
Large Ostrich Set of four
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Peter WoytukLarge Ostrich Set of four1999
1999
About the Item
- Creator:Peter Woytuk (1958, American)
- Creation Year:1999
- Dimensions:Height: 99 in (251.46 cm)Width: 37 in (93.98 cm)Depth: 77 in (195.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Will be outdoor for the duration of the listing. Will be cleaned and restored as necessary before shipping.
- Gallery Location:Santa Fe, NM
- Reference Number:1stDibs: LU513315829322
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From Wikipedia, the free encyclopedia
Melissa Zink
Born 1932
Kansas City, Missouri
Died 2009 (aged 76–77)
Taos, New Mexico
Nationality American
Occupation(s) Artist, Sculptor
Melissa Zink (1932-2009) was an American artist. An active member of the Taos, New Mexico art scene, she blended storytelling with sculpture, and described the enchantment of books and the imaginary worlds they evoked as the focus of her work.[1] Critics lauded her as a "late bloomer" because she only began to exhibit and sell her multi-media works of ceramics, cast bronze, and collage, when she was in her forties.[2] She became known for her "three-dimensional stories" and "dream-like dioramas" in clay, interior scenes that blend whimsy with surrealism.[2][1] Later she cast large bronze statues of human figures embossed with texts drawn from dictionaries and illuminated manuscripts.[2] In 2001 she won a Governor's Award for Excellence in the Arts from the state of New Mexico.[3] In 2021, one of her works featured in a special exhibit at the New Mexico Museum of Art entitled, "Southwest Rising: Contemporary Art and the Legacy of Elaine Horwich," which featured a group of artists in the 1970s and 1980s who together launched a movement described as "new Western art" or "Southwest pop".[4]
Education and career
Melissa Zink was born in Kansas City, Missouri. She attended the Emma Willard School, Swarthmore College, the University of Chicago, and the Kansas City Art Institute.[5] She later admitted that her professors' efforts to push her and her peers towards abstract expressionism during the 1950s deterred her from pursuing a career in art.[2] Instead she worked for many years by designing picture frames and operating an embroidery and craft shop while continuing to paint and experiment with various media in her free time.[6] In her forties, she married Nelson Zink, who encouraged her to pursue her artistic ambitions.
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