Antoine Bofill

Antoine Bofill Art Nouveau Nude Bronze Sculpture, circa 1900

circa 1900

Maurice Bouval French Art Nouveau Gilt and Silvered Bronze Figural Vide Poche Cast from a model by Maurice Bouval, cast by Jollet & Cie., Paris, circa 1900 Modeled as a maiden in a ...

French Art Deco bronze sitting nude by F. Trinque, 1930. A gorgeous Art Deco woman stretching her arms and drying her back with a towel possibly after a swim or bath with a rich gold...

This larger than life gold gilded bronze of a sea man with oars will decorate any area and be a great conversation piece. The composition and casting detail are amazing. This is the ...

Gustavo Obiols Delgado (1858-1910) – Spanish sculptor Signed in the cast ‘G. Obiols’ Spanish Dancer with Castanetas; Silvered bronze and finely carved bone No damage or repairs. H...

A very fine late 19th Century Art Nouveau bronze figure of a young girl sat upon a well feeding a small bird, exhibting excellent rich brown variegated patina and very fine hand fini...

Schwere patinierte Jugendstil-Bronzevase von Paul Louis Émile Loiseau-Rousseau um 1905 (* 20. April 1861 in Paris, Frankreich; † 1927 ebenda), signiert.

Henri Godet Art Nouveau signed sculpture of draped nude. Late 19th century antique. Art Nouveau bronze of "Le Reveil de L'Aurore" by Henri Godet. Base has gilt plaque...

Emmanuel Villanis comes from a family of Italian origin. From 1861, his parents returned to Italy to settle in Piedmont. He had fled Italy because the war of independence broke out, under the threat of Napoleon Bonaparte. In 1871, the artist enrolled at the Albertina Academy of Fine Arts in Turin; he follows the teaching of the sculptor Odoardo Tabacchi (1831-1905). As soon as he finished his studies, his master encouraged him to exhibit: his bust Alda, for example, was presented in Milan in 1881. In 1885, Villanis moved to Montmartre, a district of Paris that he never left. The artist's fame is built on his production of female figures. Aida, Judith, Delilah, Lucretia, Cinderella: her work brings together the great heroines of opera, literature, mythology and the Bible. Villanis also discusses certain types - the Bohemian, the Châtelaine, or the Parisienne - and several allegories, including Painting and Sculpture. Made mainly in bronze, sometimes chryselephantine, his sculptures subtly bear the mark of Art Nouveau, including the lettering of the title, which regularly adorns the base. His play on the patinas further adds to the finesse of the line, making Villanis one of the major sculptors of Art Nouveau. Regarding the casting of bronzes, he worked mainly with the Société des Bronzes de Paris and with Eugène...