Copper Tritscheller

Bat Series III 6/8

2015

A self-taught sculptor, Copper is drawn to what she considers the “misunderstood” animal, and much of her work centers on bats and burros. Pushing the barrier between animal and huma...

A self-taught sculptor, Copper is drawn to what she considers the “misunderstood” animal, and much of her work centers on bats and burros. Pushing the barrier between animal and human, she approaches her subjects from all angles, playing on them as animals, and morphing them with human figures. Copper was first inspired to sculpt bats when she was visiting a temple in Chachongsao, Thailand, where she encountered hundreds of thousands of bats hanging above her, wings gently quivering. Copper remembers that she had never thought about bats before, but at that moment she was captivated and started to research them. The more she learned, the deeper her respect for these marvelous creatures, and the more she wanted to find a way to help people understand and appreciate them. In her bat sculptures...

Bronze and cast lead glass birds

A self-taught sculptor, Copper is drawn to what she considers the “misunderstood” animal, and much of her work centers on bats and burros. Pushing the barrier between animal and human, she approaches her subjects from all angles, playing on them as animals, and morphing them with human figures. Copper was first inspired to sculpt bats when she was visiting a temple in Chachongsao, Thailand, where she encountered hundreds of thousands of bats hanging above her, wings gently quivering. Copper remembers that she had never thought about bats before, but at that moment she was captivated and started to research them. The more she learned, the deeper her respect for these marvelous creatures, and the more she wanted to find a way to help people understand and appreciate them. In her bat sculptures...

A powerful meditation on the human journey, Cheminement by the late Belgian sculptor Isabelle Thiltgès captures a procession of stylized figures asce...

1970’s, leaping, bronze dog sculpture by highly respected, listed, American artist, Abbott Pattison (1916-1999). Select public collections: Whitney Museum of Art in New York City; t...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961. Other examples of the Neo-Dadaist-style "junk art...

The exposed surface reveals the inner self and beauty of the female form highlighted by the protective textured surface Polished textured Bronze on bronze base 17.6 x 15 x 7.3 cm 6 7...