
Rare Bronze Painted Cast Study for North America
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Maurice CockrillRare Bronze Painted Cast Study for North America1994
1994
$3,000List Price
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View AllHuge Untitled Painted Metal Assemblage Sculpture, aluminum with nuts and bolts
By Robert Goodnough, 1917-2010
Located in Surfside, FL
Robert Arthur Goodnough (AMERICAN, 1917-2010)
Untitled
oil on aluminum with nuts and bolts
Provenance: Christie's Auction House from the estate of William F. Buckley and Patricia ...
Category
20th Century Abstract Expressionist Abstract Sculptures
Materials
Metal
American Modernist Abstract Expressionist Oil Painting Carving William Pellicone
Located in Surfside, FL
William Pellicone (American 1915-2004)
Mixed media, pyrography, oil on wood carving painting. Dated 1958
Title - Enthymeme #14.
Oil painting on carved and burnt distressed wood panel.
Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58.
Label on reverse with a typed definition for Enthymeme.
Dimensions: 27 inches high, 42.5 inches wide.
Metal wrap frame.
Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959.
William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York.
William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Wood, Oil
Chester Williams, Black Artist, Abstract Bronze, Wood African American Sculpture
Located in Surfside, FL
Chester L. Williams
Label on bottom, signed. Title: Promethium
Medium: Bronze, Aluminum and wood.
Approx. dimensions: 12 X 11 X 4 inches.
Chester Lee Williams (1944-1919) was born in 1944, in Durham, North Carolina. Chester cultivated a creative mind that eventually led him to pursue an education in fine arts and sculpture at North Carolina Central University (BA) and the University of Michigan (MFA). In 1974, he made his way to Tallahassee and started instructing at FAMU. Students at the university have a deep appreciation for the jazz lover’s insight and skill. A lifelong artist, Chester's work has been featured in galleries and publications across the country. The body of his work produced over 45 years has evolved from smooth and supple sculptures into the more angular and defiant shapes seen in his later works. Chester has said: "All of the works are me. I still embrace every one of them." Chester enjoyed traveling and exploring different cultures. His art was influenced by his travel and knowledge of African culture. He was an educator for 37 years, teaching at Voorhees College, North Carolina Central University and Florida A&M University before retiring in 2011.
He sold his first piece of art in the ninth grade to his homeroom teacher. (That early sale paid off — years later, that teacher’s husband, the president of a bank, commissioned Williams to create a sculpture for the bank’s lobby...
Category
20th Century Abstract Abstract Sculptures
Materials
Metal, Bronze
Large Biomorphic Abstract Bronze Sculpture Phoebe Adams Wall Hanging
Located in Surfside, FL
"What Remains"
Cast bronze with patina, 1985.
Cast at Johnson Atelier, Hamilton NJ
Exhibited at Guggenheim Museum 1985
Provenance: Sold through Grace Borgenicht Gallery, NY
The second photo is the picture in the catalogue. I received it from the artist. I do not have the catalogue available.
Studio handcrafted solid cast bronze Biomorphic shell wall sculpture. Abstract exoskeleton theme. This is a corner piece as can be seen in the catalogue photo (we do not have the catalogue). To be mounted on left side wall of corner, piece reached across to right side across corner (as per artists instructions).
Phoebe Adams...
Category
1980s Abstract Abstract Sculptures
Materials
Bronze
Early Murano Glass Free Form Abstract Blown, Cut, Glass Sculpture in Bronze Vase
Located in Surfside, FL
This piece appears unsigned and unmarked. It came from an important estate in the Palm Beach area.
It is an abstract flame or torch in a bronze vase.
Venetian glass (Italian: vetro ...
Category
1940s Abstract Abstract Sculptures
Materials
Bronze
Large Latin American Modernist Bronze Abstract Cuban Master Roberto Estopinan
By Roberto Estopiñan
Located in Surfside, FL
Roberto Estopinan, Cuban, 1920 - 2015
Dimensions: 24.5" wide x 13" high plus 6" high base.
Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art.
Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002.
Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...
Category
20th Century Abstract Figurative Sculptures
Materials
Bronze
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