Bronze Figurative Sculptures

Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled wit...

En Amore II is an elegant figurative bronze sculpture about love and companionship by Nando Kallweit. Nando handcrafts a wax model then creates a mould and pours his molten bronze i...

Contemporary figurative patinated bronze sculpture by Italian artist Antonio Giancaterino. Sculpture shows a couple in which man is holding woman by her hands as she is floating. Art...

Contemporary figurative patinated bronze sculpture by Italian artist Antonio Giancaterino. Sculpture shows a female figure during walking, pointing finger somewhere in font of her. S...

Bronze sculpture. Stamp numbered edition, foundry and date. From the edition of 250. Published by Tallix/Fine Art Acquisitions. Certificate of Authenticity is included. Artwork is ...

Sculpture Original bronze 1/8 Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment of Elisabeth ...

Beat of the Drum Paul Moore bronze Native American man with Drum, headdress Paul Moore was born in Oklahoma City a member of the (Creek) Muscogee N...

Volodymyr Mykytenko - Beauty of nature (2007) Beauty is in everything that surrounds us. My sculpture is filled with the abundance of nature and its beauties. Idyll in this composit...

Bust of a woman is a sculpture made by Emilio Greco (1913-1955) in the second half of 20th century. Woman with her hair up and a hint of a smile. The bust is made of bronze with a...

Volodymyr Mykytenko - Forest Fairy (2001) In any forest in the world you can meet the Forest Fairy. She is the patroness not only of the forest, but of all nature in general, of eve...

Start of the Dance by Denny Haskew Figurative Bronze of a young Native American Boy at Pow Wow 21x22x30" limited edition of 21 "Life's a dance. You...

Sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish sculpture Amancio González is a sculptor from Leon and an internationally celebr...

Volodymyr Mykytenko - magical dream (1995) Magical dream-not long before the birth of my son, this work was created.The birth of a new life is always beautiful. This work is like a ...

Volodymyr Mykytenko - Abduction of Europe 1 (1996) The love story in mythology is always interesting and mysterious. The theme of love in my work always inspires me. Love is always ...

Volodymyr Mykytenko - Aquarium (2001) Aquarium-This composition is a comic vision of the underwater world. Pisces-people live in their kind and ch...

Volodymyr Mykytenko - lion hunting (2002) The feminine theme in art is boundless. My huntress is so beautiful that she doesn't even have to do anything to have the trophies fall at ...

This Bronze sculpture, by the French Art Deco/Art Nouveau artist Affortunato Gory (d. 1925) , is a beautiful moment of three putti joyously dancing together. Their arms are joined a...

Running Horse - Sculpture is an original sculpture realized by the Italian artist Costanzo Mongini (1918-1981) during the 20th century. Edition of 99 exemplars realized in bonded br...

Nando Kallweit Steff unique bronze sculpture Dimensions: 14cm tall Serial Unique

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

Apache Gahn Dancer limited bronze edtion

I have seen this piece identified as Wizard and as Micawber from Charles Dickens David Copperfield ("something will turn up") Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

Jules Edmond Masson (French, 1871–1932) Bronze Figure of a Lurcher Dog, 1930 Bronze with brownish green patination, on a fitted stone base The base inset with a bronze plaque reading...

Thinking, Reflecting By Hein Koh Hein Koh is a contemporary artist known for her interdisciplinary approach to art, combining elements of performance, installation, and video. Bor...

Signature Horse Collection of Barcelona-based Spanish sculptor Joan Artigas Planas. This work is inspired by Leonardo Da Vinci who could't finish the commissioned work of a big bronze horse...

Education: • 1985 – 1989 Diploma in Fine Arts from Indian College of Arts and Draftsmanship, Calcutta(R.B.U.) Debabrata De’s bronzes, rustic and earthly in its essence; his women La...

Ambivalence is cast in bronze, and in an edition of 4. The figure stands in his underwear, one rubber boot on, one off, a beaver dangling from his hand. Nicholas Crombach (b.1989, K...

Sense is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. Joan’s latest scu...

This delicately balanced, female nude figure is patinated in a dark blue and black tone. Available by commission in an edition of 8, this piece is 1/8. A former student of philosop...

This contemporary, male, figurative, patinated bronze sculpture was created by artist P Roch Smith. A tower of cups stacked face to face and end to end creates a beautifully undulating formal column reminiscent of Brancusi's Endless Column. Precariously balanced on the shoulders of a small bronze figure...

