Oil Figurative Sculptures

Artist: Sijan, Marc Title: Security Guard Date: 2024 Medium: Polyresin with oil paint and mixed media Signature: Signed lower leg Edition: Unique ...

Oil Painting / Contemporary Academic Realism / Figurative Art / Animals / Earth Tones

Low-fired glazed ceramic head sculpture features a radiant blue cloak and oil-painted facial details, exploring the tension between exposed identity and hidden emotional depths. Woma...

Bald head sculpture in vibrant red cloak blends glossy low-fire glaze and oil-painted detail to evoke emotional introspection. Bald Man in Red Cloak (48 × 42 × 22 cm) by Aldonza pres...

The sculpture was created and shaped by the artist using Acrylic One (which is an acrylic casting resin connection). The artist then painted this sculpture expressively with oil pain...

The sculpture was created and shaped by the artist using Acrylic One (which is an acrylic casting resin connection). The artist then painted this sculpture expressively with oil pain...

hand-painted metal with oil paint on metal armature text by Tom Sleigh: BLUEPRINT - 2007 I had a blueprint of history in my head — it was a history of the martyrs of love, the fool...

LESLEY DILL ONLY, 2004 bronze, paint, ink, wire, thread 58 x 19 x 14 in. 147.3 x 48.3 x 35.6 cm.

Anneke Bogardus "Lion Face" 2023 Entirely hand sculpted. Raku fired. Finished With touches of Oil paint, Pencil, and Acrylic. 67” around, 8” Off the wall. Raku firing is an ancie...

A sculpture by Tom Wesselmann. "Bedroom Brunette with Irises" is a contemporary wall sculpture, oil on cut-out aluminum by Blue Chip, Pop artist Tom Wesselmann. The work is unsigned. This piece was conceived in 1988 and frabricated by Lippincott Sculpture studio in 2004. Tom Wesselmann was born in Cincinnati Ohio on February 23 1931. He attended college from 1945-1951, first at the Hiram College in Ohio and then the University of Cincinnati, where he majored in psychology. He was drafted during the Korean War in 1952, and it was during this time that Wesselmann did his first cartoons. After he was discharged and had finished in degree in psychology, Wesselmann began to study drawing at the Art Academy of Cincinnati. He sold his first cartoon strips to two magazines, 1000 Jokes and True. In 1956, he was accepted to Cooper Union in New York and he continued his studies there. It was while he was studying in New York, specifically on a trip to the MoMA that Wesselmann became inspired by Robert Motherwell and Willem de Kooning. In 1958, a landscape painting trip to Cooper Union’s Green Camp in New Jersey brought him to the realization that he could make his career in painting, rather than cartooning. After graduation, Wesselmann became one of the founding members of the Judson Gallery, along with Marc Ratliff and Jim Dine. Wesselmann also began to teach art at a public school in Brooklyn and later at the High School of Art and Design. In 1961, Wesselmann began the series that would bring him to the attention of the art world, Great American Nude. After a dream concerning the phrase “red, white and blue”, Wesselmann decided to limit himself to a palette of only those colors (including colors like gold and khaki that are associated with patriotic motifs). This series incorporated representational images along the same patriotic theme, including American landscape photographs and portraits of the founding fathers. Wesselmann often collaged these images from magazines and discarded posters which required him to work in a much larger format than he was used to. As his works became larger and larger he approached advertisers directly to acquire billboards. Wesselmann’s first solo show was held in 1961 at Tanager Gallery. In 1962, Richard Bellamy gave him a one man exhibition at the Green Gallery. In 1962, Wesselmann participated in the group exhibition “New Realists” at the Sidney Janis Gallery and kicked off his international career. In that same year his first pieces with the title of Still Life, came about. In these works, Wesselmann concentrated on the juxtaposition of different elements, i.e. a cigarette ad...

The language on this extravagant sculpture are two poems that read; "The heart asks pleasure first and then excuse from pain," Emily Dickinson & "Becoming ever more quiet constantly branching out into ever thinning air...

Perseverance Oil on Resin with 24K Gold Leaf Cap 35” x 12” x 12” Edition: 1/8 Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is o...