20th Century Figurative Sculptures

Desert Breeze, Sculpture by Allan Houser Haozous, Bronze, Cloaked Figures,Apache Allan Houser was represented by Glenn Green Galleries (formerly known a...

Acrobat Family is an original artwork realized by Arturo Martini in 1936. Bronze sculpture with wooden base. Provenance: Pecci Blunt Collection. Published in the general catalogue...

Tolla Inbar, Spiral circle of life, Bronze sculpture, International artist, Israeli artist, Figurative sculpture, art

Signed and stamped “Cire Perdue, Bisceglia F-es, Paris” Biography Paul Landowski was a French monument sculptor who was Polish. His parents were Polish refugees. He created over 35 monumental sculptures in the city of Paris. Landowski is known for the 1931 Christ the Redeemer...

Agustín Cárdenas Le Repos Passionné, 1989 Bronze. Ed. 7/7 60 x 145 x 51.5 cm 23.6 x 57 x 20.2 in. The artwork is accompanied by a certificate of aut...

Agustín Cárdenas El Violinista, 1989 Bronze. Ed. 3/3 177 x 120 x 61 cm 69.6 x 47.2 x 24 in. AGUSTIN CARDENAS (b. 1927, Matanzas, Cuba; d. 2001 Havan...

Jorge Seguí Ciclista IX, 2010-13 Bronze, Edition 7/7 70.5 x 18 x 70 cm 27.7 x 7 x 27.5 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He attend...

'Sprite' by Benson Landes is a Contemporary Solid Bronze Nude Figurative Sculpture. The remarkable elegance conveyed is breath-taking and so representative of the ballet form. This ...

PABLO PICASSO Spanish, 1881 - 1973 CHOUETTON (A.R. 135) stamped and marked 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura' (underneath) white earthenware ceramic va...

"Seascape" (Foot) 1967 Screenprinted Vacuum-Formed Plexiglass In Colors Scratch-Signed, Dated and Numbered 92/101 14 1/4 x 12 15/16 x 3/4 in (36.1 x 32.9 x 2 cm). Known for his Pop-...

Artist: Sophia Vari, Greek (1940 - ) Title: Entwined Bodies Year: circa 1985 Medium: Bronze Sculpture, Signature and number inscribed with foundry stamp Edition: 4/6 Size: 12.5 x 2...

A Unique sculpture by Allen Jones, one of the very few variations on the theme, made in a forge and painted differently then other variations on the theme.

'Dancer Resting on Barre' is an elegant yet sensual sculpture. Landes' skill at conveying a sense of ease and confidence of the dancers is impeccable - this piece would be a fantastic addition to any collection. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory now owned by his father. After his marriage to Ruth at 21, in an effort to provide for his new wife, Benson decided to set up his own business. Starting with a single sewing machine and tailoress, Benson and Ruth soon expanded the business. By the 1970s they employed over 50 staff and supplied to prestigious stores such as Dickens & Jones and Harrods. As the decade progressed, however, fashion turned towards less structured, more casual garments; a trend that prompted Benson to retire and spend time with his first love, sculpture. Buoyed by the liberty he enjoyed in his studio, Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies shown at the 1981 Open Golf Championship, to Garrards, the Crown Jewellers. This success quickly brought important contacts and new commissions. Benson always maintained that being able to work as a sculptor is a unique privilege. Usually in the company of a model, he often worked in the studio against the soothing background of classical music. Indeed, now eminently collectable, Benson’s work provided much comfort after the death of Ruth. Benson said that the things that mattered in life are those of beauty; he truly believed that romance and elegance are necessary shields to what he saw as the sometimes too hurried manner of life today. Benson sadly passed away in the autumn of 2013. Solid Bronze Figurative Ballet Sculpture...

'Sunburst Mask' is a solid bronze sculpture by Carl Payne inspired by Greek mythology. Carl Payne is a hugely talented sculptor, focusing predominantly on the female form he often uses his wife, a professional dancer, as his muse. Continuing a successful career in England and Ireland, Carl joined Callaghan Fine Paintings and Works of Art at the beginning of 2004 in order to dedicate his time to create and develop stunning individual contemporary sculpture. Carl is a Staffordshire based sculptor for whom art has played a large part in his academic work taking him through the Burslem School of Art, the Henry Doulton School of Sculpture and then to Stafford College. After qualifying in Figurative Sculpture he launched his career with commission after commission, which has now secured his reputation for fine quality workmanship both in life-size format and smaller decorative pieces. The list of his completed commissioned work is extensive, including many ‘house-hold’ names from the sporting world, commerce and the past. The following are just some of the private and publicly commissioned completed works that form Carl’s prestigious portfolio:- King George 5th and Queen Mary – life size portrait buste commissioned by Cunards Cruise Ships and located in the ballroom of the Queen Mary 2 (QM2) cruise ship. Randolph Turpin – life size and a quarter - commissioned by Warwick and Leamington Spa Council located in Warwick Town Centre, Sir Stanley Matthews – life size and a half - commissioned by the Sir Stanley Matthews Foundation located at The Britannia Stadium. The Stadium of Light - life size group of figures – commissioned by Sunderland Football Club...

