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Cécile RaynalJe me cygnerai (with Luna) by Cécile Raynal - Stoneware sculpture, female figure2019
2019
$13,283.19
£10,017.96
€11,400
CA$18,365.17
A$20,572.08
CHF 10,805.20
MX$250,149.86
NOK 136,829.10
SEK 129,887.61
DKK 86,784.26
About the Item
Je me cygnerai (with Luna) is a unique smoke-fired stoneware sculpture (cypress wood base, pigment) sculpture by French contemporary artist Cécile Raynal, dimensions are 180 × 60 × 60 cm (70.9 × 23.6 × 23.6 in). Dimensions include wooden base (cypress wood base).
This sculpture is a unique piece signed by the artist and comes with a certificate of authenticity.
The sculpture portrays a seated figure, initially resembling a woman. However, the figure appears to undergo a metamorphosis, with the face transforming into that of a swan.
Cécile Raynal uses sculpture as a way of exploring the world, between documentary and fiction. Thus she often sets up her workshop in remote, forgotten or marginal places, that she goes over and then reconstructs in clay. A prison, a retirement home, a hospital, a convent, a cargo-ship… are among the places in which she invites the inhabitants to pose for her, so as to sculpt their portraits and capture these rare encounters.
- Creator:Cécile Raynal (1966, French)
- Creation Year:2019
- Dimensions:Height: 70.87 in (180 cm)Width: 23.63 in (60 cm)Depth: 23.63 in (60 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803115053922
Cécile Raynal
Whether human or animal, Cécile Raynal’s figures are a way to explore the world. The artist travels to remote, forgotten or marginal places immortalising in clay life stories that she brings back to her studio. Her work has been exhibited in prestigious museums such as the Musée des Arts et Métiers (Paris, 2018) and is the subject of ambitious public commissions such as the bronze sculpture of Winston Churchill in Cap-d’Ail (France). “The result of chance or sought-after encounters, my work starts with the sculpted portrait, a totemic record of each of these confrontations, and builds itself on the complicity, the exchanges and the correspondence resulting from them.”
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