Metal Figurative Sculptures

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday life. Beek would like her ...

In his work entitled Allongé – to elongate or stretch - Richard MacDonald has sculpted the powerful lines of the male dancer, accentuating the graceful form of his body. Working with...

Instant Moules V is a nickeled and elox aluminium wall sculpture by contemporary Czech sculptor Ondřej Oliva, dimensions are 50× 35× 25cm (19.6 × 13.7 × 9.8 in). This sculpture is a ...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

William Mozart McVey (American, 1905-1995) Rumination Cast bronze with brown patina Signed on back foot 8 x 4 x 3 inches William McVey (12 July 1905-31 May 1995) became Cleveland's ...

#9-031 Man on horseback , 1930's figurative sculpture,finely detailed metal casting .

Ludo is a bronze sculpture by French contemporary artist Yann Guillon, dimensions are 25 × 20 × 15 cm (9.8 × 7.9 × 5.9 in). This sculpture is signed and numbered, it is part of a l...

According to reincarnation theory, there are lives previously lived in different bodies. Some people say they have memories of their past lives. May be one of the reason that you fee...

Acqua is a bronze sculpture of a fish by Marie Louise Sorbac. 63 cm × 32 cm × 63 cm. This sculpture is part of a series celebrating nature and the animal kingdom. It is available in...

Artist: After Pierre Jules Mene (French, 1810-1879) Title: Cheval Libre (Free Horse) Year: 1868 Medium: Cast bronze sculpture with dark brown patina Edition: Unknown Size: Inclu...

Long fascinated by the brilliant spectacle of Cirque du Soleil, Richard MacDonald has brought sculptures to life that have the intrigue, allure and beauty that has made Cirque du Sol...

This sculpture is cast and manipulated stone, fiberglass, iron, and casters. Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one anoth...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

3 Seated Figures I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 42 × 49 × 16 cm (16.5 × 19.3 × 6.3 in). The sculpture is signed and numbered, it...

Wrestler VIII is a bronze sculpture by French contemporary artist Yann Guillon, dimensions are 47 × 44 × 29 cm (18.5 × 17.3 × 11.4 in). This sculpture is signed and numbered, it is ...

I am interested in how we collectively construct history through artifacts such as monuments and portrait bust. These devices are tools for constructing dominant historical narrative...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

“A silent medium within a silent medium.” These are the words contemporary master Richard MacDonald uses in describing his world renowned Mime Series. MacDonald’s trademark skill at...

After Antonio Canova (Italian, 1757-1822) Bust of Young Napoleon as Caesar, 19th Century Hallow cast bronze with verdigris patina, attached to rouge...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Anna Karenina II is a bronze sculpture with dark patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s ...

Kioveo is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 24 × 54 × 28 cm (9.4 × 21.2 × 11 in). The sculpture is signed and numbered, it is part of a limit...

Marie III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece of...

Grand tour circa 1860s bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers...

“Elena", poised mid-air, elevated by an elegant cascade of drapery, becomes the embodiment of freedom, grace, and hope. Soaring and ethereal, the Cirque du Soleil performer sculpted ...

Isadora II is a bronze sculpture with black patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan pays tribute to ballerina Isadora Duncan. Joan’s latest sculpture series of female figures brings an out-of-the-box approach to sculpture creation. The small vivid women figures linked or bonded to their pedestals; the figures are delicate and intriguing representation of a woman’s mind...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers, 18th/19th Century Bronze 14 x 7 x 5 inches 22 x 8 x 7 inches, with base Diane de Poitiers was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family's status. She was a major patron of French Renaissance architecture...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers Bronze with gilt socle base 9 x 3.75 x 2.75 inches Provenance: Removed from a private residence at the Pierre Hotel Di...

'Preparation' is a 20th Century Solid Bronze ballet Dancer by Benson Landes. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated wit...

This bronze figurative tabletop sculpture by Roch Smith features a canoe. Canadian sculptor Roch Smith has turned his attention to a cherished national and historic pastime—canoeing...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 25 copies Fantastic piece of art representing Spanish sculpture Very popular artist in Europe and Latin Ame...

Wire sculpture by Steve Martin (b.1968) Note : 'Serious art without seeming to be' describes the whimsical line drawings transformed to three dimensions by artist Steve Martin. Ma...

Trail of Prayers by Denny Haskew Figurative Female Bust 66x16x20" Bronze/Walnut #20/20 ​sold out edition available on the secondary market, sold...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

This figurative steel indoor sculpture challenges cultural norms about women. The finely detailed, provocative sculptures of Derya Ozparlak have secured her a unique place in the wo...

Melanie Sherman Vintage Peacock III (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2023 (and following years) Size: 5.5x4x0.25in Signed by hand COA provided Ref.: 924802-1333 *Made to Order Every piece is unique, design might differ slightly Customization possible **Lead time approx. 2 weeks for qty 1-3 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

This contemporary outdoor figurative sculpture is of three metal maple leaves. This iconic image of a maple leaf, a national symbol, was ...

"Toro" is a unique bronze scultpure (2024) of Bulgarian mid career artist Günay Aliev. In this scultpure the artist depicts a forceful bull attacking. The bronze comes with a grani...

