Bronze Figurative Sculptures

(after) Auguste Rodin Posthumous cast "Petite tete au nez retroussé" Featuring a bust of a woman. Limited edition bronze is mounted on a marble base and is signed on the lower right. Great detail. Dimensions: approx. 7-1/4" tall x 5" across x 5" deep with base Foundry mark on the reverse, #13 of 299 produced. François Auguste René Rodin (1840 – 1917) was a French sculptor generally considered the founder of modern sculpture. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community. Rodin became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. His student, Camille Claudel, became his associate, lover, and creative rival. Rodin's other students included Antoine Bourdelle, Constantin Brancusi, and Charles Despiau. Rodin entered the studio of Albert-Ernest Carrier-Belleuse, a successful mass producer of objets d'art. Rodin worked as Carrier-Belleuse' chief assistant until 1870, designing roof decorations and staircase and doorway embellishments. With the arrival of the Franco-Prussian War, Rodin was called to serve in the French National Guard, but his service was brief due to his near-sightedness. Rodin took classes with animal sculptor Antoine-Louis Barye. The teacher's attention to detail and his finely rendered musculature of animals in motion significantly influenced Rodin. Rodin won the 1880 commission to create a portal for a planned museum of decorative arts. Rodin dedicated much of the next four decades to his elaborate Gates of Hell, an unfinished portal for a museum that was never built. Many of the portal's figures became sculptures in themselves, including Rodin's most famous, The Thinker and The Kiss. With the museum commission came a free studio, granting Rodin a new level of artistic freedom. By 1900, Rodin's artistic reputation was established. Gaining exposure from a pavilion of his artwork set up near the 1900 World's Fair (Exposition Universelle) in Paris, he received requests to make busts of prominent people internationally, As Rodin's fame grew, he attracted many followers, including the German poet Rainer Maria Rilke, and authors Octave Mirbeau, Joris-Karl Huysmans, and Oscar Wilde. Rodin and Beuret's modest country estate in Meudon, purchased in 1897, was a host to such guests as King Edward, dancer Isadora Duncan, and harpsichordist Wanda Landowska. He left Beuret in Meudon and began an affair with the American-born Duchesse de Choiseul. From 1910, he mentored the Russian sculptor, Moissey Kogan...

" Businessman " by Honoré DAUMIER (1808–1879) A very fine sculpture in bronze with a black patina. Monogramed on the base « HD » for Honoré Daumier. Old edition cast by C. Valsuani ...

Purebred named "Coyote" by Georges MALISSARD (1877-1942) Horse bronze sculpture with a dark brown patina old cast Signed on the base " G. Malissard " And titled " Coyote " France E...

In this work, the author turned to classical mythology and created the image of the goddess Venus. Goddesses of youth, beauty and love. He created the classical female torso on a mar...

This shallow relief sculpture is of a 135 million years old fossil of a unknown herbivore discovered in India from the jurassic period. Davies chose this fossil amongst a plethora of...

The Bride by Janet Scudder (1869-1940) Bronze with dark brown patina signed "Janet Scudder" on the base cast by Alexis Rudier, fondeur Paris (foundry mark) France early 20th century height 28 cm Biography : Janet Scudder (1869-1940) was an American sculptor. Born Netta Deweze Frazee, but called Janet, her childhood was difficult. Her mother died at age 38 in 1874. Despite limited financial means, her father sent her to study drawing at the Art Academy of Cincinnati. She also studied sculpture with Louis Rebisso. She taught in 1888 women wood...

Esther Wertheimer ( Polish, Canadian 1926 - 2016 ) Hand signed Wertheimer Dimensions: 14.5 X 8 X 5.75 in. This semi abstract figurative bronze scul...

Organic, abstract bronze sculpture by Yulla Lipchitz of a woman lying down with a tree. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Ge...

Modern Abstract Bronze Sculpture #79 Dynamic bronze sculpture by Doris Ann Warner (American, 1925-2010), circa 1970. This piece is twisted and folded in on itself, implying movement...

