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Mickey "Kano" Kane"Roped into Duality" Abstract Relief Sculpture1996
1996
$2,857.50
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£2,195.31
£4,609.5852% Off
€2,522.39
€5,296.3552% Off
CA$4,019.43
CA$8,439.7452% Off
A$4,515.65
A$9,481.6752% Off
CHF 2,359.43
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MX$55,115.58
MX$115,728.2652% Off
NOK 29,957.90
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SEK 28,199.05
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DKK 18,823
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About the Item
"Roped into Duality" Abstract Relief Sculpture.
Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This eye-catching yellow piece by Kano embraces techniques and motifs found throughout his relief sculpture; such as bilateral symmetry, carved and built sculptural elements, and subtle airbrushed painting. The center features two highly textured circles of laid and burnt fiber connected by a carved "rope" filled with paper pulp fibers. Wing-like cut outs rest above the circle, detailed in cooler tones than the majority of the piece. In the center is a piece of smooth wood embedded in the panel, further cementing the bilateral division of this piece. Surrounding the sculptural elements are undulating waves within the yellow paint. This creates a sense of something radiating out of the sculpture. Overall, this piece holds a balanced and calm energy.
Kano's work is outsider art - characterized by its creation outside the boundaries of mainstream art and often by self-taught or unconventional artists. Outsider art encompasses a diverse range of artists, including self-taught visionaries, psychiatric patients, and those outside the mainstream art world.
Titled and signed on verso
"Roped into Duality" Kano 96
Panel size: 48"H x 72"W
Mickey “Kano” Kane (American, 1939-2002) was born in Illinois and grew up in Sacramento, CA. Kane moved to the Pacific Coast and worked on mixed media panels - which he would refer to as a “Totem” – and detailed collage compositions. His collage work is generally satirical or critical in nature, frequently dealing with themes of money, capitalism, government, power, and debt. By contrast, his “Totem” sculptural work is abstract and free of direct symbolism, focusing instead on the aesthetics of the composition.
Original Member, Artist’s Cooperative Gallery
Artist’s Statement:
The Totem is indicative of the unfolding 21st Century, graphically and metaphorically. It is neither one side nor the other, nor does one side challenge or compete with the other. Each side cooperates and thus enhances the other so that both "sides" transcend that definition into a composition revealing that, indeed, the whole is greater than the sum of its parts. The Totem reflects the inner harmony that all sides, whether two or two thousand, are striving to manifest in their own inimitable way.
- Creator:Mickey "Kano" Kane (1939 - 2002, American)
- Creation Year:1996
- Dimensions:Height: 48 in (121.92 cm)Width: 72 in (182.88 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition.
- Gallery Location:Soquel, CA
- Reference Number:Seller: JMA 98441stDibs: LU54216211882
Mickey “Kano” Kane (American, 1939-2002) was born in Illinois and grew up in Sacramento, CA. Kane moved to the Pacific Coast and worked on mixed media panels - which he would refer to as a “Totem” – and detailed collage compositions. His collage work is generally satirical or critical in nature, frequently dealing with themes of money, capitalism, government, power, and debt. By contrast, his “Totem” sculptural work is abstract and free of direct symbolism, focusing instead on the aesthetics of the composition. Original Member, Artist’s Cooperative Gallery Artist’s Statement: The Totem is indicative of the unfolding 21st Century, graphically and metaphorically. It is neither one side nor the other, nor does one side challenge or compete with the other. Each side cooperates and thus enhances the other so that both "sides" transcend that definition into a composition revealing that, indeed, the whole is greater than the sum of its parts. The Totem reflects the inner harmony that all sides, whether two or two thousand, are striving to manifest in their own inimitable way.
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