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Denny HaskewCommitted, 11-ft tall bronze sculpture1994
1994
$104,500
£80,086.61
€92,045.47
CA$146,775.39
A$164,268.73
CHF 85,988.82
MX$1,995,567.32
NOK 1,091,839.42
SEK 1,030,336.99
DKK 686,821.19
About the Item
"Committed" by Denny Haskew
Figurative Bronze Sculpture
11ft tall, x 60"w 60"d Edition of 7, *last available casting
Additional images are available upon request. Please contact us with any questions.
Shipping costs includes the custom packing and crating necessary for safe transport of fine art. Because this is a monumental sculpture, there may be additional costs to prepare the site, engineering for any necessary footing is highly recommended. Please let us know if you need guidance with the installation process.
A depiction of a member of the Dog Soldier Society, sometimes called a 'Sash Wearer'. This man was known among his tribal members as a fierce warrior and courageous leader. When confronted by an enemy, the Dog Soldier would stake the end of the sash to the ground with his spear, thus telling the enemy he must fight to the death at this spot or leave. Other times the Dog Soldier may stake himself out as his tribal members advanced into battle so as to say "I am here, if you retreat past me, you will sacrifice me for I will fight to the death at this spot." His double eagle-tail bonnet blows out behind him creating a circle, the circle of life for all living beings.
The crucifixion pose emphasizes the importance to be committed to a spiritual path. The journey of a young Native American in the 21st Century is challenging and yet full of opportunity. The red road that native people across America choose is one of honoring their past living strongly in this moment, and finding a cultural blending of the European and Native cultures for the future. We are all free to choose and once committed to a path with our Creator we begin to see inner truth.
"I give to you all that I am.
My faith in Spirit is unchanging.
Eyes closed I can only see love." -DH
ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre.
As a member of the Potawatomi Citizen Nation, it is only natural for his artwork to follow the Native American culture. His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area
foundries has helped him to master all the foundry processes involved in producing a desirable and lasting monumental bronze sculpture.
Over 50 major public placements include the Smithsonian Institution, DC.; the Gilcrease Museum, OK; Cerritos, CA; Little Rock, AR; the Shakopee Mdewakanton Dakota Sioux collection, MN, and the Barona Band of Mission Indians, CA.
His outlook on life and sculpture largely stems from his Irish/Potawatomi heritage. He states "that the strength of his work ascends from the spirit of the people he portrays - Native Americans, Mayans, friends, children, people of the Great Plains and West. This same spirit connects each of us with the harmony of nature and one's relationship to another." Concern with composition and fascination with the human form lead him to portray bodies in unusual, sometimes nearly contorted positions. Dramatically individualistic facial features combine with carefully composed body positions to reveal souls filled with emotion, scarred and given character by the circumstances of living, but never beaten by life.
Haskew’s artwork conveys his innermost being. It is intensely personal and honest. His themes are recurring: Spirit, Love, Forgiveness, Healing, Relationship, Endurance, the Sacredness of the Human Spirit, and the Strength in each of us, the Power of all that is Natural
- Creator:Denny Haskew (1948, American, Native American)
- Creation Year:1994
- Dimensions:Height: 126 in (320.04 cm)Width: 60 in (152.4 cm)Depth: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Loveland, CO
- Reference Number:1stDibs: LU126418673002
Denny Haskew
Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a fine artist. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre. "As a member of the Potawatomi Citizen Nation, it is only natural for my artwork to follow the Native American culture. My themes are recurring: Spirit, Love, Forgiveness, Healing, Relationship, Endurance, the Sacredness of the Human Spirit, and the Strength in each of us, the Power of all that is Natural." His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area foundries has helped him to master all the foundry processes involved in producing a desirable and lasting bronze sculpture. Over 50 major public placements include the Smithsonian Institution, DC; the Gilcrease Museum, OK; Major Universities; the City of Cerritos, CA; the Barona Band of Mission Indians, CA; Shakopee Mdewankaton Sioux Community, Prior Lake, MN; & Little Rock, AR.
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