20th Century Figurative Sculptures

Edward Bohlin silver mounted parade saddle. 14 inch seat. Black. Great Bohlin Stamp. Cowboy Saddle, Western Saddle. 1930s his most desirable period. Bohlin of Hollywood California. He made all of the saddles and other related western gear for the movies. The Corona is original. The Corona was custom made using the original Corona as the sample to copy. Biography Edward Bohlin (1895-1980) Edward H Bohlin Company Saddlery-Saddle Maker 1895-1980 BP: Sweden LKL: Hollywood, CA. Born in Sweden in 1895, Edward Bohlin ran away from home at age 15, working his way to America on a huge four-mast schooner with dreams of Buffalo Bill Cody's Wild West in his head. Ed worked cattle drives around Montana before opening his first saddle shop in Cody, Wyoming where he did rope tricks in front of his shop to draw business. He met Tom Mix while performing at the Pantages Theatre in Hollywood and Mix convinced Ed to stay and produce silver and leather items in the Los Angeles area. From his humble beginnings to his fame in Hollywood for high-end pieces, Ed crafted more than 12,000 Bohlin saddles including many grand silver outfits of Tournament of Roses Parade fame. He also dressed many silver screen heroes and horses with his grand style of buckles, spurs and gun belts. His company was without equal among western style silversmiths building a reputation on flawless workmanship. The Edward H Bohlin company, which operated from the early 1920s through the 1980s (under Ed's watchful eye but continues to operate under other ownership), reached its apex in the 1930s when the Hollywood cowboys reigned supreme. Bohlin was a stickler for details and employed the finest silver and leather workers of his era to satisfy discriminating clients including Mae West, Hopalong Cassidy, Monte Hale, Lyndon Johnson and Ronald Reagan. Bohlin Saddles Roy Roger's Diamond Special Bohlin Saddle Ed Bohlin was known for his beautifully crafted parade saddles. A perfectionist, for good and bad, he never accepted anything less than the best craftsmanship. The leather on his saddles still squeak after 60 years. The silver requires only a cloth to clean because he used the highest grade of sterling. He and his artisans made many of the pieces by hand, especially the gold figures on his saddles. His carving was stunning and recognizable. Many of High Noon's customers remember going into Bohlin's shop as children while their fathers purchased saddles, buckles, belts, bolos and money clips. Some time the kids got a special gift, too, from their dads. A few child's saddles (The Jackie Cooper model) were made to match their fathers' for parades. The Tim McCoy model and others were made for the stars of the era. Fiesta was truly a work of art, both in the silver and the pictorial carving. The Murietta was one of his brilliant models, mounted with Indian and Tepee design with distant hills all done in three shades of gold. The Dicksons were used many times for riders who wanted to twinkle with silver in parades.Bohlin saddles have always been valued higher than any other maker and have kept their value throughout the years. Both riders and collectors of Western Americana still clamor for Bohlin, whether they plan to ride using them or only to display them proudly in their offices or living rooms as art. Bohlin Buckles...

Wonderful 20th Century Bronze African Sculpture of a warrior on a donkey from Foumban in Cameroon.

Ernest Trova "The Encounter" 1994 Chrome Plated Steel Approx 24 x 26 x 24 inches Edition 1/8 Known for his Falling Man series in abstract figural sculpture, he created hard-edge ima...

Medium: Rose marble Signed at base: Ritchie 95 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, Abstract figurative work, and modernism, and the human figure is the subject of much of his work. Ritchie had several exhibitions in Montreal before moving to the small town of Vence in Provence, where he lived and worked for over thirty years. The Adelson Galleries...

JOIE DE VIVRE (A. Ramié no. 346) stamped, marked, engraved and numbered 'Madoura Plein Feu/Empreinte Originale de Picasso (underneath) unglazed white ea...

"Yan Black Headband" (A.R. 514) 1963 Red Earthenware Pitcher Painted in Black Inscised 'EDITION PICASSO MADOURA' and 'EDITION PICASSO' pottery stamps on...

