Unknown

Finely rendered Equestrian Model Sculpture

1930

John Urbain (1920-2009) Composition , 1970 Acrylic Painting with Collage Fine early example from 1970 Provenance : Estate of the artist Very good condition size 19 x 13 in. w. f...

an exquisite Floral still life of “Camelia and white orchids” By E. B. Lintott signed l.l. period frame Note : London-born Edward Barnard Lintott (1875-1951) throughout his artist...

Hans Tisdall (1910-1977) signed l.l. White Cliff II , 1960 oil on canvas , 20 x 16 inches Beautiful pared down landscape of a white cliff against a dark background , British coast ...

Fannie Hillsmith (1911-2007) oil on canvas,1967 Exhibited at Peridot Gallery Note : titled 'Blue Plate', numbered on back of canvas '181', signed on canvas, F. Hillsmith 67’, dim...

A polychrome and gilt plaster statue of the Blessed Virgin Mary. The quality of the original gilding and the handling of the folds in the clothing are exceptional. A wonderful statu...

Terracotta bust of a young girl, the color mimicking the shadow of bronze sculptures, a feature that established the fame of the Friederich Goldscheider ceramic manufactory in Vienna...

Important patinated plaster bust representing the Faun of Vienna. the original of which is in the collections of the Louvre museum (marble statue discovered in Vienna in 1820 and dat...

The sculpture is painted cast plaster. The dimensions are for the painted cast plaster. The black base dimensions are 2 x 10 x 10 inches. About this body of work: “Everybody has that feeling when they look at a work of art and it’s right, that sudden familiarity, a sort of...recognition, as though they were creating it themselves, as though it were being created through them while they look at it or listen to it...” ―William Gaddis, "The Recognitions" “A great deal of my recent work was made during a time when I was reading the great American novel by William Gaddis, "The Recognitions," the most demanding book I’ve ever read. Along the way, I extracted sentence fragments that interested me and I pieced them together to make the titles for the last three years of my work. So, my recent work is linked to Gaddis’ novel through the titles, but also in the theme of “recognition,” which speaks to the nature of my work. I feel my way through various processes until I recognize a possibility―a possibility that is promising in terms of visual dynamics but also in terms of giving a body to some part of my experience. It is my hope that the viewer is compelled to recognize some part of themselves reflected in the work.” —Michael O’Keefe Michael O’Keefe earned his MFA from SMU and currently teaches at The O’Keefe Studio Center in Richardson, Texas. This sculpture was included in "Recognitions," his fifth solo exhibition at Valley House...