John Kearney

Automobile Bronze Sculpture Car, John Kearney Auto Toy Art Chicago Modernist

1968

Jose Marmol "An American Marriage" Hand signed and dated Painted bronze Provenance: Allan Stone Gallery, New York. It came with an inlaid art deco box also signed Marmol. I cannot find any conclusive biography of the artist. Allan Stone (1932–2006) was a legendary American art dealer, collector, and leading authority on Abstract Expressionism. In 1960, he founded the Allan Stone Gallery where he became renowned for his early advocacy of preeminent 20th-century artists. He championed artists such as John Chamberlain, Joseph Cornell, Willem de Kooning, Richard Estes, Arshile Gorky, John Graham, Eva Hesse, Franz Kline, Yasuhide Kobashi, Wayne Thiebaud, and Jack Whitten. He was also known for his zealous and eclectic approach to art collecting, amassing a collection that spanned painting, sculpture, assemblage, collage, folk art, Art Nouveau, Art Deco, furniture, mechanical parts, signs, and bugatti cars. At the time of his death, he had the largest collection of African and Oceanic art in private hands. His clientele included Robert Mallary, John Chamberlain, and Elaine de Kooning, During the gallery's first decade Stone showed established luminaries such as Willem de Kooning, César, Franz Kline, John Chamberlain, Barnett Newman, and Alfred Leslie. He gave first or early shows to Arman, Robert Arneson, Richard Estes, Dorothy Grebenak,Eva Hesse, Robert Ryman, Wayne Thiebaud, and Jack Whitten. The Allan Stone Gallery was one of the few that would see artists and their work without an appointment—a vital lifeline for the inexperienced and unconnected. It was also unconventional in its frequent showings of unknown woman artists and artists of color, such as Eva Hesse, Gerald Jackson, Jack Whitten, Elizabeth King, Sue Miller, Sylvia Lark, Kazuko Inoue, Diana Moore, Oliver Lee Jackson, Mary Lovelace O'Neal and Lorraine...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961. Other examples of the Neo-Dadaist-style "junk art...

Colin Webster Watson (1926-2007, New Zealand), sleeping horse, sculpture, bronze, supported on wooden base, signed, AP Sculpture Of A Suspended Horse Colin Webster-Watson (1926, Pa...

Large Modern Brutalist bronze sculpture in Manner of Arnaldo or Gio Pomodoro. We cannot locate a signature or any markings. it has an abstract quality to it. heavily textured with or...

Ernest Tino Trova "Car Man, Four Wheels" 17 x 8 x 14.5 inches Inscribed T-06 Bottom Known for his Falling Man series in abstract figural sculpture, he created hard-edge images that ...

This small exquisite "Bronze Sculpture II" is in excellent condition and a perfect example of Eugene Caples craftsmanship. This is mainly abstract with some graphic or architectural elements and is so delightful that mythical creatures demand to be considered. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald...

This unique and beautifully formed Modernist Car Sculpture in Brass on Marble Base is by the artist Aharon Bezalel, originating from Israel created in 1977. The sculpture is composed of multiple interlocking components, each serving as an individual point of intrigue while supporting one another as a finished sculpture. The body of the abstracted automobile appears skeletal and organic, curving dynamically, each component beautifully proportioned to house figures seated at various points both within interior and exterior spaces along the sculpture. Six figures total, the largest sitting up front with one leg extending, nearly scraping along the marble base as though to slow down this surreal vehicle, the other pulled closer to the body. Two additional figures sit behind, knees pulled close to chest, with three even smaller figures huddled together, concealed from the elements by the top sculptural component. The figures inside are visible from a variety of angles through cleverly planned openings that serve as the vehicle's windows. Signed on the rear of the sculpture, AB 77, edition 12/25 and resting on a rectangular white marble base. This brilliant piece will style beautifully in a wide array of interiors and settings, and is sure to draw the eye of sophisticated collectors appreciating the best of the 20th Century...

This intense and engaging abstract sculpture was create in 1980 by the Italian artist Furio Giovannacci. This is a multiple of 1000 specimen, number...