Metal Figurative Sculptures

One of the most iconic pieces by the artist, the boy with the Shark, is in the biggest version. Shown at Master Piece London in 2022, also one sculpture in Bond Street in London ( se...

Jonathan Delmas began his wonderful work since his tenderest youth in contact with his father and grandfather, great founders of arts in Paris. His first movement, the Bear, born in...

Fire by Jane DeDecker Allegorical Element Figurative Bronze with Gold Leaf 72x14x20" bronze ed/17 (available patina is the darker blue-grey hue) Shipping price includes the custom p...

"Mercury" NYC 1931 Bronze 5th Ave Traffic Light Sculpture American Art Deco WPA In the late 1920s, Joseph Freedlander was asked by the City of New York ...

Inspired by Picasso’s cubist era, metal sculptor Alexander Krivosheiw altered his signature fabrication style to create a fragmented, geometric portrayal of a dog called SCOOPS. The ...

bronze with green patina inscribed 'S. Melani' (inside of hind leg) and inscribed 'S. Melani' (lower right of base) mounted on a marble base PROVENANCE Private collection, UK

Contemporary bronze figurative sculpture of standing woman by Italian artist, professor Giuseppe del Debbio. Sculpture is signed on the base. GIUSEPPE DEL DEBBIO ( 1950-2019) Profe...

Contemporary bronze sculpture on a marble base made by Polish artist Ryszard Piotrowski. The artwork depicts human figure in an acrobatic pose. It is very dynamic. The surface is tex...

This pair of bronze sculptures of Atlas with Globe & Armillary Sphere are of high cast quality. Pairs have sold for over 700,000 Euro. Their condition is excellent for age and has ve...

Roman Grand Tour bronze figure of a youth. Wonderful patina. Measures : Statue is 23"H. Base is 8.75"W x 7.5"D.

A family of lions having green patination depicting a male lion feeding two cubs; mounted on a naturalistic base - signed and applied entitled plaque "Lion 1st Gibier" Paul Edouard Delabrierre...

Jaguar Standing Bronze Sculpture Wildlife Wild Animal Realisme Contemporary Chris Tap (1973, Amsterdam) attended university where he studied ...

SALE ONE WEEK ONLY This Pre-Star Wars Space Ship captures the magic, power and volume of unidentified objects that pass through our solar system and within viewing site of spaceship Earth. Titled "Untitled" this piece has the monumental quality and style of a spaceship that has been circling the universe forever. Constructed in 1963, prior to film industry creatives scaring viewers with visions of unimaginable spacecraft come to destroy earth, Julius Schmidt's imagination was unstoppable with his numerous and unique cast bronze sculptures. This extraordinary piece is a heart stopping example of what a genius creative can produce. It was exhibited in March 9 - 31, 1963 at the Otto Gerson Gallery, New York, NY. A Catalog of the show accompanies this piece. Julius Schmidt is an American sculptor who earned his B.F.A. from Cranbrook Academy of Art in 1953 and for the next two years studied sculpture under Ossip Zadkine in Paris and at the Accademia di Belle Arti in Florence, Italy. He returned to Cranbrook in Bloomfield Hills, Michigan, in 1955 for his M.F.A. in sculpture. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (bronze sculptures), Herb Babcock...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina cast by Susse Frères - stamped with the founder's seal France created around 1890 and cast after his death height 12,5 cm A similar model reproduced inJules Dalou, le sculpteur de la République, Exhibition held at the Musée du Petit Palais, Paris, 2013, page 288, n°220. Biography : Aimé-Jules Dalou, said Jules Dalou (1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday life. Beek would like her ...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

A chic, signed and dated, 1928, cubist style cast bronze sculpture, "L' Etudiente" by highly regarded Austria-Hungarian born artist, József Csáky (1888-1971), who was among the most ...

Joseph Mario Korbel (Czech/American, 1882-1954). Period fine example bronze, dark brown patina, modeled as a nude female kneeling and tying her sandal, raised on a stepped black marb...

Bull Bronze Sculpture Animal Small Farmlife Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motive...

Sculpture in bronze by Mario Dilitz. It is an edition of 8 sculptures + 4 Artist Proofs, all numbered and signed by the artist.

Laughing Horse Bronze Sculpture Animal Laugh Contemporary Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Arc...

Horse and Woman Bronze Sculpture Animal Lady Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motiv...

A pair of large, detailed cast bronze Roman figures of a senator (likely Julius Caesar) and possibly an emperor. Each in cascading drapery with beautifully rendered facial expression...

Saltoro Bronze Sculpture Bull Jumping Jump Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer a...

This paver is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frères - stamped...

Little Man on Horse Paard met Kind Horse with Child Bronze Sculpture In Stock Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at ...

Boar, patinated bronze, 19.5 x 32 x 12 cm, on the bottom the author's logo and a numerical description. Weight: 4.35 kg, edition 3 of 8, 2022. Mariusz Dydo...

Regina Sculpture Bronze Head Portrait of a Woman Lady Archetype Figure In Stock Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer a...

