Late 20th Century Abstract Sculptures

Red and Black Vase David Ruth, American Blown Glass, Signed Size: 10 x 3.25 x 3.25 in. (25.4 x 8.26 x 8.26 cm)

Louise Bourgeois Limited Edition Ceramic Plate depicting Malloreddus alla Sarda, Dallas Texas, 1998 Ceramic Plate 10 in diameter Edition 457/1000 (read description; the edition was not completed) Unframed (Stand shown is not included) Makes a memorable gift! This striking, rare limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. It was designed by renowned American artist Louise Bourgeois. From the late 1990s through the millenium, Buon Ricordo...

This artwork was created by the Italian artist Alessandro Guierriero, it is a multiple of a serie of specimens made in limited edition not numbered. The set is forged in aluminum an...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

ONE WEEK ONLY SALE The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. There are i...

Mary Caroline Richards Vase, circa 1970s Glazed earthenware 4 1/2 x 5 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (M. C.) Richards (1916 – 1999) was bo...

Buky Schwartz House in Motion, 1986 Welded steel 10 1/2 × 6 1/4 × 6 1/2 inches This is a unique work The sculpture is an upside down house with two human figures. It is ingeniously ...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the wellknown International artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed ...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

Artist: Leonardo Nierman (1932 - ) Title: Untitled Year: circa 1979 Medium: White Onyx, signature engraved Size: 24 x 43.5 x 7.25 inches Base: 4 x 13.25 x 13.25 inches

Brown Vase Ira Sapir, American (1955) Hand-Blown Glass Size: 5.5 x 3.5 x 3.5 in. (13.97 x 8.89 x 8.89 cm) Opening is 1 inch in diameter

Edition 3 of 12, signed "R Holmes 3/12" on back edge of kneeling figure, and "Kneeling 3/12" on underside of base. Robert Holmes's sculpture has been exhibited over the past thirt...

Gallifa Study X By Barry Flanagan 1992 Bronze 27.9 x 13.7 x 9.8 cm Edition of 8 Provenance: Private UK collection

Really lovely bowl by this well collected and exhibited British potter Good condition 17cm high diameter 38cm 1980s

Figurative abstract tribal sculpture of a creature with four arms by Nathaniel Sirles (American, b. 1956). Signed and dated "Sirles 1973" on the bottom. Sirles completed this piece ...

Unknown/ Unidentified Artist, "Untitled" ( 4 Figures on a Bench), Abstract Figurative Wire Sculpture, Stands 20" Tall and 24" Wide, Late 20th Century

This is an interesting bronze sculpture multiple art work signed by the Italian Artist Beppe Bonetti. Title Northern Tale This is a multiple of a numbered edition of 500 pieces. The...

Interesting Latin American art collage/assemblage of images. bears elements of Arte Povera. it is mounted onto a wood construction. Signed verso and bears label from Stux Gallery. Well Known Brazilian political artist and collector. Showed at Stux Gallery (they showed Doug Anderson and then Mike and Doug...

Yukio Yamamoto Untitled Ceramic 1988 Approx. 19 x 22 x 12 in COA provided Comes with original papers Ref.: 924802-1011 Yukio Yamamoto was born in the Ako district of Hyogo Prefecture, Japan, in 1925. In 1953, he spent a year as a research student at the Tanabe class of the Department of Ceramics at Kyoto Institute of Technology. Yukio studied the history of pottery of the past centuries of this well-known Hemiji Castle domain. He would also research kiln designs through fieldwork as his thesis project. By 1954, he built his first Noborigama chambered climbing kiln in Tenjin-Cho, Himeji City, teaching the old-world firing process classes. This would become the first step in Yamamoto’s revival of the Tozan style of Anagama and Noborigama down-draft style wood-fired kilns. In 1600, the kiln process had been at its height and had mainly provided wares to Himeji Castle. As an artist, he typically worked in ash-covered high-fired unglazed ceramics...

Artist Mary Shaffer used a glass original to cast the long piece of bronze "flowing" from the geometric cube cast for the top. Mary Shaffer has worked primarily in glass since the 1...