"La Cothurne" 1901 Gilt Bronze Approx 21.5" High (to raised hand) Signed and Dated Foundry Mark "Susse Freres" Originally modeled in white biscuit porcelain this Greek dancer is a from a set of eight created for a dining table. They were immediately successful when they were exhibited in the Sevres pavilion at the 1900 Exhibition. Individual figures could be ordered and "La Cothurne" proved the most popular. Their success led to the firm of Susse buying the right to cast versions in metal. Agathon Leonard (1841-1923) is one of the well-known French Art Nouveau sculptors. Born in Lille in 1841, he first studied there before moving to Paris where he studied at the Ecole des Beaux Arts under Eugene Delaplanche. He gained recognition at the annual Expositiones Universelles, winning a Silver Medal there in 1889 and gold in 1900. His most important piece, Jeu L'echarpe, was the best known series of Sevres production at the turn of the century and sold out at the 1900 Expo in Paris and later was given as a gift by the French Gov't to Nicholas II at the Hermitage. His bronzes were cast at the Susse Freres Editeurs Foundry. He worked also in marble, quartz and ivory. He also produced Art Nouveau medallions...

Arman Original Bronze Violin Sculpture Edition: HC 1/2 Signed and Numbered Bronze Dimensions: 36 x 50 x 24 cm Arman is a painter who moved from using objects for the ink or paint traces they leave to using them as the painting itself. He is best known for his "accumulations" and destruction/recomposition of objects. In October 1960, Arman, Yves Klein, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé, and art critic and philosopher Pierre Restany founded the Nouveau réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the group of young artists defined themselves as bearing in common their "new perspective approaches of reality." They were reassessing the concept of art and the artist for a 20th century consumer society by reasserting the humanistic ideals in the face of Industrial Expansion. In 1961, Arman made his debut in the United States, the country which was to become his second home. During this period, he explored creation via destruction. The "Coupes" and the "Colères" featured sliced, burned, or smashed objects arranged on canvas, often using objects with a strong "identity" such as musical instruments (mainly violins and saxophones) or bronze statues. The son of an antiques dealer and amateur cellist, the artist absorbed an intense appreciation for music, the art of collecting and the cultivation of discriminating taste from an early age. After studies at the Ecole Nationale des Arts Décoratifs in Nice, Arman decamped to Paris to study art history at the Ecole du Louvre. His work in these early years focused on abstract paintings inspired by the work of Nicolas de Staël. An avid reader, Arman sought inspiration through books and art reviews, as well as during frequent road trips throughout Europe with his artist friends from Nice, Claude Pascale and Yves Klein. 1972 Arman, Paris, Fernand Hazan, collection "Ateliers d'aujourd'hui" Otto Hahn 1973 Arman, New-York, Harry N. Abrams French Edition : Pierre Horay, with text by Pierre Restany. Henry Martin 1982 Arman: Conscious Vandalism / Vandalismo cosciente, Vérone, Edizioni Factotum-Art Sarenco 1984 Arman, New-York, Abbeville Press Jan Van der Marck The Public Sculpture of Arman, New-York, Marisa del Re Gallery Frederic Ted Castle Arman, Galerie Beaubourg, reprinted from the journal CiMayse, Paris, no. 170, May-July 1984. "Accumulations by Arman", Art in America, New-York, vol. 71, no. 11, December 1983. Frederic Ted Castle 1987 Arman, Paris, La Différence Bernard LaMarche-Vadel 1988 Arman. 