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Art Nouveau Alabaster & Marble Bust Sculpture of Dante’s Beatrice

Grand Tour Marble Bust of a Young Apollo (Late 19th Century) Marble bust on a swivel marble base Unsigned 24 ½" high x 21" wide x 9 1/2 " deep...

Signed underneath. This carved stone sculpture by Bernard Takawira (1948 - 1997) is from a private collection. The family owns a quality collection o...

Signed underneath. This carved stone sculpture by Brighton Sango (1958 - 1995) is from a private collection. The family owns a quality collection of Shona sculpture. They purchased...

Bronze (After) Henri (Comte) Geoffroy De Ruille, Mounted Jockeys (French 1842-1922) "Mounted Jockeys Taking a Jump" 40"long x 26" high x 20 ½" wide 20th Century Medium: Patinaed B...

John Edward Jones (Irish – 1806-1862) “Portrait of Lady Lucy Henderson” Signed and dated London 1858, and inscribed, “Lucy Henderson, Nee Durham” 28 ½” high x 20 ½” wide x 11” deep Provenance: Collection Saratoga Springs, NY About John Edward Jones was born in Dublin on May 2nd, 1806. He was the son of a miniature painter Edward Jones. He was trained as an engineer under Alexander Nimmo and worked with him on many important works in Ireland, including the building of the bridge at Waterford between 1829 in 1832, of which he was in charge. A taste and an aptitude for sculpture induced him to relinquish his prospects as an engineer and he commenced practice in London as a sculptor. He achieved considerable success, especially in portrait busts, and was employed by many notable persons of the time. He first exhibited at the Royal Academy in 1844 and continue to do so until his death. He executed a considerable number of bust of Irish personages. He paid occasional visits to Dublin where he contributed to the Royal Hibernian Academy in 1847, 1852,1853 and 1854. A full-length statue by him of Sir Robert...

Monumental, Art Nouveau, Bronze Sculpture – Anonymous (20th Century) “Woman with Two Borzoi Dogs” 6 feet 7 inches high x 3 feet 3 inches wide x 2 feet 5 inches wide Medium: Silvered, patinaed and painted bronze Provenance: Maxwell House...

"Pair Recumbent Stone Lions" after Antonio Canova (1757-1822) Italian (possibly Florence) Mid 19th Century Alabaster, marble 6 x 9 x 4 inches This is an exquisite pair of Italian alabaster lions on marble bases based on the monumental lions carved by Antonio Canova (1757-1822), the greatest Italian neoclassical sculptor. Canova sculpted the marble lions for the monumental tomb of Pope Clement XIII in St. Peter’s, Rome in 1792 Canova Lions refers to the pair of copies of lion sculptures by Antonio Canova. When Canova created the sculptures in 1792, he installed them on the tomb of Pope Clement XIII. The marble sculptures are some of the most prominent features in St. Peter's Basilica in Rome. Given the intricacies of creating the original Canova lions, some artists created molds and replicated them. A good example is the pair of lion sculptures...

Biomorphic abstract sculpture by Canadian artist John McKinnon. The work features a mother figure holding her child in a loving embrace. Inspired by other modern artists such as Henr...

"Raro busto Art Nouveau in alabastro e micromosaico. " Il busto di una giovane ragazza. Epoca Art Nouveau, con un rarissimo lavoro in alabastro e micromosaico. Firenze, circa 1900. U...

Beautifully carved, Grand Tour period architectural model featuring fluted columns surmounted by Corinthian capitals and a relief carved pediment above a raised base inset with a fl...

A sensitively carved, solid alabaster, antique sculpture of famed Italian poet and philospher, Dante Aligheri (1265-1321). The figure in a rich, flowing robe, holding a book and wear...

MONUMENTAL NEOCLASSICAL URN IN ALABASTER Italy, 19th Century Alabastro fiorito 54 x 18 cm 21 1/4 x 7 in minor chips and damages