John Davies (Cheshire, 1946), British sculptor. Bronze sculpture head Unique cast (1/1) This was shown at Marlborough Fine Art (London) Ltd in a show called John Davies New Sculpt...

Erte, Russian (1892 - 1989) Bronze Sculpture "Amazon" Circa 1985, Edition #118 of 375 ...

Created by artist Richard MacDonald for the 1996 Atlanta Summer Olympics, Flair Across America celebrates the triumph of the human spirit and the idealization of the human form. Wh...

The French Art Deco Bathing Nude Female Statue, crafted by the Belgian sculptor Guillaume Dumont in 1923, is a testament to his artistic brilliance. Dumont, born in 1889, though the ...

The Secret by Pierre-Félix FIX-MASSEAU (1869-1937) Gilded bronze Signed on the side "Fix-Masseau" Cast stamped "Siot-Decauville Paris" Raised on a rough red marble base France circ...

Unsigned bronze buste of a woman, with fine characteristics. The sculpture was mounted on a hand-made ceramic socle with a marble top. Very heavy, solid and qualitative piece.

"Woman-Flower" Lamp by MARS-VALLETT (1869-1957) Art Nouveau sculpture forming a table lamp, made in gilded bronze with two light arms Signed on the base "Mars-Vallett" Old edition ast France circa 1900 height (without light bulbs) 35 cm width 25 cm Biography: Mars-Vallett, pseudonym of François Marius Vallet (1869-1957), was a French caricaturist and sculptor. Son of a marble worker from Chambéry, Mars-Vallett was a student at the Paris School of Fine Arts. Working as a caricaturist during his youth, he worked for numerous Parisian publications such as the newspaper “Soleil du Dimanche”. Mars-Vallett won several awards at the Salon of French Artists and the Salon of the National Society of Fine Arts. He was also the curator of the Savoy museum in 1904 and the Charmettes museum (Jean-Jacques Rousseau's house) in 1907. He was one of the founding members of the Society of Friends of Old Chambéry in 1933. During his life in Paris, Mars-Vallett received visits to his studio, among others, from Auguste Rodin and Albert Bartholomé. He was very close with the painter François Cachoud...

Beautifully proportioned and handsome nude male bronze with Roman classically refined features after the Antique . It looks best with a key lighting th...

