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1880s Figurative Sculptures

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Period: 1880s
Monumental 19th-Century Italian Marble Torso of Apollo, After the Antique
Monumental 19th-Century Italian Marble Torso of Apollo, After the Antique

Monumental 19th-Century Italian Marble Torso of Apollo, After the Antique

Located in Rome, IT

19th-Century Marble Torso of Apollo Impressive 19th-century white marble torso of Apollo, after the Antique, finely carved in the classical Greco-Roman tradition. The idealized male...

Category

Academic 1880s Figurative Sculptures

Materials

Marble

Pair of 19th-Century White Marble Italian Mythological Sculptures, 1880
Pair of 19th-Century White Marble Italian Mythological Sculptures, 1880

Pair of 19th-Century White Marble Italian Mythological Sculptures, 1880

Located in Vicoforte, IT

A rare pair of marble busts from the second half of the 19th century. Finely carved from white marble, these works of art depict captivating mythological subjects: a satyr and a bacc...

Category

1880s Figurative Sculptures

Materials

Marble

Antique 19thC French Naturalism Terracotta Sculpture "La Source" Putti Sculpture
Antique 19thC French Naturalism Terracotta Sculpture "La Source" Putti Sculpture

Antique 19thC French Naturalism Terracotta Sculpture "La Source" Putti Sculpture

By Albert-Ernest Carrier-Belleuse

Located in Portland, OR

An original and authentic terracotta figurative group sculpture, by Albert Carrier-Belluse (1824-1887), titled "La Source", 1864. The sculpture depicts two putto or cherubs wearing ...

Category

Naturalistic 1880s Figurative Sculptures

Materials

Terracotta

Napoleón III Jerusalem Cross, or Stations of the Cross, wood and mother of pearl
Napoleón III Jerusalem Cross, or Stations of the Cross, wood and mother of pearl

Napoleón III Jerusalem Cross, or Stations of the Cross, wood and mother of pearl

Located in Valladolid, ES

Outstanding Jerusalem Cross, or Stations of the Cross, crafted with an olive wood core and adorned with carved mother-of-pearl pieces, dating from the late 19th century. At its cente...

Category

Old Masters 1880s Figurative Sculptures

Materials

Wood

19th Century Neoclassical Bronze Woman Holding Oil Lamp With A Bird
19th Century Neoclassical Bronze Woman Holding Oil Lamp With A Bird

19th Century Neoclassical Bronze Woman Holding Oil Lamp With A Bird

Located in Lake Worth Beach, FL

19th Century Neoclassical Grand Tour Bronze of a woman holding oil lamp with a bird. European Bronze on a marble base unsigned. H 13-1/2 in. W 5-1/3 in.

Category

1880s Figurative Sculptures

Materials

Marble, Bronze

Edgard Degas: Horse Clearing an Obstacle (work 48 /certified by Comité Degas)
Edgard Degas: Horse Clearing an Obstacle (work 48 /certified by Comité Degas)

Edgard Degas: Horse Clearing an Obstacle (work 48 /certified by Comité Degas)

By Edgar Degas

Located in Gent, VOV

Horse Clearing an Obstacle (work number 48) Bronze with dark brown green patina bearing the stamp of the signature "Degas", Numbered IV/IX and dated 1998 Posthumous lost wax casting as of 1998. Stamp of Valsuani. Signed Degas The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these Hebrard bronzes...

Category

Impressionist 1880s Figurative Sculptures

Materials

Bronze

Leda and the Swan

Leda and the Swan

Located in West Hollywood, CA

Presenting a magnificent early Art Nouveau bronze by Belgian artist Jef Lambeaux(1852-1908.) “Leda and the Swan”, is an original Art Nouveau Bronze,...

Category

Art Nouveau 1880s Figurative Sculptures

Materials

Bronze

Jockey Winner
Jockey Winner

Jockey Winner

By Isidore Jules Bonheur

Located in PARIS, FR

Jockey Winner by Isidore BONHEUR (1827-1901) A rare and magnificent bronze group with a dark brown patina Signed on the base "I. Bonheur" A period cast by "Peyrol" (with the foundry stamp) Standing on a molded wooden base France circa 1880 height of the bronze : 53,5 cm total height with the base : 62 cm total length : 68 cm depth : 24 cm Biography: Isidore Jules Bonheur (1827-1901) was a French painter and sculptor. Isidore first received an artistic apprenticeship from his father Raymond and his older sister Rosa, then, in 1827, he entered the School of Fine Arts in Paris. After practicing...

