Nicholas Crombach

Garden Wall

2021

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham and Malka Green Award, and a BMO 1st Art Nomination. His work has been seen at Word On The Street, Katharine Mulherin Contemporary Art Projects, the Al Green...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

This ready to hang piece is constructed out of paper that was torn from book pages and sculpted into colorful flowers. Lisa Meek’s sculptures, collectively titled Biblio Botany, pos...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Diptych Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass s...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...