13 peintures / Arthur Rimbaud. Lettres du Voyant, Paris, La différence, collection "Tels qu'en eux-mêmes" (livre publié à l'occasion de l'exposition "Arman. Peintures 87-88", Galerie Beaubourg, Paris, 1988). Jan Van der Marck 1990 Arman Estampes, Paris, Editions Marval Jane Otmezguine, Corice Canton Arman and Marc Moreau 1991 Arman, Catalogue raisonné II, Paris, La Différence Denyse Durand-Ruel 1992 Mémoires accumulés d'Arman, Paris, Belfond Otto Hahn 1993 Arman, Paris, La Différence, collection "Classiques du XXIème siècle" Pierre Cabane 1994 Arman, Catalogue raisonné III, Paris, La Différence Denyse Durand-Ruel 2004 Arman Inclusions, Bordighera, Edizioni Cudemo Tita Reut EXHIBITION CATALOGS 1959 Piccolo gioco administrativo del caso, Arman, Pierre Restany, Milan, Galleria Apollinaire 1960 À toute allure, Arman. Allures d'objets, Pierre Restany, Paris, Gallerie Saint-GerMayn 1962 Arman et la logique formelle de l'objet, Arman, Pierre Restany, Los Angeles, Dwan Gallery 1963 Arman, Arman, Alain Jouffroy, Milan, Galleria Schwarz 1964 Introduction à la peinture d'Arman , Arman, Claude Pascal. Amsterdam, Stedelijk Museum 1964 Arman, Yves Klein, Amsterdam, Stedelijk Museum Arman and Esthetic Change, Arman, Gene R. Swenson, New-York, Sidney Janis Gallery 1965 Arman, Paul Wember, Krefeld, Museum Haus Lange 1967 Arman: un acte de foi dans la spiritualité de la matière , Arman, Pierre Restany, Paris, Galerie Illeana Sonnabend 1968 Arman, John Ashbery, New York, Sidney Janis Gallery Arman, Pierre Restany, Milan, Galleria Schwarz 1969 Arman 1960-1965, Grégoire Müller, Paris, Galerie Mathias Fels Arman. Accumulations Renault, François Mathey, Paris, Union centrale des Arts décoratifs 1970 Arman Accumulations Renault, Karl-Heinz Hering, Zurich, Kunsthaus Arman piu' pittore che natura, Arman, Pierre Restany, Milan, Galleria dell'Ariete ​ 1972 Objets de luxe et fétiches raisonnables, Arman, Pierre Restany, Milan, Galleria Arte Borgogna Arman : Les Moments d'Arman, Jacques Putman, Paris, Galerie de l'Œil 1973 Selected Activities, Peter Schjedahl, New-York, John Gibson Gallery Oggetti di lusso e feticci ragionevoli, Arman, Pierre Restany, Galleria Arte Borgogna Arman: An Archeologist of the Present, Arman. Jan Van der Marck, New-York, John Gibson Gallery 1974 Le juste poids d'un homme et d'une œuvre, Arman, Pierre Restany, Arles, Salles romanes du Cloître Saint-Trophime Logician of Form / Magician of Gesture , Arman. Selected Works : 1958-1974, Jan Van der Marck, La Jolla, La Jolla Museum of Contemporary Art Arman. Concrete Lyrics, Andrew J. Crispo, New York, Andrew Crispo Gallery Arman et la logique formelle de l'objet , Arman, L'Œuvre graphique, Pierre Restany, Saint-Paul-de-Vence, Galerie Alexandre de La Salle 1975 Arman, Objets armés, 1971-1974, Jacques Lassaigne, Paris, Musée d'Art Moderne de la ville de Paris Arman. Lyrical Surfaces, Andrew J. Crispo, New York, Andrew Crispo Gallery Arman's Violin-Service, A Game of Correspondances , Arman, Violin-Service, Pierre Restany, Paris, Galerie Claude Tchou Arman, Surgeon of the Mass-Productive Civilization, Arman, Yoshiaki Tôno, Nagoya, Galerie Valeur 1978 Arman. Hard & Soft, Jan Van der Marck, New-York, Andrew Crispo Gallery The Iron Age and its Monuments, Arman. L’Age de fer et ses monuments, Daniel Abadie, Paris, Galerie Beaubourg Accumulations : Radiant and Wretched, Arman. Accumulations, Shunkichi Baba, Nagoya, Galerie Valeur 1980 Petite histoire du collage et de l’assemblage , Arman. Sélection rétrospective, Otto Hahn, Cluse, Centre d’Art et de Culture de Flaine Arman, Sélection rétrospective, Pierre Restany, Cluses, Centre d'Art et de Culture de Flaine Zucche in carroze, Arman, Jan Van der Marck, Portofino, Galleria Civica d'Arte Moderna 1981 Arman : uno sguardo sempre nuovo sul mondo , Arman. Opere del 1979, Pierre Restany, Rome, Le Point Art Studio 1982 Fünfundszwanzig Jahre als Erfolg / Vingt-cinq ans de bonheur , Arman, Parade der Objeckte, Retrospektive 1955 bis 1982, Pierre