This amazing wall sculpture is an abstract figure in a vibrant hand lacquered red color. A graphic drawing on the wall like a Pop Art artwork. Bruno C...

"Penguin" - Steatite Stone Hand Carved Sculpture, St. Lawrence Island Eskimo Art Dynamic steatite stone sculpture of a standing penguin. The sculpture prop...

This artwork is made in solid cast polished aluminum. The organic forms recall bodies or souls that fit together. Giacomo Benevelli is an Italian ar...

Bird and Blossom Joe DiStefano, American (1940–2020) Ceramic, signed Size: 5.5 x 9.5 x 6 in. (13.97 x 24.13 x 15.24 cm)

Unknown/ Unidentified Artist, "Untitled" ( Male Figure Reading Newspaper), Abstract Figurative Wire Sculpture, Stands 29" Tall and 12" Wide, Late 20th Century

This artwork titled "Wave" 1975 is a metal and glass sculpture multiple by noted Israeli artist Menashe Kadishman 1932-2015. It is signed, numbered 1/7 and dated under the main metal part. The size assembled as intended by the artist is 21 inches long, 10 inches high and 3 inches wide. The all metal and the glass and metal part disunited are 18 x 10 inches each. The rectangle part at the top is movable and can be oriented in different position (see picture #1 and #7) It is in very good condition. The large version of this sculpture is referenced in the two following publications: Pierre Restany, Kadishman, Tel Aviv, 1996, illustration of the large version pp. 76-77 Jacob Baal-Teshuva (ed.), Menashe Kadishman, Munich, 2007, no. 22, illustration of the large version p. 17 About the artist: Menashe Kadishman (August 21, 1932 - May 8, 2015) was an Israeli sculptor and painter. Menashe Kadishman was born in the British Mandate Palestine in 1932. His father, who was a pioneer, died when Kadishman was 15 years old. The young Menashe left school to help his mother with housework and to earn money. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he attended Saint Martin's School of Art and the Slade School of Art. During 1959 and 1960 he also studied with Anthony Caro and Reg Butler. He remained there until 1972; he had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style, On May 8, 2015, Menashe Kadishman died after he was hospitalized at Sheba Medical Center in Tel Hashomer. EDUCATION 1947-50 Studies with sculptor Moshe Sternschuss, Avni Institute, Tel Aviv 1954 Studies with sculptor Rudi Lehman, Jerusalem 1959-61 St. Martin's School of Art, London 1961-62 Slade School of Art, University of London PUBLIC COLLECTIONS Art Gallery of Ontario, Toronto, Canada Bass Museum, Miami, FL Buhsnami Sculpture Garden, Burton, TX Centro d'Arte Contemporaneo, Prato, Italy City of Tel Aviv, Israel City of Breda, The Netherlands City of Kirchheim, West Germany City of Seoul (Olympic Park), South Korea City of Toronto, Canada Columbia University, New York Ein Herod Museum, Yizre'el Valley, Israel Faret Tachikawa, City of Tachikawa, Japan Hara Museum of Contemporary Art, Tokyo Hebrew University, Jerusalem Heichal Hatarbut, Tel Aviv High Museum of Art, Atlanta, GA Hirshhorm Museum and Sculpture Garden, Washington, D.C. Israel Museum, Jerusalem Jewish Museum, New York Lehigh University, Allentown, PA Louisiana Museum, Denmark Metropolitan Museum of Art, New York Montgomery Museum of Fine Arts, Alabama Museo de Bellas Artes, Montevideo, Uruguay Museum Haus Lange, Krefeld, West Germany Museum of Modern Art, New York Museum of Modern Art, Munich, West Germany Museum of Modern Art, Skopje, Yugoslavia Open Air Sculpture, Kirchheim, West Germany Philadelphia Museum of Art, Philadelphia, PA Rabbinical Seminary, Cincinnati, OH Storm King Art Center, Mountainville, NY Tate Gallery, London Tel Aviv Museum, Israel Uffizi Gallery, Florence, Italy Weizmann Institute of Science, Rehovot, Israel Wilhelm-Lehmbruk Museum, Duisburg, West Germany PRIZES AND AWARDS 1960 America-Israel Cultural Foundation Scholarship 1961 Sainsbury Scholarship, London 1967 First Prize for Sculpture, 5th Paris Biennale 1978 Sandberg Prize, The Israel Museum, Jerusalem 1981 The Eugen Kolb Prize, The Tel Aviv Museum 1981 Prize of the Jury, Norwegian International Print Biennale, Fredrickstad 1984 The Pundik Prize, The Tel Aviv Museum 1989 King Solomon Award, America-Israel Foundation, New York ONE-PERSON EXHIBITIONS 1965 Harlow Arts Festival, Harlow, England 1970 The Jewish Museum, New York 1972 Museum Haus Lange, Krefeld, West Germany 1975 Israel Museum, Jerusalem, Israel 1978 Venice Biennale, Venice 1979 Israel Museum, Jerusalem: The Kadishman Connection 1981 University of Haifa Art Gallery, Haifa, Israel 1981 Tel Aviv Museum, Tel Aviv 1983 Muhlenberg College, Allentown, PA 1983 ICC, Antwerp, Belgium 1984 Fabien Booulakia, Paris 1984 The Jewish Museum, New York 1986 De Beyerd, Centre of Contemporary Art, Breda, The Netherlands 1986 Gemeentemuseum, Arnhem, The Netherlands: Installation 1987 The Tel Aviv Museum, Myth Transformed: Painting and Monumental 1987 Sculpture of Menashe Kadishman, Tel Aviv 1988 Kammermusiksaal, Menashe Kadishman: Sacrifice of Isaac, Berlin, Germany 1988 Lehigh University, Bethlehem, PA 1988-89 Kniestedter Kirche Stadtmuseum, Salzgitterbad, Germany 1990 Israel Museum, Jerusalem 1994 Giuliano Gori, Fattoria di Celle, Pistoia, Italy SELECTED GROUP EXHIBITIONS 1980 International Sculpture Symposium, Washington, D.C. 1980 Contemporary Art Meeting, Tel Hai, Israel 1980 The Israel Museum, Borders, Jerusalem 1980 David's Tower, The Jerusalem City Museum, Jerusalem the Israeli 1980 Printmaker, Jerusalem 1981 Henie-Onstad Kunstsenter, Young Art from Israel...

