Mickey “Kano” Kane

Yellow Totem Abstract New Age Surreal Sculpture by Mickey Kane

1988

A Scarab Totem Abstract New Age Surreal Sculpture by Mickey Kane Dramatic construction of a 1980s Scarab Totem or wild Sci-Fi rendition by the local Santa Cruz artist (Mickey "Kano...

"Roped into Duality" Abstract Relief Sculpture. Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This eye-catc...

Asymmetric Two-Sided Surrealist Hanging Sculpture by Mickey Kane Dual-sided biomorphic construction by Mickey "Kano" Kane (American, 1939-2002). This piece features smooth, organic ...

"The Clever Sentimentalist" Surrealist Relief Sculpture Mickey Kane Striking relief sculpture which evokes the human form. An organic yellow shape rests in the center of the composi...

Carabela sculpture, signed and dated, edition 20/60 with certificate. Edgar Negret was born in 1920-2012 Colombia. He studied at the School of Fine Arts ...

Yellow painted stainless steel sculpture by Giancarlo Caporicci. Signed on the base.

Totem Poem, Original Glass and Metal Sculpture, 2020 43″ × 72″ × 36″, 70 lbs Fused Glass and Varied Metals Sculpture may be installed indoors and outdoors Free Standing Artist Comme...

Milled wood, encaustic, string and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own firms for over 20 years starting in 1980, his focus was special needs housing and other government sponsored commissions.  A second career started in 2001 as owner and CEO of Chilewich, the design brand best known for beautiful and functional home textiles. He built their factory in Georgia where all the products are made, with machines and processes of his design. He stepped down as CEO in May of 2022. During all phases of his career Joe made art, first engraving and drawing before turning to sculpture. But it was at the Hudson Valley house that he turned exclusively to sculpture using the abundant wood of his land. He mills the wood into sticks, planks and blocks. The milling leaves ridges, valleys and cambers making every raw piece, unique. Sculptures start by putting 2 random sticks together, there’s no plan to start with, or drawings. But there’s always an idea about form, space or memory that guides them. The idea solidifies as the piece grows and eventually supersedes initial randomness. All the work contain the markings of its making.  Joe’s work was first shown at Susan Eley Fine Art...