Restany, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel Arman. Le Traité du violon, Maurice Roche, Paris, Galerie Abel Rambert Arman , Arman. Carvings and Drawings, Otto Hahn, Dublin, The Salomon Gallery Arman. Papiers découpés 1982, Ted Castle, Paris, Galerie Beaubourg Arman Retrospektiv , Arman. Parade der Objekte, Retrospektive 1955 bis 1982, Joachim Büchner et Bernhard Holeczeck, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel Arman o l'oggetto come alfabeto , Arman o l'oggetto come alfabeto, Walter Schönenberg, Lugano, Museo Civico di Belli Arti 1984 Vinticinque anni di felicità , in Arman o l'oggetto come alfabeto, Pierre Restany, Lugano, Museo Civico di Belle Arti L’allure d’Arman , Arman, Daniel Abadie, Knokke le Zoute, Christian Fayt Art Gallery Arman’s Apocalypse, Arman. The Day After, Sam Hunter, New York, Marisa del Re Gallery A la recherche du concert perdu , Arman. Recent Sculptures, Michel Butor, Monte Carlo, Galerie Le Point Arman, scultore del'réalisme sociétal , Arman o l'oggetto come alfabeto, André Verdet, Parme, Palazzetto Eucherio Santivale 1985 Un délire spiralé d'Arman , Arman, André Verdet, Zurich, Schöner Wohnen Haus Galerie Transformation of Things, Arman, Mashashi Miura, Seoul, Walker Hill Art Center A la recherche du concert perdu, Arman, Michel Butor, Genève, Galerie Sonia Zannettacci Le jour après la colère, Arman, François Bazzoli, Toulon, Musée de Toulon Arman, Claude Fournet, Toulon, Musée de Toulon Arman Retrospektive, Adolph Hanspeter, Zurich, Galerie Pavillon Werd 1986 Arman’s Gods and Goddesses , Arman. Gods and Goddesses, Henry Geldzahler, New York, Marisa del Re Gallery Arman: Hard & Soft Ware, Arman. Hard & Soft Ware, Pierre Restany, Paris, Courrèges 1987 Arman. Rythmes et Couleurs, Claude Fournet. Nice, Galerie Ferrero 1988 Opéras – rituels , Arman. Désordres lyriques, Georges Aperghis. Paris, Opéra de Paris, Salle Favard Désordres lyriques, Arman. Michel Beretti, Paris, Opéra de Paris, Salle Favard Arman as a Painter: From Guts to Geist, Arman Paintings, Pierre Restany, New-York, Marisa del Re Gallery 1989 La seconde parade des objets , Arman Retrospektiv, Pierre Restany, Lunds, Lunds Kunsthall, Malmö, Galleri GKM Arman. Shooting Colors, Pierre Restany, Paris, Galerie Beaubourg Le montreur , Arman. Works 1955-1989, Jeffrey Robinson, Londres, The Mayor Gallery Arman Sculpteur Designer, Jeffrey Robinson, Roanne, Galerie La Taille Douce Arman. A Retrospective, Manuela Rossi, Seoul, Gana Art Gallery Deux ans plus tard, Arman. Retrospektiv, Siwert Bergström, Lunds, Lunds Konsthall, Malmö, Galleri GKM 1990 Arman's Dirty Paintings , Arman. Dirty Paintings, Donald Kuspit, New-York, Marisa del Re Gallery Arman, Monochrome Accumulations 1986-1989, Donald Kuspit, New-York, Vrej Baghoomian Gallery Arman: au pays de son inspiration, Dora Llipoulou-Rogan, Athènes, Galerie 3 Per Arman : un accumulo di ragioni, Arman, Manuela Rossi, Milan, Galleria Arte Borgogna Grande Musique et Fortes Allures, Arman, Pierre Restany, Tokyo, Fuji Television Gallery 1991 Arman: A Radical Portrait of Modernity , Arman 1955-1991 : A Retrospective, Pierre Restany, Houston, The Museum of Fine Arts Arman: Bétons 1970-1974, Catherine Francblin, Paris, Galerie Georges-Philippe Valois Arman: An Artist of Our Time , Arman 1955-1991: A Retrospective, Allison de Lima Greene, Houston, The Museum of Fine Arts Painting as Object Art / Oggettistica in pittura, Arman in Italy, Achille Bonito Oliva, Milan, Fondazione Mudima Arman: a Search for Beauty, Arman in Italy, Henry Martin, Fondazione Mudima 1993 Arman. Cycles, Donald Kuspit. New York, Marisa del Re Gallery Arman, de l’objet…à la couleur-objet , Arman, Georges Dussaule, Cagnes sur Mer, Château-Musée / Galerie Beaubourg Association d’image, Arman, André Froumessol, Cagnes sur Mer, Château-Musée / Galerie Beaubourg