Stone Figurative Sculptures

Bronze, glass & corian Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotion...

Divyendu Anand - Wisdom Tree Hand Painting and Patina over Metal Skin Granite, Edition of 9 H 44 x W 26.5 x D 18 inches Growing up with the thoughts of altruism, idealism and beauty...

ANTONIO PIAZZA Italian, (Late 19th/Early 20th Century) signed 'A. Piazza Carrara' 33 1/2 x 14 in. x 13 in. Notes: A Fine Italian Carrara Marble Figure of a Boy Holding a Hat

Committed by Denny Haskew Figurative Bronze on Sandstone Base Limited Edition of 35 20h 8.5w 7d inches #15 pictured "I give to you all that I am. My faith in Spirit is unchanging. E...

Mid century carved marble figurative girl and kitten by Rodney Marshall Winfield (American, b. 1925). Presented in rustic wood frame. Bio on verso. Image, 14"H x 10"W. Rodney studied at Cooper Union School in New York and worked as a designer at the Emil Frei...

Dean Kugler The Black Road: Crystal, 2022 resin, steel, limestone 31h x 13w x 12d in 78.74h x 33.02w x 30.48d cm DK0044 Dean Kugler is a seasoned interdisciplinary artist, painter, ...

Tony Hochstetler's "Rough Skinned Newt" (2022) is an original handmade bronze sculpture that depicts a newt curiously looking upwards. Tony Hochstetler is a sculptor of unusual anim...

'Together' is an original opal serpentine sculpture by the Zimbabwean artist by Noel Mwanza. The sculpture presents a moment of motherly devotion, with a woman's tall figure embracin...

This Portrait go Giuseppe Garibaldi is an original decorative marble sculpture realized in Italy by Italian manufacture during the end of the XIX century. The alabaster marble sta...

A wonderful stylized bust of a warrior. It appears that a dragon like creature sits on his helmet, rather is his helmet. You can't help but draw similarities to Game of Thrones. This...

Divyendu Anand - Morning Healing Edition of 9, Hand Paint & Patinated Copper Skin over Stone Composite Granite H 29.5 x W 12 x D 10 inches, 2025 Growing up with the thoughts of altr...

"Person on a Horse" is a concrete, glass and steel structure with horse in mid-stride looking up and forward. The person astride leans forward as in encouragement to the stead or in weariness of the journey, perhaps both. Leslie Hawk...

Divyendu Anand - Conch Shell - The Sound of Infinity Edition : 6/9 Metal Skin Over Composite of Stone Glass and Polyester Resin Granite H 18 x W 10.5 x D 13 inches, 2021 Growing up ...

Herinnering 2 Memory 2 Bronze People on Bench Figurative Sculpture Contemporary Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, sil...

Intrigued by the stature and carriage of a particular figure, MacDonald pursued Angelic Crystal, the study of a ballerina in the studio. Inspired by a continuing appreciation of danc...

Shona sculpture from Zimbabwe

Divyendu Anand - Piscine - Red, 2023 Oxidised Bronze over Stone Composite Granite Base Edition 2 of 5 H 33 x W 24 x D 14 inches Growing up with the thoughts of altruism, idealism an...

Naturalistic figure of a women with long hair and a long dress. The stone is a darker blue toned with natural veins and speckling. The figure is signed on the bottom of the dress.

Pradeep Jogdand - Untitled Black Marble H 28 x W 24 x D 14 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J...

Divyendu Anand - Transmuted Leaves Edition of 8 Oxidised Bronze over Stone Composite Granite Base H 14 x W 21 x D 9 inches, 2019 Growing up with the thoughts of altruism, idealism a...

Divyendu Anand - Inner Flame, Edition 9 / 9 Enamel Coating over Composite of Stone Glass and Polyester Resin Black Granite H 27 x W 15.5 x D 11.5 inches, 2020 Growing up with the th...

Divyendu Anand - Primodial Awareness Edition 3 of 9 Oxidised Bronze over Stone Composite Granite Base H 30 x W 24 x D 24 inches Growing up with the thoughts of altruism, idealism an...

A bronze sculpture by Mark Eastridge. A surrealist composition of a bronze case gas mask sitting atop a glove. Artist: Mark Eastridge, American Title: Nonsense (Gas Mask) Medium: Br...

Divyendu Anand - Birth of Bauhinia Patina & Enamel Over Bronze Granite, Edition of 3 H 24 x W 16 x D 12 inches, 2024 Growing up with the thoughts of altruism, idealism and beauty, D...