Artist: Arturo Di Modica, Italian/American (1960 - ) Title: Hawk with Woman Year: 1988 Medium: Patinated Bronze, signed, dated, and stamped on the base Edition: 3/5 Size: 41 x 38 x 1...

'Wild Boar' is a beautiful sculpture, full of character and clean lines. Richard Smith's love and knowledge of the animals he sculpts is evident to the view - the animals are so life like and tactile. Richard Smith has gained an international reputation for his works of art, he has exhibited at prestigious galleries such as the Tryon Gallery and W. H. Pattersons in London, The Sportsman’s Edge Gallery in New York, The Call of Africa in Fort Lauderdale, Florida and the Everard Reed Gallery in Johannesburg, South Africa. Richard has exhibited his paintings at the Leigh Yawkey Woodson Museum in the USA, the Natural History Museum and Tring Museum in Britain. He has sold at all the major auctions houses in London, such as Christie’s, Sotheby’s, Bonhams and Phillips. In 2013 Callaghans of Shrewsbury...

'Meditation' is a tasteful and demure nude of a ballet dancer. The poise and elegance of the dancer are exquisite! For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory now owned by his father. After his marriage to Ruth at 21, in an effort to provide for his new wife, Benson decided to set up his own business. Starting with a single sewing machine and tailoress, Benson and Ruth soon expanded the business. By the 1970s they employed over 50 staff and supplied to prestigious stores such as Dickens & Jones and Harrods. As the decade progressed, however, fashion turned towards less structured, more casual garments; a trend that prompted Benson to retire and spend time with his first love, sculpture. Buoyed by the liberty he enjoyed in his studio, Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies shown at the 1981 Open Golf Championship, to Garrards, the Crown Jewellers. This success quickly brought important contacts and new commissions. Benson always maintained that being able to work as a sculptor is a unique privilege. Usually in the company of a model, he often worked in the studio against the soothing background of classical music. Indeed, now eminently collectable, Benson’s work provided much comfort after the death of Ruth. Benson said that the things that mattered in life are those of beauty; he truly believed that romance and elegance are necessary shields to what he saw as the sometimes too hurried manner of life today. Benson sadly passed away in the autumn of 2013. Solid Bronze Ballet Dancer...

Napoléon. (Epruve d’artiste EA 1/2) Bocquel fondeur. Acquired directly from the artist. Signed by the artist. César Baldaccini (1921 – 1998) is one of the great sculptors of the twentieth century. As a young man he took a stand for art...

"New Woman" is an iconic portrait of a female woman. Her work has been described as follows: "Lane captures the body in various poses, depicting the movement and fluidity of living i...

"Nubian Mask" is a 3/4 life size face of a man with eyes down cast. There is a deep sense of quiet and contemplation surrounding the subject. Ms. Lane has talked about how a number o...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

"Rosa Parks Ascending Steps" is the portrait of an iconic heroine at a moment of historical significance, chance and change as she is ascending the courthouse steps...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane "Rosa Parks...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics In my work. I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics In my work I strive to heal, uplift and inspire viewers and collectors to find p...

'Tutu' is a beautiful sculpture of a ballerina leaning 'en barre'. The elegance and grace of the ballerina is perfectly depicted in the sculpture. Benson's theme is predominately the wonderful world of ballet and dancers, although some are beautiful ladies in quiet repose and elegance. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by a lifetime spent in the couture business, which Benson entered at the age of 14. Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies...

"Lilith'' is a bronze AP1 sculpture by Paul Braslow. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the...

"The Girl" is a bronze sculpture by Paul Braslow Edition 2/9. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium of figurati...

"New York" is a bronze sculpture by Paul Braslow Edition 6/9. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium of figurati...

"New York" is a bronze sculpture by Paul Braslow Edition 3/19. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium of figurat...

"London" is a bronze sculpture by Paul Braslow Edition 5/60. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium of figurat...

"Astarte" is a bronze sculpture by Paul Braslow Edition 98/150. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium of figu...

"New York" is a bronze sculpture by Paul Braslow Edition 5/20. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium of figur...

First Ribbons draws on the artist's highly developed sensitivity for the experience of the dancer, and displays a personal moment of accomplishment. We witness the young dancer holdi...

After the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace limited bronze edition, lifetime casting Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party...

Almost Asleep by Allan Houser, mother and child bronze sculpture, limited edition, brown patina, walnut base, lifetime casting Allan...

Lovers of Chimayo by Eduardo Oropeza, Bronze Sculpture, Couple, Edition,Chicano Lovers of Chimayo by Eduardo Oropeza, bronze sculpture, couple, edition 25 © 1993 Sculptor, painter,...

Contemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church limited edition of 25 bronze and straw/twigs Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Post graduate work followed at San Jose, San Diego State at Long Beach and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help...