Relationships III is part of a series of three sculptures inspired by my personal experiences. When my two sons were growing up I told them the most difficult thing in life are you...

Includes a Certificate of Authenticity

"Roma II" is an exquisite example of Morris Brose's abstract sculpture that invites numerous imaginative suggestions from architecture to weaponry and armor. No soft edges on this piece and no invitation to caress, the power, strength and beauty of the bronze are front and center and create awe. Morris Brose, Polish/American was born in Wyszkow, Poland. He became a sculptor and instructor of sculpture at the Detroit Institute of Arts, Wayne State University and Cranbrook Academy of Art, Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski...

MARIA DOMPE, (Italian, b. 1958), Gentleman Sculpture, marble and travertine, 1995, height: 20 in. One of a pair, (Gentleman and Lady) being sold separately. Maria Dompe was born in ...

Red, purple, and blue modernist biomorphic mobile sculpture by Jon Jon Krawczyk. Signed by the artist at the bottom of the piece. Artist Biography: A graduate of Connecticut College, Krawczyk has studied fine art throughout Europe and apprenticed with various acclaimed sculptors. He realizes his biomorphic sculptures by cutting sheet stainless steel or bronze and welding, pounding and shaping with focused heat. Each sculpture is therefore unique, as the works are never cast from a mold. Krawczyk draws inspiration from artists such as Picasso, Henry Moore and David Smith. He is not only influenced by the obvious masterful techniques of these artists, but also by their philosophies of the sculptural process. Jon Krawczyk works in stainless steel, either brushed or highly polished, and in bronze, to which he applies intense patinas of earth tones and bright blues and greens. These works appear to have the geological marks of boulders, as sentinels that look comfortable in natural environments, can be abstract tendrils or wispy smoke-like forms that defy gravity, or long, thin, yet powerful lines that seem to jump into the sky. His most recent highly polished stainless steel sculptures...