Eugenie Gershoy (January 1, 1901 – May 8, 1986) was an American sculptor and watercolorist. Eugenie Gershoy was born in Krivoy Rog, Russia (Krivoi Rog, Ukraine) and emigrated to New York City in the United States as a child in 1903. Considered somewhat of a child prodigy, Gershoy was copying Old Master drawings at the age of 5. Her interest and talent in art was encouraged from a very young age. Aided by scholarships, she studied at the Art Students League under Alexander Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, and Boardman Robinson. Around this time, she created a group of portrait figurines of her fellow artists, including Arnold Blanch, Lucile Blanch, Raphael Soyer, William Zorach, Concetta Scaravaglione, and Emil Ganso, which were exhibited as a group at the Whitney Museum of American Art. At age 17, she was awarded the Saint-Gaudens Medal for fine draughtsmanship. Early in her career she became an active member of the Woodstock art colony. In Woodstock she experimented by sculpting in the profusion of indigenous materials that she found. Working with fieldstone, oak and chestnut, Gershoy created works based on classic formulae. As she became more interested in the dynamism of everyday life, she found that these materials and her idiom were too restrictive. By the time Gershoy came to Woodstock in 1921 her own individual artistic style was already evident in her sculptures. Eugenie Gershoy worked in stone, bronze, terracotta, plaster and papier-mache. Gershoy’s sculptures were mainly figurative in nature and many of her artist peers such as Carl Walters, Raphael and Moses Soyer, William Zorach and Lucille Blanch, became her subjects. Eugenie Gershoy’s works on paper should not be overlooked. She was the winner of the Gaudens Medal for Fine Draughtsmanship at the tender age of 17. Gershoy married Jewish Romanian-born artist Harry Gottlieb. In the late 1920s and early 1930s, the pair kept a studio in Woodstock, New York. There, Gershoy was influenced by sculptor John Flanagan, who lived and worked nearby. From 1936 to 1939, Gershoy worked for the WPA Federal Art Project. She collaborated with Max Spivak on murals for the children's recreation room of the Queens Borough Public Library in Astoria, New York. She developed a mixture of wheat paste, plaster, and egg tempera, which she used in polychrome papier-mâché sculptures; she was the only New York sculptor to work in polychrome at this time. She also designed cement and mosaic sculptures of animals and figures to be placed in New York City playgrounds. Alongside others employed by the FAP, she participated in a sit-down strike in Washington, DC, to advocate for better pay and improved working conditions for the projects' artists. Gershoy's first solo exhibition was held at the Robinson Gallery in New York in 1940. She moved to San Francisco in 1942, and began teaching ceramics at the California School of Fine Arts in 1946. In 1950, she studied at the artists' colony at Yaddo. Gershoy traveled extensively throughout her life. She visited England and France in the early 1930s, and worked in Paris in 1951. She traveled to Mexico and Guatemala in the late 1940s, and also toured Africa, India, and the Orient in 1955. In 1977, Gershoy dedicated a sculpture to Audrey McMahon, who was actively involved in the creation of the Federal Art Project and served as its regional director in New York, in recognition of the work McMahon provided struggling artists in the 1930s. Gershoy's work is in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Smithsonian American Art Museum. Her papers are held at Syracuse University Grant Arnold introduced her to lithography in 1930 and Gershoy depicted many scenes of Woodstock artists and their daily activities through this medium. From 1942 to 1966 Gershoy lived and painted in San Francisco where she taught at the San Francisco Art Institute. She traveled extensively, filling sketchbooks with scenes of Mexico, France, Spain, Africa and India. During her later years Eugenie Gershoy returned to New York City and concentrated on numerous well received exhibitions. Her last exhibition in at Sid Deutsch Gallery included many of the sculptures that were later exhibited in the Fletcher Gallery. John Russell, former chief critic of fine arts for the New York Times, writes about the 1986 Sid Deutsch exhibition: “As Eugenie Gershoy won the Saint-Gaudens Medal for fine draftsmanship as long ago as 1914 and since 1967 has had 15 papier-mache portrait figures suspended from the ceiling of the lobby of the Hotel Chelsea, she must be ranked as a veteran of the New York scene. Her present exhibition includes not only the high-spirited papier-mache sculptures for which she is best known but a group of small portraits of artists, mostly dating from the 30’s, that is strongly evocative.” Eugenie Gershoy is an artist to take note of for several reasons. She was a woman who received great awards and recognition during a time when most female artists were struggling to hold their own against their male counterparts. As a young girl she won a scholarship to the Arts Student League where she met Hannah Small...

This bronze relief ( 29 x 29 cm, plexiglass pedestal 41 x 41 cm) is a model for a commemorative medal dedicated to the Italian Air Force. At the centre there is the Allegory of the ...

A lovely bronze sculpture of a Boar, or Pig, nose up. The artist, who died at age 98, worked with some of most notable sculptors of her time. She sculpted along side Elizabeth Frin...

The deer. Circa 1920. Good quality bronze model of a doe, probably cast around 1970. Standing animal, looking forward, catching the scent, tense, dynamic posture characterized only b...

Classic female torso inspired by examples of high Greek sculpture. Sculptor explores the lines and shapes of the female body, embodied the diversity, slightly changed the poses. Thi...

Bronze Jewish Rabbi. Original Patina. Art-deco wood carved base. It is signed with initials P.K. and marked "Calif Art Bronze Fdry LA" (California Art Bronze Foundry Los Angeles). it is not dated. PETER KRASNOW (1886-1979), Russian-Ukrainian, American artist painter and sculptor, born Feivish Reisberg, was a California modernist and colorist artist known for his abstract wood sculptures and architectonic hard-edge paintings and drawings which were often based on Hebrew calligraphy and other subjects related to his Jewish heritage...