19th century bronze group of a standing and sitting hare by French animalier sculptor Alfred Dubucand (1823-1894). Finely detailed bronze with good dark brown patination. Signature '...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

"BELLS" Sculptural Lamp 42" x 141" inch by Grigorii Gorkovenko MATERIAL: bronze One lampshade. Lampshade only. Wires and lightbulb are not incl...

Boar, patinated bronze, 19.5 x 32 x 12 cm, on the bottom the author's logo and a numerical description. Weight: 4.35 kg, edition 2 of 8, 2022. Mariusz Dydo...

"Soldier" Bronze Sculpture 20" x 5" x 3.5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. H...

"Rex" Bronze Sculpture 16" x 7" x 6" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He star...

The present work is a rare piece from Roland Goeschl's time at the academy. In the technique of chased copper, which was unusual for him, forms are modelled that are still strongly r...

bronze with dark brown patina 72 x 69 cm (28⅜ x 27⅛ in.) signed 'L. MIGNON'; with an indistinct foundry inscription PROVENANCE: Private collection, London

A medium sized, limited edition bronze piglet sculpture. Edition of 8. This is a cute, adorable bronze statement piece that looks appealing from all sides. The sculpture can be cust...

Fierheid Pride Bronze Sculpture Horse Horserider In Stock KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France 2014). He com...

Reflex is bronze sculpture wall table sculpture, it is connected to a steel base. The sculpture depicts human figures in a dynamic pose, as if caught in mid-movement. The fluid lines...

gilt bronze on marble base

Large, midcentury, cast bronze bust of a man mounted on a chic, veined, polished marble base of the same period.

Sizes including stone pedestal 97 x 22 x 22 cm Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world. In 1995, he exhibited for the first time with Morren Galleries. Van der Kant desires to sculpt young people who still stand uninhibited and curiously in life. The reason he chooses to sculpt boys is, because he is one himself, this way the subject is closer to him. The anatomy of his figures testify of perfectionism. Van der Kant's subjects show similarities with the sculptures from the Greek and Roman antiquity...

My Bedside Book is a wall sculpture that captures snapshot of our daily lives. The boy is relaxing in his comfortable "space", enjoying himself and moments of life. Edition Size: 18...

This bearer of sheave is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frère...

This statue is of Prince Albert Edward, eldest son of Queen Victoria, Prince of Wales, future King Edward VII (1841-1910) dressed in a sailor suit. After a very popular painting of the young prince done in 1846 by Franz Xaver Winterhalter (1805-73) that is in the collection of the British Royal Family.

Superb 19th century bronze and gilt bronze bust of the god Belvedere Apollo. Circa 1850. This wonderful grand tour bust is a marvel of refined beauty and elegance, crafted with richl...

Nag Arnoldi (Locarno 1928 - Lugano 2017) Stallone Scultura in bronzo, cm 67 x 33 x 46 Esemplare 5/5 (uno di cinque esemplari) Firmato e numerato alla base Ultimo quarto del XX sec...

Au Bain Marie Bronze Sculpture Bathing with Marie Bath Tub Woman Nude In Stock Dirk De Keyzer (born december 19, 1958) 1978-1985 education Koninklijke ...

Incised with the artist's signature, stamped with the foundry stamp and numbered 'Damien Hirst 6/35' on the base Cast bronze. 63 x 40 x 35 cm (24 3/4 x 15 3/4 x 13 3/4 in.) Executed...

Edition of 9

Ruth Bloch, Blossoming with 3 balloons, Bronze sculpture, lovers or angels, flying high, work, romantic Israeli artist, Israeli art

edition 1/6 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ke...

Equestrian sculpture "Roman driver on his chariot" by Emmanuel Fremiet (1824-1910) Bronze with its original nuanced dark brown patina cast by MORE France circa 1880 height 41,5 cm l...

Edition of 9 + APs

This Hay baler is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina c...

A lively, abstracted sculpture of a Bull by Bruce Newell. Bruce's work has been collected and shown for decades at galleries scattered across the western ...

My interpretation of a Samburu herdsman stands as a sentinel of tradition, his life a tapestry woven with the threads of pastoral wisdom and the enduring spirit of the African savannah. The Samburu people of Kenya possess a deeply symbiotic relationship with elephants, observing and understanding them in remarkable ways that mirror their own societal structures. They share a common matriarchal social system with elephants, where both Samburu and elephant herds are led by a female elder who holds the knowledge and responsibility for the group's survival. This unique parallel has fostered a profound respect and protection for these majestic creatures within the Samburu culture. Samburu Herdsman, Limited edition of 24, Bronze sculpture on sandstone base in Bronze Verdigris, Height 65 cm including Sandstone base. Bronze sculpture using the lost was method. My art is inspired by Africa and it’s magnificent wildlife and people. My figurative East African tribal sculpture...

Richard Claude Belt (English, 1851-1921) Signed: R. Belt 1918 (base verso) " Casualties of War " 1918 Bronze Height 26" Width 15" Depth 13" In very good original condition w...