Arman, Maxime Longrée, Charleroi, Galerie Pascal Retelet De la peinture à la fleur, Arman, Michel Santinelli, Cagnes-sur-Mer, Château-Musée / Galerie Beaubourg 1994 La Nuit étoilée et Arman, Arman. La Nuit étoilée, Isabelle Sobelman, Pierre Nahon, Vence, Galerie Beaubourg L’elenco appunto , La ceramica di Arman, Umberto Eco, Bologne, Palazzo delle esposizioni, Edizioni Maggiore 1995 La ceramica di Arman, Henry Martin, Bologne, Palazzo delle esposizioni, Edizioni Maggiore Arman, un homo ludens en Grèce, Arman, Manos Stefanidis, Athènes, Galerie 3 La ceramica di Arman , La ceramica di Arman, Flaminio Gualdoni, Bologne, Palazzo delle esposizioni, Edizioni Maggiore 1996 Arman. Interactives, Caroll Janis, New York, Sidney Janis Gallery 1997 Arman: Accumulations in Relation, Patrick Pacheco, Londres, James Mayor Gallery 1998 Arman, Arman. Désordres Lyriques, Bernard LaMarche-Vadel, Paris. Opéra de Paris, Salle Favart Esthétique du dandy des gadoues , Arman. Désordres Lyriques, Michel Tournier, Paris, Opéra de Paris, Salle Favart 1998 Arman, Galerie nationale du Jeu de Paume, Paris, France Arman, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany Arman, Culturgest, Lisboa, PORTUGAL Arman: Variations sur un Lénine, Galerie Patrice Trigano, Paris France Arman: Concerto pour quatre pianos, Galerie John Gibson, November, 1999, New York United States Arman: Nec mergitur, Galerie Piltzer, Paris, France Arman, Tel Aviv Museum of Art, Tel Aviv, Israël Arman, Museu de arte moderna do Rio de Janeiro, Rio de Janeiro, Brazil Arman, Museu de Arte de Sao Paulo Assis Chateaubriand (MASP), Sao Paulo SP, Brazil Arman: Fragmentation of Pianos, Galerie John Gibson, New York United States 2000 Arman, Museo de Monterrey, Monterrey, Mexico Arman: Racine carrée de fragments, Galerie Daniel Templon, Paris, France Arman, National Museum of History, Taipei, CHINA Arman: Anatomie del Tempo, Reggio Emilia, Italy Arman: Fragmentations, Galerie Georges-Philippe & Nathalie Vallois, Paris, Arman: Works on Paper, Ludwig Museum, Koblenz, Germany Arman: La Traversée des Objets, Chateau Musée de Villeneuve, Vence, France Arman: Vingt Siècles vus par Arman, Couvent des Cordeliers, Paris, France 2001 Arman, Fundaciò “la Caixa”, Barcelone, Spain Arman, Zürichsee Auktionen, Erlenbach, Switzerland Arman, Galerie Belmont, Films, Switzerland Arman: Superpositions, Guy Pieters Gallery, Knokke-le-Zoute, Belgium Arman, Sandwich Combos, Malborough Gallery, New York, United States Arman: En tout cas c’est de l’art, Galleria Dante, Padova, Italy Arman: La Traversée des Objets, Palazzo delle Zitelle, Venise, Italy Arman: Vingt Stations de l’Objet, Chantier Naval Opéra, Antibes Arman: Works on Paper, Vila Zanders Bergisch-Gladbach, Germany Arman: Through and Across Objects, Boca Raton, Florida, United States Arman: Des Cycles de la Vie, Galerie Anne Lettree, LUXEMBOURG Arman, Galeria De Arte Isabel Aninat, Santiago, CHILE Arman, Die Galerie, Zurich, Switzerland Arman: Vingt Siécles vus par Arman, Exposition au Chantier Naval Opera, Port Vabanantibes Arman: Passage a L’Acte, MAMAC, Nice, France, June 14 – October 14, 2001. 2002 Arman: Musique, Kunsthaus Grenchen, Grenchen, Switzerland Arman: Africarmania, Arman et l’Afrique, Galerie Beaubourg, Vence, France Arman: Dix Mots Pour, Sonia Zannettachi Gallery, Switzerland Arman: Œuvre Monumentale, Ville du Lavandou, Le Lavandou, France Arman: Works on Paper, Villa Haiss Museum, Zell, Germany Arman: Fragmentations, FIAC Galerie Beaubourg, Paris, France 2003 Arman: A Survey, Marlborough Gallery, New York, United States Arman: Centomilacenerentole, Dante Vecchiato Galleria d’Arte, Padova, Italy Arman: Arman, Museum of Contemporary Art of Teheran, Teheran, IRAN Arman: Le plein de l’art, Galleria Fonte d’Abisso, Milano, Italy Collection: Obelisk, 1983, (Towering accumulation of bronze cellos...

