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UnknownMid Century Modern Brutalist Welded Abstract Expressionist Sculpture
$3,000
£2,304.79
€2,648.18
CA$4,219.87
A$4,740.84
CHF 2,477.09
MX$57,864.13
NOK 31,451.86
SEK 29,605.30
DKK 19,761.68
About the Item
Neo-Dada Abstract Sculpture: Assemblages
In contrast, abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961.
Other examples of the Neo-Dadaist-style "junk art" include Hudson River Landscape (1951, Whitney Museum of American Art) and Australia (1951, MoMA, NY), both by David Smith (1906-1965); Untitled (wood, metal pieces, nails) (1960, Museum of Modern Art NYC) by Jesus Rafael Soto (b.1923); and certain "combines" by Robert Rauschenberg (1925-2008), such as First Landing Jump (made from: painting, cloth, metal, leather, electric fixture, cable, oil paint, board) (1961, MoMA, NY). Untitled (industrial felt) (1967, Kunsthalle, Hamburg) by Robert Morris (b.1931) is a further example of the use of unusual materials in sculpture, as is the minimalist Monument For Vladimir Tatlin (neon-lighting tubes) (1975, Musee National d'Art Moderne, George Pompidou Centre) by Dan Flavin (1933-96).
Dada also exalted nonsense-art, and what is more absurd than a sculpture that self-destructs? No doubt this was an important element in the philosophy behind the work of Jean Tinguely (1925-91), the unsurpassed master of self-destructing sculpture, whose masterpiece is generally reckoned to be Homage to New York (1960, Museum of Modern Art, New York).
An excellent example of abstract pop sculpture is the word art genre adopted by Robert Indiana (b.1928) in his series of LOVE sculptures.
Abstract Metal Sculpture (1960-onwards)
The 1960s also witnessed the beginning of a new broad tradition of metal sculpture, ranging from the portable to the monumental. Such works included: Sculpture For a Large Wall (1956-7, MoMA, NY) by Ellsworth Kelly (b.1923); Midday (1960, MoMA, NY) by Sir Anthony Caro (1924-2013); Die (1962, MoMA, NY) by Tony Smith (1912-1980); Broken Obelisk (1963-9, MoMA, NY) by Barnett Newman (1905-70); Storm Angel (1973-4, Square Chabas, Chalon-sur-Saone) by Mark Di Suvero (b.1933); and a number of works by Eduardo Chillida (1925-2002), culminating in his coastline sculpture Wind Comb (1977, Bay of San Sebastian, Spain).
- Dimensions:Height: 25 in (63.5 cm)Width: 9 in (22.86 cm)Depth: 9.5 in (24.13 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor dust and wear. original patina to the piece.
- Gallery Location:Surfside, FL
- Reference Number:Seller: 13231stDibs: LU38212062962
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Neo-Dada Abstract Sculpture: Assemblages
Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961.
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1965 Canadian Israeli Art Brutalist Abstract Welded Steel Sculpture Eli Ilan
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Eli Ilan (אלי אילן), 1928-1982 was an Israeli sculptor.
Abstract organic pod shape. in either steel or iron mounted on a wooden plinth.
Ilan was born in Winnipeg, Manitoba. He enrolled in a premedical curriculum at the University of British Columbia in Vancouver and emigrated to Israel in 1948. He then studied prehistoric archaeology and physical anthropology at the Hebrew University of Jerusalem. In 1956, he returned to Canada to study sculpture at the Ontario College of Art & Design. He lived in Kibbutz Sasa from 1959 to 1963. He died in 1982 in Caesarea, Israel.
Education
1955 Hebrew University, Jerusalem, pre-historic archaeology and physical anthropology
1956 Ontario College of Art, Toronto, Canada, sculpture under Thomas Bowie
1959 Training College, Ottawa, criminal identification techniques
1969 Art Festival, Painting & Sculpture in Israel. Ganei Hataarucha, Tel Aviv
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Holocaust Memorial Judaic Menorah Sculpture
David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000.
Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character.
Education
1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem
1942 Sculpture with Zeev Ben Zvi, Jerusalem
1956 Mosaic, Ravenna, Italy
1958 Welding Course
Awards And Prizes
1966 UNESCO Award
Exhibitions:
Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod
Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz.
The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem
Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum
12 Artists, The Bezalel National Museum, Jerusalem
Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati,
General Exhibition, Art in Israel 1960 Tel Aviv Museum of Art
Artists: Naftali Bezem, Nachum Gutman, Shraga Weil, Shraga, Marcel Janco, Ruth Schloss
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