Jesús Curiá Perez Horse I bronze and artificial stone 23h x 19.75w x 8.25d in 58.42h x 50.16w x 20.95d cm JCP061 It is seemingly easier to identify with the ideas and thoughts of a...

Summer II is a bronze sculpture with black patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan wants to c...

Cubicus Bronze Sculpture Figurative Abstract Geometric Head In Stock Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal ...

Mountain Ghost Two Panthers And A Woman Artist signed, edition 63/225 very nice detail and gray and gold patina, Measures 16"H x 18"L x 8.5"W. Born in 1938 Zhejiang Province, Ch...

Red Chilli Pepper Artist signed, patinated bronze with black marble (base 8"x8") Randi Grantham was born and raised in Las Vegas, Nevada and now lives in South Florida. He is a sel...

A. Ghosh - Untitled Bronze Casting & Brass Engraving H 48 x D 12 x W 36 inches ( Delivery Time 45 days ) Born : 19.01.1972 Qualification : Diploma in furniture design silpa sadana,...

Modern abstract sculpture of a woman and goat by renowned artist Reuben Nakian. The work features a female nymph figure lying back as a goat figure approaches in Nakian's iconic bloc...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

Numbered and signed. Limited edition of 100 pieces. Excellent conditions. Aurelio Mistruzzi was an Italian sculptor and medalist. He attended the Udine School of Art with professor ...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Jean Garnier (1853-1910) Art Nouveau Bronze Sculpture circa 1890s A Fine bronze sculpture by listed French artist Jean Garnier. A young nude woman with long flowing hair and a tamb...

Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from M...

AUGUSTE MOREAU French, (1834-1917) Alerte Patinated bronze; Signed ‘Aug Moreau’ and title ‘Alerte’ on base 22 x 14 1/2 inches Notes: Cupid's figure is standing with a bow on hi...

PIERRE LE FAGUAYS "WATER CARRIER" BRONZE AND ALABASTER, SIGNED ELECTRIFIED FRANCE, C.1925 15.5 INCHES A French sculptor of lithe female f...

Roby Dwi Antono Kira (Gold), 2021 Bronze sculpture with black patina finish and crystal resin tears 12 1/5 × 10 1/5 × 9 1/10 in 31 × 26 × 23 cm Edition of 75 Published by Avant Arte...

Richard MacDonald’s “Cheetah Bust, Atelier” reveals an intimate study of “Samburu”, the two and a half year old Nambian cheetah the artist used as the subject for his “Diana and the ...

Concetto Pozzati was born in Padova, Italy in 1935. He is living since 1949 in Bologna where is was holder of the chair of Painting at the Accademia di Belle Arti. He has been exhibi...

Satyr and Baby is a bronze statue created by the artist Aurelio Mistruzzi. Minotaur with child on his shoulders. Edition of the late 1900s. Engraved signature on the marble base....

This Art Deco stylized work is by one of America's greatest sculptors. This is a wonderful and unique depiction of Motherhood different than a mother cradling a single child, here w...

The Birth of Venus by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze sculpture with dual patina, nuanced dark brown and gilded patina signed "A. Carrier-Belleuse" France circa ...

signed "1938-42 Morgan Russell" with monogram on base cast circa 1982 with permission of the Estate of Morgan Russell

Sculpture Original bronze BELLE ATTENTE Wax lost bronze signed on the thigh: N °: 2/8 foundry stamp CHAPON Born in 1960 in a family of artists collecting the bronzes of the Ital...

The sculpture Cranium (2020) is an exploration of consciousness in isolation. It re-imagines the human skull as an ever-expanding container, complete with its own internalized logic...

Artist: Ernst Neizvestny, Russian (1926 - ) Title: Monument in Honor of Dead Year: 1970-1974 Medium: Bronze Sculpture on Wooden Base Edition: 7 + AP's Size: 16 x 10 x 6.5 in. (40...

Artist: Anthony Quinn, American (1915 - 2001) Title: Zeus Year: 1992 Medium: Bronze Sculpture with Patina, signature, date and number inscribed Edition: 8/8 Size: 22 in. x 9 in. x 5 ...

MICHAŁ KUBIAK (born in 1946) Studied at the Academy of Fine Arts in Poznan (1967-1972). He received his degree in sculpture in the studio of Olgierd Truszyński. Since 1972 he has p...

Alabaster temple with Corinthian capitals, palmette decoration runs along the rim. On the front, two swans are carved on the base, while there are five rosettes at the top. In the ce...