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Alice BallardMeditation bowl inspired by a conch shell2017
2017
About the Item
- Creator:Alice Ballard (1945, American)
- Creation Year:2017
- Dimensions:Height: 5 in (12.7 cm)Width: 8 in (20.32 cm)Depth: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:Seller: ABA_1712_061stDibs: LU60832361873
About the Seller
5.0
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Located in Kansas City, MO
Title : meditation bowl inspired by a conch shell
Materials : white earthenware, terra sigillata, oxides, glaze liner
Date : 2016
Dimensions : 5 x 5 x 6 inches
Description : Pinched for with pinkish beige terra sig outside and purple glaze on the inside with pooling due to multiple firings, layered glazes
Alice Ballard - Artist Statement
My art is a reflection of my relationship with natural forms. These forms come to me
on walks, while I work in my garden, or appear as gifts from friends who share my
fascination with the beauty inherent in Nature’s abundant variety of forms. It is often
the metamorphosis of nature’s forms, as they change from season to season, that
attracts me. I am endlessly drawn to that universal world in which differing life forms
share similar qualities.
I spend countless hours contemplating a particular form in order to feel its energy. It
becomes a Zen-like connection not unlike a meditation. As an artist, I hope that
those who choose to connect with my work can share some of the harmony and
tranquility I feel through the creative process. Perhaps, at the very least, the viewer
will give those small, often unnoticed forms in Nature a second glance.
Alice R. Ballard. (born June 16, 1945, Florence, South Carolina) is an American ceramicist based in Greenville, South Carolina. Much of her work is characterized by the organic earthenware forms of closed containers...
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Her work references exclusive and precious porcelain wares from 18th-century Europe. In her work she tries to capture the qualities for which porcelain has been known since its discovery in China: whiteness, translucency, and resonance. She is attracted to the enameled and lustered surfaces of the Baroque, Renaissance and Rococo porcelain designs, as well as to elaborations on structural elements of these time periods. She is investigating surface decorations and embellished shapes in order to gain more knowledge for my own studio practice. Sherman is interested in incorporating and referencing historic drawings, motives, and patterns into her work.
Studying the history of ceramics Sherman has been captivated by the relationship between East and West, and how they continue to influence each other, especially through the ceramic arts. Although there might be considerable differences between the two civilizations, the cultural exchange between them is an important connector of history and has produced a long and rich exchange of ideas between artists and makers. Asian craft traditions have been handed down to the West and the handmade aspect, even within the factory setting, is still an important concept that allows for control of design and quality by the artist, which is essential within craft of the West.
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