This piece is a bronze sculpture created by Riho Kuld in 1990. Kuld was born in Estonia in 1936, his work is exhibited in the museums all over the world in c...

Erte, Russian (1892 - 1989) Title: Rue de la Paix Year: 1987 Medium: Bronze Sculpture, signature and numbering on base Edition: 15/350 Size: 14.25 x 7 x 3 in. (36.195 x 17.78 x 7.62 ...

Rembrandt BUGATTI (1884-1916) French bulldog also known as The Dog of Teresa Lorioli (mother of the artist) Small size Sculpture in bronze with a nuanced black patina. Signed on the base "R.Bugatti" A lost wax cast by "A.A. Hébrard" (with founder stamp) and numbered "11" Model created in 1905 Cast before 1934 Edition of 50 copies height 13,5 cm length of the base 13,2 cm depth of the base 8,4 cm A similar copy acquired in 1906 directly from the artist and numbered "35" is now part of the collection of the Alte Nationalgalerie in Berlin (inv. BI 251). Bibliography : - Mary Harvey, The Bronzes of...

"On the Wings of an Eagle by Chester Fields is one of his most popular sculptures. This is number 26 of 75 made. It is made with the following: Bronze Casting Deluxe Patina Gold Beak...

Ting Shao Kuang (1939, Chengdu, China) "Huntress" Limited Edition Bronze Sculpture, 1990. Edition NUMBER 99/250. Signed on base. 19.5" H x 12"W 49.53 x 30.48 cm Ting Shao Kuang was born in 1939, in Chenggu, a small village located in the Northern province of Shanxi, China. His earliest childhood was marked by the horrors of the Sino-Japanese war that destroyed his land and left him abandoned after the evacuation of his parents to Taiwan. He found his consolation and escape in painting and by the age of 11, he painted on a daily basis, using the cooking oil as a medium for the pigment. Even besides his limited supplies, Ting Shao Kuang managed to use his extraordinary talent and got the opportunity to attend a prestigious high school which was connected with the Beijing’s Central Academy of Arts and Crafts where he later gained his further education. His painting lessons were based on rules of Social Realism without freedom of expression and with the strict prohibition of any foreign influences. After graduation in 1962, Kuang obtained a position to teach at the Yunnan Art Institute in Kunming. Painting the unacceptable abstract paintings during the night, he would destroy every piece of them in the morning, fearing of the arrestment of the authorities of the country. Still, Ting Shao Kuang’s progressive and modern vision did not fail to attract the attention and he was suspended from his work and escaped to northern China, finding the refuge in Buddhist monasteries in Gansu where he studied ancient sculpture and cave paintings on the old Silk Route which had been preserved for centuries. Using the distinctive technique, Ting Shao Kuang’s work combines traditional Chinese influences with the Western art forms. Always turning to the female characters as his favorite subjects, their sophisticated shapes have been created from the artist’s deepest feelings and literature that inspired him. After the death of Mao, Kuang and his colleagues founded the famous Yunnan Shen She Art...

