Museum of Art
Another Layer, Portland Museum of Art
2002 - The Portland Show, Greenhut Galleries
Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan
Selected Collections
Elmira College, Cowles Hall, commissioned by John Walsh III 2017
Philadelphia Museum, Philadelphia, PA
Museum of Art and Design, NYC
Baltimore Museum of Art, Baltimore, MD
Peabody Essex Museum, Salem, MA.
Bowdoin College, Walker Art Museum, Brunswick, ME
John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001
University of Nebraska, Lincoln International Quilt Study Center, The James Collection
Rocky Mountain Quilt Museum, Golden, CO
Mass Mutual, Boston MA Waban, Inc. Boston, MA
University of Wisconsin, Madison, WI
Selected Awards and Fellowships
2012- The Studios at Key West, artist residency
2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program
2007 - Robert M. MacNamara Foundation
2003, 1989 - Maine Visual Artist Fellowships
2004 - Maine Art Commission Good Idea Grant
Selected Biography
Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018
Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010
Masters: Art Quilts Volume 2, Sterling Publications, 2011
American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009
Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006
Six Continents of Quilts, The Museum of Art and Design Collection, 2005
Contemporary Art Quilts...
Category
Early 2000s American Modern Mixed Media
Materials
Fabric, Thread, Paint, Mixed Media
Textile Art Quilt Dye Painting Tapestry Mixed Media Gayle Fraas & Duncan Slade
Located in Surfside, FL
Gayle Fraas and Duncan Slade (American, 20th Century)
Mixed Technique Textile Art
Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf).
2002
'North Woods Suite'
This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available.
Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches
Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso
Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship.
Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work.
Selected Solo Exhibitions
2018 - Silo Gallery, Nantucket Island School of Design and the Arts
2011 - Silo Gallery, Nantucket Island School of Design and the Arts
2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts,
2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA.
2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME
Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME
2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME
2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA
2001 - New Work, Works Gallery, Philadelphia, PA.
Selected Group Exhibitions
2020 - Maine Quilts: 250 Years of Community, Maine State Museum
2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery
2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME
2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June
2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College
2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT
Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum
2011 - Instruct, The Studios at Key West
Artpark 1974-1984, University of Buffalo Center for the Arts,
2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA
2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery
2005 - Rooted in Tradition, Foothills Art Center, Golden, CO
2004 - Envision 20/20, Colby College Museum of Art
Another Layer, Portland Museum of Art
2002 - The Portland Show, Greenhut Galleries
Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan
Selected Collections
Elmira College, Cowles Hall, commissioned by John Walsh III 2017
Philadelphia Museum, Philadelphia, PA
Museum of Art and Design, NYC
Baltimore Museum of Art, Baltimore, MD
Peabody Essex Museum, Salem, MA.
Bowdoin College, Walker Art Museum, Brunswick, ME
John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001
University of Nebraska, Lincoln International Quilt Study Center, The James Collection
Rocky Mountain Quilt Museum, Golden, CO
Mass Mutual, Boston MA Waban, Inc. Boston, MA
University of Wisconsin, Madison, WI
Selected Awards and Fellowships
2012- The Studios at Key West, artist residency
2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program
2007 - Robert M. MacNamara Foundation
2003, 1989 - Maine Visual Artist Fellowships
2004 - Maine Art Commission Good Idea Grant
Selected Biography
Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018
Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010
Masters: Art Quilts Volume 2, Sterling Publications, 2011
American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009
Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006
Six Continents of Quilts, The Museum of Art and Design Collection, 2005
Contemporary Art Quilts...
Category
Early 2000s American Modern Mixed Media
Materials
Fabric, Thread, Paint, Mixed Media
Mixed Media Textile Assemblage Collage Painting on Wood Yanira Collado, Miami
Located in Surfside, FL
Yanira Collado (Dominican, American, 1975 )
"Que Ya Estan En El Olvido"
Mixed Media unique fabric and painting assemblage collage on plywood
Textile, clothing and found material on a custom-made frame.
COA signed by the artist on 11/27/2020.
Provenance: Oolite Arts, Miami Beach, where Collado was a resident artist.