Southwest Dance Shield, Allan Houser, relief, bronze, Contemporary Native art Allan Houser SOUTHWEST DANCE SHIELD bronze edition 24 ©1976 14.5" x 14.5" x 1.5" Allan Houser (Haozous...

“Nero’s Banquet” from the series ”The day after” Bocquel fondeur. Edition of 8 ex. Signed/Numbered by the artist. Free shipment worldwide. Acquired directly from the artist. Arman w...

Fish Pitcher 1952 Turned Pitcher 13 cm x 21 cm/approx 8 1/4 x 4 3/4 inches Red Earthenware Clay, Decoration in Engobes Black, White Edition Madoura Picas...

In this welded steel sculpture in bronze by sculptor John Kearney, the artist sculpts a textural, clenching fist holding a fire arm. The fire arm is bent by the strength from this clenching fist. Signed and dated on the marble base. Kearney was represented in Chicago, New York, the Berta Walker Gallery in Provincetown and in Wellfleet, His work is fashioned from chrome car bumpers, not the current plastic variety, but chrome plated steel, and welded into great and seemingly alive creatures; a little horse about to leap, a pig, large and strong, and, noble and kingly as it looks over the gallery, a life-size gorilla. Now 78 years old, John and his wife Lynn founded the Contemporary Art Workshop 53 years ago in Chicago and have contributed through his art to the life and style of the Windy City. Chicago and environs is gifted with many pieces, noteably the city's Oz Park, wherein live the Tin Man and the bronze Cowardly Lion. his work is in the collections of Chicago's Museum of Contemporaray Art, the Detroit Children's Museum, the Chrysler Art Museum in Virginia, and the Provincetown Art Association and Museum, to name a few. His work is in the private collections of Norman Mailer, Diane Feinstein, Johnny Carson, Françoise Gilot, Studs Terkel, and Mrs. Robert Motherwell. Profiled by People magazine, a guest on the Tonight Show with Johnny Carson, and written of by Norman Mailer, Kearney studied at Cranbrook Academy of Art in Bloomfield Hills, Michigan, and Universita per Stranieri, Perugia, Italy. Awards and honors include: Fulbright Award to Italy in 1963-64; Italian Government Grant in 1963-64; Visiting Artist American Academy in Rome, 1985, 1992, and 1998; Wallace Truman Prize, National Academy of Design in 1953 and others. brass and marble Numerous One Man exhibitions since 1951 include: New York City at A.C.A. Gallery, 1964 to 1979; Berta Walker Gallery, Provincetown, MA, 1992 to 1997; and in Rome, Venice, Chicago, Detroit, Wichita, Wellfleet, and others with group exhibitions in Rome, N.Y., Santo Domingo, Niamey, Nigeria, Indianapolis, St. Paul, Omaha, Art Institute of Chicago, Art Chicago, Taipei, Sarasota and others. Art gallery; Detroit, Mich. Founded in 1963 by Lester and Kathleen Arwin. Specialized in contemporary art. Closed in 1981. Arwin Galleries records, 1948-1981 Artists' files, 1948-1981 contain correspondence, photographs, art work, printed material, writings and business records on 86 artists, including Harold Altman, Irving Berg, Harry Bertoia, William Bostick,Irma Cavat...