Ting Shao Kuang (B. 1939) "Pensive Seated Woman" 1989 Cold painted bronze sculpture; signed in casting, stamped "15/250 [copyright symbol] Segal Fine Art 1989" Dimensions: 16 1/2 x 15 1/4 in. (41.9 x 38.7 cm.) Ting Shao Kuang was born in 1939, in Chenggu, a small village located in the Northern province of Shanxi, China. His earliest childhood was marked by the horrors of the Sino-Japanese war that destroyed his land and left him abandoned after the evacuation of his parents to Taiwan. He found his consolation and escape in painting and by the age of 11, he painted on a daily basis, using the cooking oil as a medium for the pigment. Even besides his limited supplies, Ting Shao Kuang managed to use his extraordinary talent and got the opportunity to attend a prestigious high school which was connected with the Beijing’s Central Academy of Arts and Crafts where he later gained his further education. His painting lessons were based on rules of Social Realism without freedom of expression and with the strict prohibition of any foreign influences. After graduation in 1962, Kuang obtained a position to teach at the Yunnan Art Institute in Kunming. Painting the unacceptable abstract paintings during the night, he would destroy every piece of them in the morning, fearing of the arrestment of the authorities of the country. Still, Ting Shao Kuang’s progressive and modern vision did not fail to attract the attention and he was suspended from his work and escaped to northern China, finding the refuge in Buddhist monasteries in Gansu where he studied ancient sculpture and cave paintings on the old Silk Route which had been preserved for centuries. Using the distinctive technique, Ting Shao Kuang’s work combines traditional Chinese influences with the Western art forms. Always turning to the female characters as his favorite subjects, their sophisticated shapes have been created from the artist’s deepest feelings and literature that inspired him. After the death of Mao, Kuang and his colleagues founded the famous Yunnan Shen She Art...

The author admires the beauty of the female body. Her movement - smooth, graceful and beautiful. The moment of awakening is very sensual. The girl stretches, revealing the beauty of her young body. Realistic manner shows her original beauty. Sculpture shapes create a play of light and shadow, curves, polished and brushed metal. The work is made of bronze- polish and patina. This sculpture was created in the early period of Alex Radionov...

French Art Deco Diana the Huntress Bronze by S. Melanie 1930s, crafted in the 1930s, stands as a testament to the artistic brilliance of the era. This extraordinary sculpture exudes ...

A very large 24" (61cm) Franz Xavier Bergmann (1861-1936) cold painted bronze group statue, signed, Austria, circa 1910. The bronze in the Orientalist manner & depicts a young slave ...