Untitled Figure with X on Chest by Charlie Willeto, Navajo Folk Art, wood, paint Vintage

Ernest Tino Trova "Black Falling Man with Form" 1996 Bronze Ed. 1/3 Signed, Dated and Numbered Verso approx. 16 x 8.5 x 16 inches Known for his Falling Man series in abstract figura...

Ernest Tino Trova "Car Man, Four Wheels" 17 x 8 x 14.5 inches Inscribed T-06 Bottom Known for his Falling Man series in abstract figural sculpture, he created hard-edge images that ...

Ernest Tino Trova "Falling Man and Form" 1996 Brass and Bronze 14 x 4.5 x 4.5 inches Signed and Numbered 1/1 (Unique) Known for his Falling Man series in...

Signed and dated 1952 and numbered 3/10 on the back. This sculpture was included in a 1966 exhibition of Nakian's work at the Museum of Modern Art, NYC. Reuben Nakian, born August ...

'Quiet Elegance' is a beautiful nude bronze sculpture of ballet dancer by the renowned sculptor Benson Landes. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down...

Artist : Arnie Zimmerman Title : Platter Materials : Stoneware, glaze Date : 1982 Dimensions : 22.75" x 23.5" x 4.5" Description : Hand-signed and dated o...

For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory...

Solid Bronze Figurative Ballet Dancer Sculpture 'Petticoats' by Benson Landes is a remarkably delicately made sculpture - you can barely believ...

Artist: Mario Brodeur Title: George Washington Medium: Painted Wood Sculpture, signed on plaque Size: 79 inches tall

A stunning sculpture of a young ballet dancer 'Repose' by Benson Landes - full of elegance & poise. For Benson Landes, sculpture was most definit...

'Home Alone' by Benson Landes is a Solid Bronze Sculpture of a Nude Figure. Benson Landes sculpted dancers, as he loved their elegance - this passion is communicated to the viewer perfectly in this incredible sculpture. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory now owned by his father. After his marriage to Ruth at 21, in an effort to provide for his new wife, Benson decided to set up his own business. Starting with a single sewing machine and tailoress, Benson and Ruth soon expanded the business. By the 1970s they employed over 50 staff and supplied to prestigious stores such as Dickens & Jones and Harrods. As the decade progressed, however, fashion turned towards less structured, more casual garments; a trend that prompted Benson to retire and spend time with his first love, sculpture. Buoyed by the liberty he enjoyed in his studio, Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies shown at the 1981 Open Golf Championship, to Garrards, the Crown Jewellers. This success quickly brought important contacts and new commissions. Benson always maintained that being able to work as a sculptor is a unique privilege. Usually in the company of a model, he often worked in the studio against the soothing background of classical music. Indeed, now eminently collectable, Benson’s work provided much comfort after the death of Ruth. Benson said that the things that mattered in life are those of beauty; he truly believed that romance and elegance are necessary shields to what he saw as the sometimes too hurried manner of life today. Benson sadly passed away in the autumn of 2013. Solid Bronze Nude Figure...

This iconoclastic sculpture links two of the twentieth century’s most renowned figures: President John Fitzgerald Kennedy and Salvador Dalí. Cast in wax and decorated with paperclip...

Resting. A bronze sculpture of a resting ballet dancer figure by Benson Landes. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory now owned by his father. After his marriage to Ruth at 21, in an effort to provide for his new wife, Benson decided to set up his own business. Starting with a single sewing machine and tailoress, Benson and Ruth soon expanded the business. By the 1970s they employed over 50 staff and supplied to prestigious stores such as Dickens & Jones and Harrods. As the decade progressed, however, fashion turned towards less structured, more casual garments; a trend that prompted Benson to retire and spend time with his first love, sculpture. Buoyed by the liberty he enjoyed in his studio, Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies...

Fido, 1998 Chemical or biological rocket Stainless steel, electronics and resin 100 x 12 x 12 inches Fido is a fully functional rocket with a hand sculpted nosecone but is missing the detonator and fuel. Shipping times may vary depending on location. Gregory Green is internationally recognized for his challenging work and the numerous controversies it has spawned in the USA and Europe. Since the mid-1980’s, Gregory has created artworks and performances exploring systems of control and the evolution of individual and collective empowerment. Green’s work considers the use of violence, alternatives to violence, and the accessibility of information and technology as vehicles for social or political change. Referencing historical precedents and disturbingly anticipating various historical events, such as the tragedy of 9/11 and the Arab Spring...

Lazzaro Donati (Italian 1926-1977) "La Regina" Bronze Signed on Base Size: approx 19 x 9 x 9 inches Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. Mr. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d'art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. "After all", he said, "you've got to know how to sell a painting to everyone." He had no sympathy for the "drip and splash" studios of his contemporaries, preferring to keep his studio tidy and spotless. "Painting is a matter of precision", he said, "If a painter can't put his paint where he wants it to go, I don't see how he can call himself a painter. For me it is absolutely necessary to control the paint." When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, "That is a secret between me and my butler. Actually, most of my paintings are done by him!" But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...

Polished stainless steel Edition of 9 Signed, dated, and numbered with foundry stamp