Items Similar to "Untitled" Sidney Gordin, Abstract Metal Steel Sculpture
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Sidney Gordin"Untitled" Sidney Gordin, Abstract Metal Steel Sculpture1958
1958
About the Item
Sidney Gordin
Untitled, 1958
Incised with initials
Welded Steel
15 x 10 1/2 x 6 inches
Provenance:
Eric Firestone Gallery, New York
On October 24, 1918, Sidney Gordin was born in Chelyabinsk, Russia. He spent his early years in Shanghai, China. At the age of four, he moved with his family to New York. Gordin’s nephew, Eliot Nemzer recalls that when Gordin was a child he attended “a dinner party with his parents. Someone showed him a book of pictures that when thumbed through quickly made the image appear to move. This person then gave him a wad of blank papers and something to write with. Sid created a similar type of moving image with his materials. All the adults at the party became quite excited [and] praised his efforts. Sid told me he thought this was a pivotal experience in guiding him towards his vocation.” During his formative years at Brooklyn Technical High School, he briefly contemplated the idea of becoming an architect; yet, by the time he enrolled at Cooper Union, he was determined to become a professional artist. There, he studied under Morris Kantor (1896-1974) and Leo Katz (1887-1982), devoting much of his class schedule to drawing and painting.
In 1949, Gordin turned his attention to sculpture for the first time. Three years later, he held his first solo-exhibition at Bennington College in Vermont and the Peter Cooper Gallery in New York. That same year he was accepted into the Metropolitan Museum of Art’s group exhibition American Sculpture 1951. His metal and wire constructions were shown alongside such sculptors as Alexander Calder (1898-1976), William Zorach (1887-1966), and George Rickey (1907-2002). Over the following years, he regularly exhibited in the annual exhibitions of the Whitney Museum of American Art, while also holding yearly solo-exhibitions at the Grace Borgenicht Gallery in New York. Three days into his first solo-exhibition at Borgenicht in 1953, the Whitney made their first acquisition of his work by purchasing a metal construction for their permanent collection.
By the late 1950s, he began to employ wood in his sculptures, which eventually led to the creation of painted constructions. With a renewed interest in painting, Gordin often alternated between these painted wood constructions and two-dimensional painting up until his death in the early 90s.
Following teaching stints at both Sarah Lawrence College and the New School for Social Research in New York, Gordin accepted a position at UC Berkeley’s Department of Art in 1958. Amidst the emerging Bay Area art scene, Gordin taught alongside such artists as Peter Voulkos, Joan Brown, and Jay de Feo. Coinciding with his move to Berkeley, he held his first solo-exhibition on the West Coast at San Francisco’s seminal Dilexi Gallery. In 1962, the M.H. De Young Memorial Museum in San Francisco mounted his first one-man museum show.
Yet, while maintaining his professorship at Berkeley, Gordin never completely cut his ties to the East Coast. He maintained a studio in Provincetown, Massachusetts, which he often visited throughout the years, and continued to appear in several exhibitions organized by the Metropolitan Museum of Art, the Whitney, and the Zabriskie Gallery well into the 90s. Over the next several decades, he was included in prominent group exhibitions such as the Whitney’s Precisionist View in American Art and Geometric Abstraction in America; the exhibition West Coast Now, which traveled from the Portland Art Museum to the Seattle Art Museum, the De Young, and the Los Angeles Municipal Art Gallery; and the Oakland Museum’s exhibition, Art in the San Francisco Bay Area. During the course of his career, he was also included in shows in Paris, Tel Aviv, and Tokyo.
He retired from teaching in 1986 as Professor Emeritus of Art. Following his retirement, he, along with several members of the Berkeley Art Department, founded the Breakfast Club, an eclectic mix of Bay Area artists and students that met weekly for discussions about art and politics and held regular group exhibitions for many years. Three years before his death in 1993, he was inducted as a Member of the National Academy of Design.
- Creator:Sidney Gordin (1918-1996, American)
- Creation Year:1958
- Dimensions:Height: 10 in (25.4 cm)Width: 5 in (12.7 cm)Depth: 5 in (12.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841212443452
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2022
1stDibs seller since 2022
107 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All"Roland, " George Sugarman, Abstract Steel Sculpture
By George Sugarman
Located in New York, NY
George Sugarman (1912 - 1999)
Roland, 1970
Patinated steel
17 3/8 x 16 x 5 1/4 inches
Incised with the artist's signature and numbered "15/17" on the underside
Manufactured by Lippin...