Ruth Asawa Bronze Flower, 1979 Cast Bronze relief plaque with original presentation box 5 1/4 × 6 1/4 × 1/4 inches Numbered from the Edition of 2500 Signed and dated 'Asawa 1979' (lower edge) incised in the bronze; numbered; stamped "Designed Exclusively for Crown Zellerbach Corporation"; foundry copyright Cast at the Berkley Arts Foundry for Crown Zellerbach Ruth Asawa's estate is represented by David Zwirner. Unframed This beautiful, limited edition signed cast bronze flower plaque makes a distinctive and original gift! It bears the artist's incised signature and is uniquely numbered from the limited edition of 2500. In 1979, the Crown Zellerbach Corporation of San Francisco, which had worked closely with her on neighborhood arts programs, commissioned Asawa to make a series of bronze bas-relief plaques, including this beautiful piece, which were cast by the Berkeley Arts Foundry. Cast at Berkley Arts Foundry for Crown Zellerbach Another example of this work was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 13 of the exhibition catalogue. Ruth Asawa Biography American artist, educator, and arts activist Ruth Asawa (1926-2013) is known for her extensive body of wire sculptures that challenge conventional notions of material and form through their emphasis on lightness and transparency. Born in rural California, Asawa was first exposed to professional artists while her family and other Japanese Americans were detained at Santa Anita, California, in 1942. Following her release from an internment camp in Rohwer, Arkansas, eighteen months later, she enrolled in 1943 in Milwaukee State Teachers College. Unable to receive her degree due to continued hostility against Japanese Americans, Asawa left Milwaukee in 1946 to study at Black Mountain College in North Carolina, then known for its progressive pedagogical methods and avant-garde aesthetic environment. Asawa's time at Black Mountain proved formative in her development as an artist, and she was particularly influenced by her teachers Josef Albers, Buckminster Fuller, and the mathematician Max Dehn. She also met architectural student Albert Lanier, whom she would marry in 1949 and with whom she would raise a large family and build a career in San Francisco. Asawa continued to produce art steadily over the course of more than a half century, creating a cohesive body of sculptures and works on paper that, in their innovative use of material and form, deftly synthesizes a wide range of aesthetic preoccupations at the heart of postwar art in America. Asawa’s work has been exhibited widely since the early 1950s, including early solo exhibitions at Peridot Gallery, New York in 1954, 1956, and 1958. In 1965, Walter Hopps organized a solo exhibition of the artist’s sculptures and drawings at the Pasadena Art Museum (now Norton Simon Museum) in California, where Asawa completed a residency at the Tamarind Lithography Workshop the same year. Other solo presentations include those held at the San Francisco Museum of Art (1973); Fresno Art Museum, California (2001; traveled to Oakland Museum of California, 2002); de Young Museum, San Francisco (2006); Amon Carter Museum of American Art, Fort Worth, Texas (2012); and Norton Simon Museum of Art, Pasadena, California (2014). In 2018 to 2019, the Pulitzer Arts Foundation in St. Louis presented Ruth Asawa: Life’s Work, the first major museum exhibition of the artist’s work in more than a decade. An accompanying catalogue published by Pulitzer Arts Foundation and Yale University Press includes essays by Aruna D’Souza, Helen Molesworth, and Tamara H. Schenkenberg. The two-person exhibition, Lineage: Paul Klee and Ruth Asawa was on view at the San Francisco Museum of Modern Art in 2021. In 2022, Ruth Asawa: Citizen of the Universe was on view at Modern Art Oxford, England, and later traveled to the Stavanger Kunstmuseum, Norway. Opening September 16, 2023 at the Whitney Museum of American Art, New York is Ruth Asawa: Through Line, a solo presentation which will later travel to the Menil Drawing Institute in Houston. The artist’s works have also been included in significant group exhibitions, including Leap Before You Look: Black Mountain College 1933–1957, Institute of Contemporary Art, Boston (2015; traveled to Hammer Museum, Los Angeles, and Wexner Center for the Arts, Columbus, Ohio, 2016-2017); America Is Hard to See, Whitney Museum of American Art, New York (2015); Revolution in the Making: Abstract Sculpture by Women, 1947–2016, Hauser & Wirth, Los Angeles (2017); Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York (2017); The Pencil Is a Key: Drawings by Incarcerated Artists, The Drawing Center, New York (2019); and In a Cloud, in a Wall, in a Chair: Six Modernists in Mexico at Midcentury, Art Institute of Chicago (2019). A selection of the artist's work was presented at the 59th Venice Biennale, The Milk of Dreams (2022). In addition to her wire sculptures, Asawa is well known for her public commissions, particularly in San Francisco and the wider Bay Area. These include the much beloved Andrea fountain in Ghirardelli Square (1966-1968) and the San Francisco Fountain outside the Grand Hyatt Union Square (1970-1973), the latter of which includes hundreds of baker’s clay images molded by local schoolchildren, friends, and other artists cast...

"This is one of my earliest sculptures. I depicted a naked girl at the waterfall. She bathes under jets of water. The fabric of clothing hugs her body and lies down to her feet. The ...

"Robed III" Bronze Sculpture 9.5" x 4" x 3" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. ...

"Classical ballet was my main source of inspiration. Grace and beauty of ballerinas combining with extremely hard work they do. This combination is shocking and inspiring in the same...

Silvered Bronze Art Deco Statue Pair featuring a woman reaching and grasping the antlers of a deer, a rare version of “Chasing the Hind” Designe...

Trail of Prayers by Denny Haskew Figurative Female Bust on custom pedestal 66x16x20" Bronze/Walnut, signed and numbered #11/20 ​sold out edition available on the secondary market, so...

