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Mid Century Modern Brutalist Welded Abstract Expressionist Sculpture

$3,000
£2,304.79
€2,648.18
CA$4,219.87
A$4,740.84
CHF 2,477.09
MX$57,864.13
NOK 31,451.86
SEK 29,605.30
DKK 19,761.68

About the Item

Neo-Dada Abstract Sculpture: Assemblages In contrast, abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961. Other examples of the Neo-Dadaist-style "junk art" include Hudson River Landscape (1951, Whitney Museum of American Art) and Australia (1951, MoMA, NY), both by David Smith (1906-1965); Untitled (wood, metal pieces, nails) (1960, Museum of Modern Art NYC) by Jesus Rafael Soto (b.1923); and certain "combines" by Robert Rauschenberg (1925-2008), such as First Landing Jump (made from: painting, cloth, metal, leather, electric fixture, cable, oil paint, board) (1961, MoMA, NY). Untitled (industrial felt) (1967, Kunsthalle, Hamburg) by Robert Morris (b.1931) is a further example of the use of unusual materials in sculpture, as is the minimalist Monument For Vladimir Tatlin (neon-lighting tubes) (1975, Musee National d'Art Moderne, George Pompidou Centre) by Dan Flavin (1933-96). Dada also exalted nonsense-art, and what is more absurd than a sculpture that self-destructs? No doubt this was an important element in the philosophy behind the work of Jean Tinguely (1925-91), the unsurpassed master of self-destructing sculpture, whose masterpiece is generally reckoned to be Homage to New York (1960, Museum of Modern Art, New York). An excellent example of abstract pop sculpture is the word art genre adopted by Robert Indiana (b.1928) in his series of LOVE sculptures. Abstract Metal Sculpture (1960-onwards) The 1960s also witnessed the beginning of a new broad tradition of metal sculpture, ranging from the portable to the monumental. Such works included: Sculpture For a Large Wall (1956-7, MoMA, NY) by Ellsworth Kelly (b.1923); Midday (1960, MoMA, NY) by Sir Anthony Caro (1924-2013); Die (1962, MoMA, NY) by Tony Smith (1912-1980); Broken Obelisk (1963-9, MoMA, NY) by Barnett Newman (1905-70); Storm Angel (1973-4, Square Chabas, Chalon-sur-Saone) by Mark Di Suvero (b.1933); and a number of works by Eduardo Chillida (1925-2002), culminating in his coastline sculpture Wind Comb (1977, Bay of San Sebastian, Spain).
  • Dimensions:
    Height: 25 in (63.5 cm)Width: 9 in (22.86 cm)Depth: 9.5 in (24.13 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    minor dust and wear. original patina to the piece.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    Seller: 13231stDibs: LU38212062962

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Eli Ilan (אלי אילן), 1928-1982 was an Israeli sculptor. Abstract organic pod shape. in either steel or iron mounted on a wooden plinth. Ilan was born in Winnipeg, Manitoba. He enrolled in a premedical curriculum at the University of British Columbia in Vancouver and emigrated to Israel in 1948. He then studied prehistoric archaeology and physical anthropology at the Hebrew University of Jerusalem. In 1956, he returned to Canada to study sculpture at the Ontario College of Art & Design. He lived in Kibbutz Sasa from 1959 to 1963. He died in 1982 in Caesarea, Israel. Education 1955 Hebrew University, Jerusalem, pre-historic archaeology and physical anthropology 1956 Ontario College of Art, Toronto, Canada, sculpture under Thomas Bowie 1959 Training College, Ottawa, criminal identification techniques 1969 Art Festival, Painting & Sculpture in Israel. Ganei Hataarucha, Tel Aviv Artists: Chana Orloff, Eli Ilan, Zvi Aldouby, Jacob El Hanani, Ludwig Blum, Aharon Bezalel, Koki Doktori, Israel Hadany, Marcel Janco, Dov Feigin, Abel Pann, Esther Peretz Arad, Reuven Rubin, Ivan Schwebel, Jakob Steinhardt, Boris Schatz, Bezalel (Lilik) Schatz, Louise Schatz...
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