This exquisite bronze sculpture of a rabbit, created by renowned sculptor Paula Zima, stands at 21 x 13 x 20 inches. Its unique design features ornamental triangle indentations on bo...

Artist: Lagemann, Rainer Title: Dicke Lippe (Lips) Date: 2019 Medium: 1” Stainless steel squares, welded, RL red Unframed Dimensions: 13" x 23" x 5" Signature: Initialed

ANTONIUCCI VOLTI "RECLINGING WOMAN" BRONZE, SIGNED, NUMBERED 2/6 VALSUANI FOUNDRY ITALiAN, WORKED IN PARIS, C.1960 6.5 X 18.5 X 10.5 INCHES Antoniucci Volti 1915-1989 Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in Italy until 1920 when the family moved to France. Volti studied at the Ecole des Arts Décoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musée National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern...

This contemporary outdoor figurative metal sculpture is by Roch Smith. Canadian artist Roch Smith’s playful and thoughtful visual language often tackles big life themes in an imagin...

Figure of a horse , French 1940's , on a marble base appears unsigned finely carved, beautiful rendering, nice patina

American artist Jason Kimes is best known for his compelling and beautiful figurative outdoor work. This imposing sculpture (254 cm high) of a nude male in a classic yoga pose–arms c...

Alan Cottrill (American, Ohio, b. 1952) Nude Female Torso, 1994 Bronze mounted to green marble base Signed, dated and numbered 14/20 verso of leg, with foundry stamp 17. in. h. x 6 i...

MICHAŁ KUBIAK (born in 1946) Studied at the Academy of Fine Arts in Poznan (1967-1972). He received his degree in sculpture in the studio of Olgierd Truszyński. Since 1972 he has p...

Toro Bull Patinated Bronze sculpture on marble base, artist signed, 16.5h x 8w x 6d, base 6"h x7.5"w x6"d Heriberto Juárez (March 16, 1932 – August 26, 2008) was a self-taught Mex...

Zuniga bronze, edition: 3. #472 catalog raisonne: "Madre Reclinada con Rebozo". Measures: 5 3/4" H x 12" L x 8" W not including the wood plinth. Signed Zuniga and dated 1964. "Letter of Authenticity", issued by the Zuniga foundation (and son Ariel Zuniga...

Lotte 50 x 21 x 30 cm Bronze The theme van der Kraan likes most is to show the growing of young girls. Living in their own world. Like this girl watching ...

Mathias Goeritz (German Mexican, 1915-1990) Geometric Torch-cut Steel or Iron Sculpture with gold leaf gilding. Welded signature, MG. This came from an estate and is signed with his ...

Pear with a leaf. Artist signed, patinated bronze, on black marble base 8"x8" Randi Grantham was born and raised in Las Vegas, Nevada and now lives in South Florida. He is a self ta...

A weightless moment captured in form—Zura’s newest sculpture explores surrender, strength, and the poetry of gravity.

Dubucand Alfred 1828-1894 Two Hunting Dogs, Bronze on a Marble Base The Bronze with the monogram 'E.V.' and the number '2958' Two Hunting Dogs, Group Signed Alfred Dubucand, Fren...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

“Female Figure” (2023) by Zura is a life-size sculpture measuring 39 × 16 × 12 inches (99.1 × 40.6 × 30.5 cm), crafted in plaster with an option for bronze casting. This unique work ...

"Middle" is a popular free-standing bronze sculpture, suitable both for the inside and outside from established German mid-career sculptress Susanne Kraißer. Edition 18, signed, numb...

Ferdinand Preiss(1882-1943)

After completing his studies at the Royal Catalan Academy of Fine Arts in Sant Jordi, Barcelona, Jorge Borrás moved to France1. His works, especially his bronzes, are sold in major auctions mainly in France (Versailles, Drouot, Saint Germain En Laye, Enghien Les Bains, etc. June 30, 1992, two bronzes were sold at Christie's in London) 2. They are exhibited in Parisian salons such as the Salon d'automne3, the Salon des artistes français, the Salon des Independents the exhibitions of the National Society of Fine Arts, the Salon de l'école française [ref. necessary]. He received the Arts-Sciences-Lettresn 1 Medal and is a member of the International Association of Visual Arts (affiliated with UNESCO). In addition, he produced a series of medals and sculptures for the Monnaie de Paris, and various achievements such as the bust of Dr. Coll Colomé, a monument erected in Benicarlo (Spain) and publishing covers including the novel by Jean-Marc Roberts Vincent's friend. The work of Jorge Borrás is a tribute to the woman [ref. necessary]. Her favorite themes are ballerinas and bathers as well as women in everyday attitudes. Wild animals, some endangered, are also very present in the work of Jorge Borrás, especially in recent years where he takes great pleasure in capturing the wild moment of his attitudes. Passionate about drawing, he began painting at the age of ten and made his first exhibition at the age of twenty. At the School of Fine Arts in Barcelona, he discovered sculpture with Luisa Granero and studied painting and sculpture. The students the drawing section, of the great master of Spanish painting and portrait painter Francisco Ribera Gomez...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Bronze French bulldog In 1905, Rembrandt Bugatti took his mother's French Bulldog as a model and created this living sculpture, the dog bending its head and seeming to question the ...