Boaz Vaadia’s Family 1 (#146) BVE (2017) is an intimate bronze, bluestone, and boulder sculpture that encapsulates the artist’s signature technique. This editioned work (1/7), measur...

Marble

Alabaster and wood

Moeder Studie 2 Mother Study 2 Figurative Bronze Woman Sculpture In Stock Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, silversmi...

This Bronze portrait by Constantin Antonovici is laid directly into the surface of a cut slab of white marble. Intense and hollow eyes stare out from a smiling visage, creating an un...

Marble

One of a kind original sculpture by local San Diego artist, Duke Windsor. This sculpture depicts a figure facedown with gold bricks on their backs. The artist uses gold leaf to highl...

Divyendu Anand - Soaring High Oxidised Bronze over Stone Composite Granite Base, Edition of 9 H 27 x W 13 x D 6 inches, 2025 Growing up with the thoughts of altruism, idealism and b...

Artist: Jack Graves III (American, 1988-) Title: "Alexander the Great Sculpture II" Series: Sculpture *Signed, titled, and dated by Grav...

An original carved marble sculpture by Constantin Antonovici from his Torso Series. Referenced in "Constantin Antonovici: Sculptor of Owls", pg 79 Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn...

Bronze, granite, corian & glass Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Marble and wood

Marble

Large Italian bust of the Roman Emperor Caracalla, cement sculpture from the second half of the 20th century. Copy of the famous Caracalla Farnese bust dated 3rd century AD and kept ...

Alabaster on granite

Robed in Indigo by Denny Haskew Figurative Bronze Female Bust, mounted on granite and walnut base with turntable and brass nameplate as pictured. Features a gorgeous patina that is o...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

This is a gorgeous hand-carved grey marble object. The marble is polished and with an amazing tactile feel. KARTEL Founded, 2014, San Miguel de Allende, Mexico The KARTEL group c...

Naman Mahipal - Indian Mother MDF, Brass & Stone, L 24 x B 15 x H 24 inches * Delivery will take upto 20 days after placing the order. Naman expresses h...

A minimalist depiction of a woman in a large hat by Constantin Antonovici. This white marble sculpture is composed almost entirely of two colliding ovals, with a few ridges visible o...

Astian Rey "FOREST SPIRIT"

By Bob Ragan 36" x 11" x 8" Texas "Rattlesnake" Limestone and natural deer antler 230 lbs About the Artist: Bob Ragan is a nationally recognized master ston...

Maternity 1982 Patinated bronze on marble base. artist signed edition VI/VII; 1982 Filipe Castaneda was born in 1933 in La Palma in the state of Michoacan, Mexico. The area in which...

Jesús Curiá Perez Horse II bronze and artificial stone 27.50h x 22w x 9.50d in 69.85h x 55.88w x 24.13d cm JCP062 Jesús Curiá's sculptures arouse something more than purely aestheti...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, Dust Marble, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Standing Nude, Size: 32" x 15'' x 10'' in...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Happy Man, Size: 17" x 12'' x 8'' inch, (43x30cm), K...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Inseparable, Size: ...

This sculpture depicts a bellowing bull, full of strength and muscular power. This artwork was made in direct cuts, then the bull's hair were finished using a smal power tool. It is not polished. The separated base is made of black veined marble. A graduate from the Academy of Fine Arts of Carrare, in Italy, Lutfi Romhein...

Large Saint Sebastian finely carved in alabaster. The saint is attached to a column surmounted by a capital, beautiful soft features and superb hair wi...

Carved stone bird with curious expression and brass feet presented on Quartz geode specimen.

Rare Vintage unusual piece. In this bronze or metal sculpture by Frank Meisler, the artist recreates a Rabbi at prayer. The figure seems cartoon-like with exaggerated facial features...

This figurative sculpture in veined white Carrara marble stone is by Lutfi Romhein. A graduate from the Academy of Fine Arts of Carrare, in Italy, Lutf...

This is a gorgeous hand-carved marble object. The marble is polished and has an amazing tactile feeling. This piece is celebrates our connection to everyday objects and reminds us ...

"My Dear Friend" is a green serpentine stone signed by Chemedu Jemali who is a African Shona. The body of the figure is a fluid shape with their left hand in...

The Skipper (Le Pacha) is a smoke sandstone, steel and cotton sculpture by French contemporary artist Cécile Raynal, dimensions are 50 × 31 × 25 cm (19.7 × 12.2 × 9.8 in). The sculpt...