Category

French School 1880s Figurative Sculptures

Materials

Bronze

Red panels, Chinese Qing Dynasty, Chinese calligraphy, lacquered wood
Red panels, Chinese Qing Dynasty, Chinese calligraphy, lacquered wood

Red panels, Chinese Qing Dynasty, Chinese calligraphy, lacquered wood

Located in Valladolid, ES

Amazing and gorgeous pair of business welcome panels, made of carved and lacquered wood in a bull's-eye tone, with embossed gold characters. They are reversible; one side has two ch...

Category

Qing 1880s Figurative Sculptures

Materials

Wood

“Enlevement des Sabines”
“Enlevement des Sabines”

“Enlevement des Sabines”

By Marius Jean Antonin Mercié

Located in Southampton, NY

Here for your consideration is a beautiful highly detailed bronze done in the forth quarter of the nineteen century after the work of Jean Boulogne, known as Giambologna. Boulogne’s sculpture was done in marble and was completed between 1579 and 1583. The sculptor of this bronze is Antonin Mercie, a well known French sculptor born in 1845. The bronze represents the Rape of the Sabine Women (Latin: Sabinae raptae), also known as the Abduction of the Sabine Women or the Kidnapping of the Sabine Women, was an incident in Roman mythology in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of artists and sculptors, particularly during the Renaissance and post-Renaissance eras. Signed on base “Mercie” for Antonin Mercie.. In very good condition wirh original brown patina. The base which depicts rocks is bronze and has been painted a matt black. Provenance:: A Sarasota estate. Mercié, (Marius Jean Antonin Mercie...

Category

Academic 1880s Figurative Sculptures

Materials

Bronze

Laure MARTIN-COUTAN (1855-1915) Large Bust of Woman in Marble
Laure MARTIN-COUTAN (1855-1915) Large Bust of Woman in Marble

Laure MARTIN-COUTAN (1855-1915) Large Bust of Woman in Marble

Located in Pistoia, IT

Important white marble bust depicting a high society woman, signed "Laure Martin Coutan" and dated 1887. This bust, carved from pure white Carrara marble, depicts a young woman wi...

Category

French School 1880s Figurative Sculptures

Materials

Marble

Peace
Peace

Peace

Located in PARIS, FR

Peace by Jules COUTAN (1848-1939) Bronze sculpture with a nuanced dark brown patina Signed on the base " Jules Coutan " Cast by " Thiébaut Frères, Paris, Fumière et Cie Sucrs " (wit...

Category

French School 1880s Figurative Sculptures

Materials

Bronze

Cherub wall sconce sculpture, ormolu, Louis XV style, Napoleon III era, France
Cherub wall sconce sculpture, ormolu, Louis XV style, Napoleon III era, France

Cherub wall sconce sculpture, ormolu, Louis XV style, Napoleon III era, France

Located in Valladolid, ES

Exceptional 5-light ormolu wall sconce in Louis XV style and Napoleon III period. The central stem features a three-dimensional figure of a cherub or putto draped in flowing fabrics....

Category

Romantic 1880s Figurative Sculptures

Materials

Bronze, Gilding

Bust of Diana
Bust of Diana

Bust of Diana

Located in New York, NY

Among Falguière’s greatest works, his figure of the huntress Diana emerged as a masterpiece, the bust of which stands out as one of the most successful and recognizable idealized hea...

Category

Academic 1880s Figurative Sculptures

Materials

Bronze

Bust of an Oriental woman
Bust of an Oriental woman

Bust of an Oriental woman

By Émile Guillemin 1

Located in PARIS, FR

Bust of an Oriental woman by Emile GUILLEMIN (1841-1907) Orientalist bronze sculpture with triple patina, gilded, dark reddish brown and silvered. France circa 1880 total height 63 ...

Category

Other Art Style 1880s Figurative Sculptures

Materials

Bronze

Bear standing
Bear standing

Bear standing

By Antoine-Louis Barye

Located in PARIS, FR

Bear standing by Antoine-Louis Barye (1796-1875) Rare bronze sculpture with a nuanced dark brown patina Probably cast by Brame (old edition) France circa 1880-1890 height 24 cm A ...