Organic sculpture by famous sculptor David Nash of a tree trunk that has been shaped into a square with a concentric square cut out in the middle. Artist Biography: David Nash is a British sculptor and Land artist and works primarily with natural materials and live trees. His wooden sculptures are made using heavy equipment including chainsaws and blowtorches, morphing trees into unexpected shapes such as his Oculus Block (2010), a melding of two Eucalyptus stumps into a solid square. Born on November 14, 1945 in Esher, England, he attended the Kingston College of Art and later the Chelsea School of Art. Among his first and best-known works is Ash Dome (1977), for which the artist planted a circle of ash trees to form a wooden dome...

Dr. Seuss Turtle-Necked Sea Turtle 12 x 22 x 16.5 inches Hand Painted Cast Resin sculpture Adapted posthumously from the original 1930s plaster, turtle shell, and oil on wood mount...

Dr. Seuss Mulberry Street Unicorn Hand Painted Cast Resin Sculpture 14 x 7 x 9.5 inches Adapted posthumously from the original 1930s plaster, horn, and oil on wood mount sculpture...

Dr. Seuss Green Eggs and Ham - Maquette Bronze sculpture 19 x 9 x 8 inches Inspired by Dr. Seuss’s character and created by artist Leo Rijn. Green Eggs an...

The Canary (La Canaria), bronze architectural sculpture by Eduardo Oropeza brown limited edition of 25 patina colors vary, contact gallery for information

bronze edition 25

bronze edition of 25

sculpture made of bronze and straw bullfighting scene

bronze with reeds limited bronze edition

Signed, dated twice & inscribed 'Unikat' verso Cast at Arch Bronze Foundry, London in 1990 Five slightly varying versions recorded, this unique work was the first one

Artist: David Cregeen, British (1945 - ) Title: Shadow: After the Egyptian Year: circa 1985 Medium: Bronze Sculpture with Patina, signature inscribed Edition: 5 Size: 48.5 x 13.5 x ...

Leche by Eduardo Oropeza, limited bronze edition 25 , children, baby, mother, sculpt Contact the gallery for information about availability and ordering times from the foundry. Scul...

Louis Sclafani, while studying in 1976 at the Siena School of Art in Italy, became fascinated with glass on a trip to Venice and the Island of Murano. After a 3 year apprenticeship i...

Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. Af...

Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. Af...

Con Amor by Eduardo Oropeza bronze, embracing couple, multi-colored patina limited bronze edition 25 Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a command...

Learning to Fly, by Eduardo Oropeza, bronze, sculpture, father, child, brown Learning to Fly, Eduardo Oropeza bronze sculpture of father and child, brown Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long-time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Postgraduate work followed at San Jose, San Diego State at Long Beach and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help Graphics Workshop building located at Ceasar Chavez and Gage streets in East Los Angeles. Oropeza donated his time and artistic talent to complete this multi-year project. The second phase of this project was the creation of a Virgin of Guadalupe shrine, shown here, for the community. Selected collections: Los Angeles County Museum of Art (LACMA), Hispanic Research Center, Arizona State University, City of Sacramento, California, Mary Tyler Moore...

Louis Sclafani, while studying in 1976 at the Siena School of Art in Italy, became fascinated with glass on a trip to Venice and the Island of Murano. After a 3 year apprenticeship i...

Guitarras, bronze sculpture, vertical, guitar seller, rustic, textured bronze limited edition bronze sculpture Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: The Michelin Slave Year: 1967 Medium: Bronze Sculpture, Signature and number inscribed Edition: 5/6 Size: 12 in x 6 in d. (...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Swan-Elephant Year: 1967 Medium: Bronze Sculpture, Signature and number inscribed Edition: 5/6 Size: 4.5 in. x 8 in. x 5.5 i...

Death Contemplating Life, by Eduardo Oropeza, Day of the Dead, bronze sculpture limited bronze edition of 25 Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a ...

limited edition bronze sculpture Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devot...

Ed. 7/21.

Edition 1/8 Medium: Natural bronze Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, Abstract figurative work, and modernism, and the human figure is the subject of much of his work. Ritchie had several exhibitions in Montreal before moving to the small town of Vence in Provence, where he lived and worked for over thirty years. The Adelson Galleries...

Medium: Patinated bronze Edition: 1/8 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, Abstract figurative work, and modernism, and the human figure is the subject of much of his work. Ritchie had several exhibitions in Montreal before moving to the small town of Vence in Provence, where he lived and worked for over thirty years. The Adelson Galleries...

Edition 1/8 Medium: Patinated bronze Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism...