A recurring theme in John Denning’s art (both painting and sculpture) has been combining human figures with birds or horses. The bird in the freestanding bronze sculpture "Philosophe...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...

"Circle and Waves" is one of renowned artist Hans Van de Bovenkamp's most graphic sculptures, playful and accessible. Fabricated bronze with visible connection points and varied brow...

This artwork is made in solid cast polished aluminum. The organic forms recall bodies or souls that fit together. Giacomo Benevelli is an Italian ar...

Original nickel plated over brass metal abstract sculpture by Oded Halahmy. Untitled. Signed and dated 1976. Condition is excellent. The sculpture is mounted on a thick mahogany bas...

Playful and colorful steel pedestal sculpture with acrylic lacquer paint. Joseph Slusky's sculptures are often described as charismatic and exuberant. The liveliness of the varied s...

Steel and acrylic lacquer paint. Joseph Slusky's painted steel sculpture "Zongo" prominently features a circle and exuberant wave form among the angles, but look closer and you'll a...

"Balls on the Line" Satirical Wood Panel Original Painting and Carving Elaborate collage, painting and carved sculpture by Mickey "Kano" Kane (American, 20th century). Ball's on the...

Aluminum

Sculpture Of A Sleeping Dog. A wonderful and realistic cast bronze signed and numbered. With beautiful weathered patina Small edition of 10 Colin Webster-Watson (1926, Palmerston...

Evocative figurative abstract sculpture of the head of a tribal creature by Nathaniel Sirles (American, b. 1954). Signed and dated "N. Sirles 1970" on the bottom. Sirles completed th...

sculpture on wood by Spanish artist CODINA CORONA. Sculpture of one piece of wood Josep Maria Codina Corona (Igualada, 1935 - Barcelona, 2006) was a Catalan sculptor. He studied at...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture. polished finish on one side. not sure if theese are stell or aluminium. they are cast and signed in Hebrew with initials and numbered 9/9. It is 2 parts that nest together. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in Aaron Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in Aharon Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi...

"What Remains" Cast bronze with patina, 1985. Cast at Johnson Atelier, Hamilton NJ Exhibited at Guggenheim Museum 1985 Provenance: Sold through Grace Borgenicht Gallery, NY The second photo is the picture in the catalogue. I received it from the artist. I do not have the catalogue available. Studio handcrafted solid cast bronze Biomorphic shell wall sculpture. Abstract exoskeleton theme. This is a corner piece as can be seen in the catalogue photo (we do not have the catalogue). To be mounted on left side wall of corner, piece reached across to right side across corner (as per artists instructions). Phoebe Adams...

STEEL ROOM, 1989, steel sculpture, 8 x 8 x 8”, signed and dated. Peter Lodato was born in 1946 in Los Angeles, California, has exhibited extensively and received significant acclai...

This wall-mounted sculpture is from Mary Shaffer's well known "Tool Wall" series, combining slumped glass and a found metal object. "I take lovingly crafted, hand-forged tools - the ...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: Spiral 1 Medium: Painted Flame-Cut Steel Sculpture Size: 47 x 52 x 8 in. (119.38 x 132.08 x 20.32 cm)

Sheila Hicks Tapisseries du Vent, 1973 Signed on the reverse Synthetic raffia weaving with Lucite rods 56" high x 34ʺ wide x 6ʺ deep Sheila Hicks was born in Hastings, Nebraska, an...

Alexander Liberman Aim I, 1980 Painted aluminum 83 high x 26 wide x 26 deep inches Edition of 15 Regarded as a groundbreaking Minimalist artist, Alexander Liberman created pieces t...

Girl With Blue Ribbon Tribute To Picasso Signed near base "Omaggio A Picasso' or as a tribute to Picasso. Measures 16"H x 10"W x 7"D. Walter Furlan was born in 1931 in Chioggia, a s...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...

Crossover, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...

Jack Schuyler (1912-2002) Polished Metal Sculpture "Abstract Figural Composition" Hand signed and Dated 1982. Measures 27" x 26-1/2" x 10.5" inches. There is not much known about t...