Category

French School 1880s Figurative Sculptures

Materials

Bronze

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Located in Beachwood, OH

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Contemporary 1880s Figurative Sculptures

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Saint Barbara France 16/17th Century Sculpture Wood Religious Old master Art
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Located in Riva del Garda, IT

High relief panel depicting 'Saint Barbara' Southern France, 16th-17th century Polychrome carved wood with traces of gilding 64 x 32 cm. (good condition, with minor missing and cra...

Category

Old Masters 1880s Figurative Sculptures

Materials

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Category

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Materials

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Pair of Thai gilt bronze Hong sacred temple birds with bells, Rattanakosin
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Located in Varmo, IT

Pair of Thai gilded bronze temple birds (Hong/Hamsa) with bells. Thailand, 19th century. 24 x 10 x h 53.5 cm each, base included. The hong — the sacred bird of Thai Buddhist tradit...

Category

Old Masters 1880s Figurative Sculptures

Materials

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Erotic  Sexual Mythological Marble Figural, Nude woman, Bacchante and Satyr Herm
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Located in Miami, FL

Bacchic revelry. A sexy and nude curvaceous young Nymph/Bacchante makes amorous advances to a Herm - whose facial expression reflects her erotic touch. The Herm is stylized where his...

Category

Old Masters 1880s Figurative Sculptures

Materials

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Italian 19th Carved Marble Figure of a Nude Young Bather Girl by Pietro Bazzanti
Italian 19th Carved Marble Figure of a Nude Young Bather Girl by Pietro Bazzanti

Italian 19th Carved Marble Figure of a Nude Young Bather Girl by Pietro Bazzanti

By Pietro Bazzanti

Located in LA, CA

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a fantastic quality and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

Category

Academic 1880s Figurative Sculptures

Materials

Marble

Previously Available Items
Pair of Antique wooden panels , faux book spines, or library trompe loeil
Pair of Antique wooden panels , faux book spines, or library trompe loeil

Pair of Antique wooden panels , faux book spines, or library trompe loeil

Located in Valladolid, ES

Outstanding pair of polychrome wooden panels depicting faux book spines, or library trompe l'oeil, 19th century, England The panels feature a distressed and weathered background in ...

Category

English School 1880s Figurative Sculptures

Materials

Wood

Bronze sculpture of Mercury by Bouret, France, Napoleon III
Bronze sculpture of Mercury by Bouret, France, Napoleon III

Bronze sculpture of Mercury by Bouret, France, Napoleon III

By Eutrope Bouret

Located in Valladolid, ES

An extraordinary and large patinated bronze sculpture representing the Roman god Mercury, seated on a rocky base. The work is by the French sculptor Eutrope Bouret (1833-1906), reno...

Category

Academic 1880s Figurative Sculptures

Materials

Bronze

"Minerva" French Bronze Sculpture Signed Napoleon III
"Minerva" French Bronze Sculpture Signed Napoleon III

"Minerva" French Bronze Sculpture Signed Napoleon III

Located in Pistoia, IT

Etienne-Henri Dumaige (1830-1888), "Minerva" , signed bronze sculpture, second half of the 19th century. A French sculptor, he studied sculpture with Feuchire and Dumont. He exhibit...

Category

French School 1880s Figurative Sculptures

Materials

Bronze

Turkish Horse
Turkish Horse

Antoine-Louis BaryeTurkish Horse, circa 1880

Sold

H 7.29 in W 7.56 in D 3.04 in

Turkish Horse

By Antoine-Louis Barye

Located in PARIS, FR

Turkish Horse Antoine-Louis BARYE (1796-1875) "Cheval turc, antérieur gauche levé, terrasse carrée" Bronze with nuanced dark brown patina signed "Barye" on the base cast by "F. Barb...

Category

French School 1880s Figurative Sculptures

Materials

Bronze

Equestrian Joan of Arc
Equestrian Joan of Arc

Emmanuel FremietEquestrian Joan of Arc, circa 1880

Sold

H 28.35 in W 17.72 in D 7.49 in

Equestrian Joan of Arc

By Emmanuel Fremiet

Located in PARIS, FR

Equestrian Joan of Arc by Emmanuel Fremiet (1824-1910) A very fine bronze equestrian group with a dual dark brown and gilded patina signed "E. Fremiet" on the base old edition cast...