Category
1970s Abstract Abstract Sculptures
Materials
Steel
"Have a Nice Day" Al Loving, Abstract Expressionist Colorful Mailbox Sculpture
By Al Loving
Located in New York, NY
Al Loving
Have a Nice Day, 1992
Mailbox, acrylic paint, rag paper
8 1/2 inches high x 6 1/2 inches wide x 18 3/4 inches deep
Al Loving studied painting at the University of Illinoi...
Category
1990s Abstract Expressionist Abstract Sculptures
Materials
Metal
"Untitled, " Seymour Fogel, Geometric Abstraction, Texas Hard-Edge
By Seymour Fogel
Located in New York, NY
Seymour Fogel
Untitled
Oil on illustration board construction
10 x 7 1/2 inches
Provenance:
Estate of the artist
Charles and Faith McCracken
Larry and Trish Heichel
Private Collection
Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting.
Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning.
In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958.
Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...
Category
Mid-20th Century Abstract Geometric Abstract Paintings
Materials
Oil, Board
$4,600 Sale Price
20% Off
"Tapisseries du Vent" Sheila Hicks, 1973 Gold Weaving, Textile Tapestry
By Sheila Hicks
Located in New York, NY
Sheila Hicks
Tapisseries du Vent, 1973
Signed on the reverse
Synthetic raffia weaving with Lucite rods
56" high x 34ʺ wide x 6ʺ deep
Sheila Hicks was born in Hastings, Nebraska, an...
Category
1970s Abstract Abstract Sculptures
Materials
Textile, Synthetic
"Untitled (Scrap Metal 4415), " Lucien Smith Anti-War Sculpture
By Lucien Smith
Located in New York, NY
Lucien Smith (American, b. 1989)
Untitled (Scrap Metal 4415), 2013
Steel
35 x 35 x 15 inches
Provenance:
OHWOW, Los Angeles
Private Collection
Wright, 2015, Lot 139
One of the most highly-regarded contemporary artists, Lucien Smith is a name whose work people (and institutions) have been paying much attention to since he graduated Cooper Union. He produced readymade sculptures that the artist has secured and appropriated from the annual Knob Creek Machine Gun Shoot in Kentucky. Consisting of propane tanks, oil drums, automobile parts, and even a full-length truck, the metal objects have all been fired on by thousands of rounds of ammunition from handguns, assault rifles, fully automatic rifles, to a powerful Gatling Gun...
Category
2010s Abstract Sculptures
Materials
Steel
"Voyage I, " Rosamond Berg, Female Contemporary Minimalist Sculpture Artist
Located in New York, NY
Rosamond Berg (American, 1931 - 2018)
Voyage I, 1982
Mixed media construction including hand-dyed cotton cloth pouches
24 x 24 inches
Signed, titled an...
Category
1980s Contemporary Abstract Sculptures
Materials
Cotton, Thread, Glass, Wood
You May Also Like
Close to Heart 1 - Wood sculpture by Zlata Kornilova
Located in Paris, FR
Sculpture Close to Heart
Limited edition of 12
Mediums: old pine, steel, acrylic hand painted, oil
CLOSE TO HEART - Collection
Working on the series I...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Steel
Lulo 1 - Wood sculpture by Zlata Kornilova, Yakisugi technique
Located in Paris, FR
Sculpture Lulo 1
Limited edition of 12
Dimensions : H. 80 cm x D. 27 cm
Mediums: Ash, oil, brass
Japanese technique Yakisugi
LULO - Collection
Climbing. Both word and action are ...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Steel
Yasu - Burnt Wood sculpture by Zlata Kornilova
Located in Paris, FR
Sculpture YASU
Limited edition of 12
Mediums: burnt wood and brass
Discover the stunning artistry of Zlata Kornilova with this exquisite sculpture crafted from burnt wood using the...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Steel
Close to Heart 2 - Wood sculpture by Zlata Kornilova
Located in Paris, FR
Sculpture Close to Heart 2
Limited edition of 12
Mediums: old pine, steel, acrylic hand painted, oil
CLOSE TO HEART - Collection
Working on the series I used a “wood with history”...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Steel
Close to Heart 1 & 2 - Wood sculpture by Zlata Kornilova
Located in Paris, FR
Sculpture Close to Heart 1 & 2
Limited edition of 12 (each sculpture)
Dimensions:
- Close to heart 1 (black): H. 73. x D. 34 cm
- Close to heart 2 (natural): H. 82. x D. 22 cm
Medi...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Steel
"NESTING:HOLD", Sculpture, Wood, Steel, Cold Resin, Reed, Mounted on Wood Base
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Steel