DIMENSIONS: H: 30" W: 24"
As a child, Collado traveled between social structures: from Brooklyn, New York where she was born; to the Dominican Republic; to Miami, where her mother worked to become a tailor. Her use of construction materials summons the perception of a displaced personal and public history. She is a Caribbean African American artist with a Feminist leaning. In her practice, Collado displays an awareness of language conveyed through a keen analysis of identity, the latter referenced in her use of reclaimed literary texts and textiles, simultaneously opposed by various construction materials: wood, concrete, masonry brick, iron, and drywall. Materials with inherent geographic histories, processes, and economies imply varying degrees of personalized and public memory.
"My connections are grounded to an alternate imagination: a Caribbean imagination and an alchemic consciousness. The Dominican Republic is a culturally rich country. Our musical narratives, folkloric traditions, oral histories, spiritual and supernatural beliefs are complex and embedded in our everyday life. All these components shaped my perceptions, sensibilities, and life experiences. I am always seeing the world through a Caribbean lens".
Her artist residency fellowships include Bridge Red Art Center, North Miami, FL (2013-present), Project Row Houses, Houston, TX (2018), Oolite Arts, Miami Beach, FL (2019 – present), and the Joan Mitchell Foundation residency in New Orleans, LA (2020). She was awarded a South Florida Cultural Consortium Fellowship in 2021, and Ellie Creator Grant from Oolite in 2019, first place in the 2013 South Florida Biennial at the Art and Cultural Center/Hollywood, FL, and a Joan Mitchell Foundation Fellowship in 2018. Her work has been featured in group shows around the country including Perez Art Museum, Miami, FL; El Museo del Barrio, New York, NY; PRIZM Art Fair, Miami, FL; Storage Project Space, New York, NY; Oolite Arts, Miami Beach, FL; Project Row Houses, Houston, TX; Museum of Contemporary Art, North Miami, FL; Patricia & Phillip Frost Art Museum, Florida International University, Miami, FL; The Franklin, Chicago, IL; Florida Atlantic University, Boca Raton, FL; and NOVA University, Ft. Lauderdale, FL.
Collado’s work was pictured in the Artforum Critic’s Pick, accompanying the review of Fragment, a group exhibition at Emerson Dorsch. In 2016, Collado had a one-person exhibit at the Museum of Art + Design at Miami Dade College, in collaboration with Bridge Red Studios. She had solo exhibitions with Dimensions Variable, Under the Bridge and Far Side Gallery in 2018. In 2019, an interview with her and Onajide Shabaka, mediated by Ryan N. Dennis, was published in BOMB Magazine. Her work is in the collections of Perez Art Museum Miami and El Museo del Barrio. Collado lives and works in North Miami, FL.
SELECTED ONE & TWO-PERSON EXHIBITIONS
2022
Areíto/ Allusions of Sacred Geometry and Diaspora, Noyes Cultural Arts Center, Evanston, IL
2021
Alchemic Chants/ Reliquías Fragmentadas, Emerson Dorsch Gallery,
2018
Penumbras, Under the Bridge Art Space, Miami, FL
Viento brujo, Farside Gallery, Miami, FL
2016
Original Conditions, MDC Museum of Art + Design/Bridge Red Studios, Miami, FL
SELECTED GROUP EXHIBITIONS
2021
Under the Florida Sun: South Florida Cultural Consortium Fellowship Visual and Media Artists, curated by Mikhaile Solomon, Schmidt and Ritter Art Gallery, Florida.
Exhibition Diverse Networks, Curate by Laura Marsh, Oolite Arts, Miami Beach, FL
Performance 4 Ways: MY BODY, MY RULES, Perez Art Museum, Miami, This was an all-female group exhibition confronting the stereotypes, violence, limitations, and ideals imposed on the disputed image of the female body. The contemporary female image narrative through a feminist lens. The exhibition features artworks across all mediums, such as painting, sculpture, photography and video. Artists included Ida Applebroog, Ruth Bernhard, Louise Bourgeois, Patty Chang, Naomi Fisher, Anna Gaskell, Anna Bella Geiger, Andrea Geyer, Frances Goodman...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Fabric, Textile, Plywood, Paint, Mixed Media
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