Edition 1/8 Medium: Natural bronze on marble base Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linke...

Edition 1/8 Medium: Natural bronze Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, ...

Edition 1/8 Medium: Natural bronze on a marble base Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically lin...

Fido, 1998 Chemical or biological rocket Stainless steel and electronics 100 x 12 x 12 inches Fido is a fully functional rocket but is missing the detonator and the rocket fuel. Gregory Green is internationally recognized for his challenging work and the numerous controversies it has spawned in the USA and Europe. Since the mid-1980’s, Gregory has created artworks and performances exploring systems of control and the evolution of individual and collective empowerment. Green’s work considers the use of violence, alternatives to violence, and the accessibility of information and technology as vehicles for social or political change. Referencing historical precedents and disturbingly anticipating various historical events, such as the tragedy of 9/11 and the Arab Spring...

Life-size sculpture of a mother resting with her on a chair. A bag of groceries hangs off the back of the chair.

Medium: Patinated bronze mounted on a marble base. Edition: 2/8 (Signed verso on base "Ritche 2/8") Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawing...

Medium: Patinated bronze mounted on a marble base. Edition: 1/8 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is styli...

It is with great pleasure that we present the original works of American artist Robert Russin (1914-2007) Robert Russin began his career as a WPA sculptor, and received dozens of...

This natural bronze sculpture mounted on a sleek marble base is the 2nd in an edition of 8 works. Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings ...

It is with great pleasure that we present the original works of American artist Robert Russin (1914-2007) Robert Russin began his career as a WPA sculptor, and received dozens of ...

Artist: Tom Coffin Title: Memphis Girl Year: 1984 Medium: Bronze Sculpture with painted patina, signature inscribed Size: 45.5 x 18 x 5 inches Marble B...

Stairway of Illusions, by Eduardo Oropeza, bronze sculpture, woman, violin Stairway of Illusions by Eduardo Oropeza bronze sculpture, a woman on stairs viola ESCALERA DE ILLUSIONES (Stairway of Illusions) Bronze, Ed. of 25 29.5" X 8" x 17.5" ©1995 Eduardo Oropeza The Chest cavity shown here is enclosed. Others in the series have negative space filled with straw and or twigs. Contact the gallery directly for more photos of sculptures in this edition. Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Postgraduate work followed at San Jose, San Diego State at Long Beach, and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help Graphics Workshop building located at Ceasar Chavez and Gage streets in East Los Angeles. Oropeza donated his time and artistic talent to complete this multi-year project. The second phase of this project was the creation of a Virgin of Guadalupe...

Presenting A stunning original WPA wood sculpture by Chicago artist Burton Freund. Freund worked for the FAP(Federal Arts Project) in Chicago in the 1930's as well as an accomplished...

The Ballerina Before the Mirror of Life, Eduardo Oropeza, woman, ballerina The Ballerina Before the Mirror of Life, Eduardo Oropeza bronze sculpture brown limited bronze edition of 25 Cast in the USA Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Postgraduate work followed at San Jose, San Diego State at Long Beach, and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help Graphics Workshop building located at Ceasar Chavez and Gage streets in East Los Angeles. Oropeza donated his time and artistic talent to complete this multi-year project. The second phase of this project was the creation of a Virgin of Guadalupe shrine, for the community. Selected collections: Los Angeles County Museum of Art (LACMA), Hispanic Research Center, Arizona State University, City of Sacramento, California, Mary Tyler Moore, Eartha Kitt, Juanita Jordan, BET Television, St. Regis Hotel, San Francisco Time draws a line across the end of the day like a sunset and gently approaches the woman. The reflection on the mirror finds her leaning on the ballet bar...

My Angel (Mi Angel), Eduardo Oropeza, bronze, sculpture, antique silver, patina Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in conte...

”Open space”from the serie ”The day after” Bocquel fondeur. Edition of 4/8 ex. Signed/Numbered by the artist. Free shipment worldwide. Acquired directly from the artist. Arman wrote...

Presenting an early hand hammered copper sculpture, "Satyr", by Dutch artist Max Zeitz. "Satyr", is an original, very early (1910) hand h...

Presenting an exceptional original wood sculpture by the famed Austrian design house Hagenauer. "Repose" is an original carved wood sculpture on the original metal base, signed, c...