Robert Ingersoll Aitken Comrades in Arms (Brothers in Arms), 1919 Inscribed "AITKEN" on the base Bronze 19 inches high Robert Aitken attended San Francisco's Mark Hopkins Institute of Art where he studied sculpture with Douglas Tilden and drawing with Arthur Mathews. At the age of eighteen, he opened his own studio in the city. He went to Paris in 1895, but deciding that the influence of the French was not beneficial for American artists, returned to the United States having stayed only three months. Aitken's first major commissions included a bronze monument to Bret Harte which the young sculptor executed for San Francisco's Bohemian Club, an organization that was to give him encouragement and patronage for the rest of his life. His first public exhibition was held at the Club's headquarters in 1896. In 1901, he won the competition for a memorial to Admiral Dewey to be placed in San Francisco's Union Square; his conception of Victory for the monument received much critical acclaim. Between 1901 and 1904, Aitken was head of the Department of Sculpture at the Hopkins Institute. In 1905, fifty-three of his sculptural models were featured in an exhibition at the Bohemian Club. Despite his earlier derision of French artists, he returned to Paris in 1904, this time he remained for three years, even having a work accepted in the Salon of 1907. He came back to the United States in the latter year, and settled in New York where he opened a studio and began teaching at the Art Students League. His artistic career was interrupted by World War I, when he served in Europe, achieving the rank of Captain in the infantry. Aitken first exhibited at the Academy in 1907, received the Barnett prize in the winter exhibition of the following year, and continued to be a consistent exhibitor in NAD exhibitions. Particular critical attention was given his Michelangelo, which he showed at the Academy in 1912. He designed the Academy's Elizabeth N. Watrous Gold Medal, an award he won himself in the Winter Exhibition of 1921, for a model of his monument to George Rogers Clark...

Nature unveiling in front of Science by Louis-Ernest Barrias (1841-1905) Bronze sculpture with multiple patina. Signed "E. Barrias" on the side of the base cast by "Susse Frères" (foundry mark and stamp) The model of this statue was commissioned in 1889 to decorate the new medical school in Bordeaux. When he had finished the first version in white marble for the school, Barrias designed a second marble and onyx statue in 1899 for the ceremonial staircase of the Conservatoire des Arts et Métiers in Paris. France circa 1900 height 58 cm Biography : Louis-Ernest Barrias (1841-1905) was a French sculptor . He came from a family of artists. His father was a porcelain painter and his older brother, Felix-Joseph Barrias, a recognized painter. Louis-Ernest Barrias entered the School of Fine Arts in Paris in 1858, he abandoned painting to move towards sculpture under the direction of François Jouffroy. In 1864, he won the Prix de Rome, on the theme of "The Foundation of Marseille", and was engaged on the site of the Paris Opera house. He later produced many sculpted works, most of them in marble. In 1881, Louis-Ernest Barrias was awarded a medal of honor of the fine arts and named knight of the Legion of Honor in 1878, then promoted officer in 1881 and commander in 1900. The artist replaced Auguste Dumont at the Institute in 1884, then succeeded Jules Cavelier as a professor at the School of Fine Arts, where, among his most notable students, there were Victor Ségoffin, Charles Despiau and Paul Landowski.

"Classical theme of a Greek art inspires me. I am a big fan of a Greek mythology, so I depict it often". This sculpture shows beautiful woman in wet fabrics that emphasize body curve...

A fine bronze cast of a young antelope or male deer licking its back, by Sirio Tofanari (1886-1969). An old model with degraded dark-brown patina and lighter brown tones. Signed Siri...

Lucien Alliot French Art Deco Bronze The Gazelles 1930. The brown patina on a marble base signed on the bronze L Alliot and stamped bronze on the deer. This particular piece has exceptional rhythm where the two gazelles interplay in a movement depicting leaping over the hills or water—a very three-dimensional treatment showing the movement of the animals. Lucien Charles Eduoard Alliot (1877-1967), the sculptor, was born in 1877 Paris, France. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics. He exhibited regularly at the Salon des Artistes Français, was a member and the gold medal in 1920, out of competition, and was a member of the sculpture jury from 1934 to 1939. Alliot was well known for his figurative sculptures, exhibited at the Salon de Paris for many years. He received a third-place award in 1907 (which included funds for travel expenses) and a first-place award l in 1920. After he declared himself out of the artistic competition, he became a jury member at the Salon evaluating sculptural works from 1934 to 1939. Alliot created several allegorical groups, La Paix in 1939, and several religious illustrations: Sacré Cœur in 1924, La Vierge Marie...

