Louis Sclafani

'Fish Monger Study II' Deconstructed Portrait using Glass and Metal

2013

Louis Sclafani’s exploration in glass began as an undergraduate majoring in ceramics at Alfred University, Alfred, New York. In 1976, Louis spent a semester abroad studying ceramics at the Siena School of Art, Italy. On a field trip to Venice, he found himself fascinated by the glass of Venice and the Island of Murano. He secured an apprenticeship with renowned glass sculptor Loredano Rosin and returned to Venice soon after to launch deeper into the world of glass. While living in a tent on a roof top behind Loredano’s studio, he learned from the best and found his own artistic direction. This “summer” job would last three years. His experience in Venice since 1976 has given him an extended family and the pleasure of working with Davide Fuin...

Louis is an artist in the forefront of his field and his pieces are technical feats in style, execution and dimension. After his studies at the Rietveld Academy and the National Acad...

Artist/Designer; Manufacturer: Pino Signoretto (1944-2017) Marking(s); notes: no marking(s) apparent; 1993 Country of origin; materials: Italian; hot sculpted glass, steel (base) Dim...

'Maina' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. Trails are created through rolling molten glass into various forms and shapes. They are then placed within clear glass and fused into one large piece through kiln casting. This technique creates a layered, suspended, and vibrant three-dimensional space within. About the Internal Space Series: David’s experiments with sheet glass and fusing led him to try to make the glass thicker to see more interior space. It was during this time a professor pointed out that he was working with a metaphor, for which the internal space of the glass was the equivalent to the internal life of the mind. This became his operating mantra but also forced him to come to terms with the casting of thick sections. “Creating those internal spaces came with some problems. Other than telescope mirrors, I did not know that anyone annealed glass in a kiln for more than a day or two. When pieces cracked after five...