Francisco Zúñiga

Dos Mujeres Mayas (Two Mayan Women)

1983

This artwork titled "Mujeres de Mexico" 1973 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered XX/XXV in pencil by the artist. The artwork size is 22.25 x 30.75 inches, framed size is 34.5 x 42.25 inches. Published by Editions Press, San Francisco, with their blind stamp at the lower right corner. Referenced and pictured in the artist's catalogue raisonne by Brewster plate #5. Beautifully custom framed in a wooden gold frame, with fabric matting and gold color bevel. It is in excellent condition, the frame have some light discoloration at the left side, please see picture #1. About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...

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