"Strength of the Maker" by Denny Haskew Figurative Bronze with wood base, ed/25 21x21x14" Signed and numbered 10/25. This is a sold-out limited edition available on the secondar...

Pair of bookends with Elephants by Ary BITTER (1883-1973) A very fine pair of bronze sculptures with old gilded nuanced dark brown patina Signed " Ary Bitter Sclp " on an original plaque Old cast by Susse Frères Raised on wooden bases France Circa 1935 total height for one: 27,5 cm total height for the other: 17 cm Biography: Ary Jean Léon...

Fabbri was born in Quarrata (Tuscany). At the age of 12, he attended the Scuola d'Arte in Pistoia and then, under the instruction of the painter Fabio Casanova, he decided to embark on an artistic career and created his first sculptures, mainly using the wax and plaster. In 1932 Fabbri, in order to continue his education at the Accademia di Belle Arti, moved to Florence where he frequented the artists' Caffè Giubbe Rosse, meeting point for the intellectuals known as the Ermetici Group (Eugenio Montale, Carlo Bo, etc.) and also came into contact with the painter Ottone Rosai and the poet Mario Luzi. At the end of the year he moved to Albisola (Savona), where he worked in the La Fiamma...

The Philosopher by Vincenzo Gemito (1852-1929) Bust in bronze with a nuanced dark brown patina Signed "Gemito" Stamped with the foundry mark "Fonderia Gemito Napoli - Merca di Fabbr...

This joyous in the round bronze can turn on its base, making for dramatic presentation and enjoyment that is interactive. It is based on the idea of the Three Graces which is often...

"Dance Every Dance and Carry a Quiet Heart" by Denny Haskew Figurative Bronze Male and Female Busts, Companion pieces, Native American Dance= 24x17x17" ed/25 #8 of 25 available as pi...

Additional Information: Provenance: Private Collection, Long Island, New York. Collector was a friend of Victor Salmones. Marking(s); notes: signed; P/A (artist proof) Country of o...

Jenő Kerényi (Hungarian, 1908-1975) The Lion Tamer, 1929 Bronze on two-tiered marble base Signed and dated on bronze base 15.5 x 6 x 6 inches Jenő Kerényi was a Hungarian sculptor. ...

Additional Information: Provenance: Collection of Mrs. S. Furer, Boca Raton, Florida. Much of Mrs. Furer’s extensive art collection was acquired in Hempstead, New York during the 196...

Head of a girl by Paul BELMONDO (1898-1982) Bronze with a nuanced dark brown patina Signed "P. Belmondo" Stamped with the foundry mark "Alexis Rudier. Fondeur Paris" Raised on its ...

Sculptor Alfred Basbous (1924 - 2006) was born in Rachana, Lebanon. His works express a lifelong exploration of the human form and its abstract properties. Throughout his life, Basb...

Max Kalish (American, 1891-1945) Nude Walking, 1930 Bronze Signed and dated on base 17 x 9 x 4 inches Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United...

Joseph Glasco (American, 1925-1996) Three Heads Bronze Each with cast initials on back Each: 3.75 x 2.5 x 2.25 inches Base: 1.75 x 8 x 6 inches Box: 12 x 10.5 x 10.5 inches Joseph G...

Additional Information: Provenance: Collection of Judith Cohen, Palm Beach and New York, by descent. Marking(s); notes: signed; ed. 4/11 Country of origin; materials: Mexico; bronz...

sea lion Artist: Greta van Puyenbroeck Dimensions: 22 h x 44 l x 30 cm w without base with base 29 x 33 x 38 cm Foundry: Artcasting Sign Greta Van Puyenbroeck was born in Antwerp in ...