Category

French School 1880s Figurative Sculptures

Materials

Bronze

Pan of Rohallion, 1889-90 classical bronze sculpture
Pan of Rohallion, 1889-90 classical bronze sculpture

Pan of Rohallion, 1889-90 classical bronze sculpture

By Frederick William MacMonnies

Located in Beachwood, OH

Frederick W. MacMonnies (American, 1863-1937) Pan of Rohallion, 1889-90 (Garden 22) Bronze Signed on base, 'ROMAN BRONZE WORKS NY' at base 14.25 x 4 x 6 inches A sculptor of classical figures, American-born Frederick MacMonnies...

Category

1880s Figurative Sculptures

Materials

Bronze

Fabulous Neoclassical Marble Sculpture of Bathing Venus 1880'
Fabulous Neoclassical Marble Sculpture of Bathing Venus 1880'

Fabulous Neoclassical Marble Sculpture of Bathing Venus 1880'

Located in Rome, IT

Late 19th century French finely carved white Carrara marble figure of Bathing Venus . The marble base is not included in the price. AFTER CHRISTOPHE-GABRIEL ALLEGRAIN (FRENCH, 1710-1795): A 19TH CENTURY MARBLE FIGURE...

Category

Academic 1880s Figurative Sculptures

Materials

Marble

Turkish Horse, bronze animal sculpture
Turkish Horse, bronze animal sculpture

Turkish Horse, bronze animal sculpture

By Antoine-Louis Barye

Located in PARIS, FR

"Cheval turc, antérieur gauche levé, terrasse carrée" A very fine bronze sculpture with a nuanced dark brown patina Cast by BARBEDIENNE, with Gold stamp height 18,1 cm length of the base 19 cm The Gold Stamp (mark highly sought after by collectors) was affixed by Ferdinand Barbedienne between 1876 and 1889. This is the medium size of the "Turkish Horse", which we also offer in small size (height 12.5 cm) and large size (height 29 cm). A similar model is reproduced in "The Barye Bronzes", Stuart Pivar, England, 1974, p.206. Biography : Antoine-Louis Barye (1796-1875) was a French sculptor, known for his animal sculptures. His sketch practice done in the wild, according to the animals of the Jardin des Plantes in Paris, led him gradually to also practice painting. Placed early in Fourier, an engraver on steel manufacturing metal parts for the uniforms of the Great Army, he learned all areas of metal processing and became a peerless worker. He entered the Ecole des Beaux-Arts in Paris in 1818, where he received classical training in the workshop of the sculptor François Joseph Bosio and the painter Antoine-Jean Gros. He graduated in 1820, the second prize for sculpture in Rome for his "Cain cursed by God" .It was in 1831 that Barye became known to the public exhibiting then his "Tiger devouring a Crocodile", tormented and expressive work, which ranked as soon as the first Romantic sculptor, and causing admiration criticism. He now produced numerous masterpieces, often of small dimensions, that will enrich the collections of fans...

Category

Naturalistic 1880s Figurative Sculptures

Materials

Bronze

Certified Edgard Degas Bronze of a horse : (Horse walking at a high pace)
Certified Edgard Degas Bronze of a horse : (Horse walking at a high pace)

Certified Edgard Degas Bronze of a horse : (Horse walking at a high pace)

By Edgar Degas

Located in Gent, VOV

Cheval marchant au pas relevé is one of the artist’s most elegant and exacting models of a horse. It underscores Degas’s deep understanding of equine anatomy and his ability to render it with lightness and charm. Known for his focus on contemporary subjects, Degas first began depicting horses in the 1860s. As a member of the prestigious Jockey Club in Paris, Degas was a habitué of the racecourses at Deauville and Longchamps, where he could study the beauty of thoroughbred horses at close quarters. Although the artist was not an active participant himself, equestrian sports fascinated Degas throughout his life, as it allowed him to capture the full range of the horse’s movement in a wealth of poses. Bronze with dark brown patina bearing the stamp of the signature "Degas", numbered IV/IX and dated 1998. Posthumous lost wax casting as of 1998. Stamp of Valsuani. The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed than the current bronze. This example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes...

Category

Impressionist 1880s Figurative Sculptures

Materials

Bronze