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Yann GuillonHermaphrodite I by Yann Guillon - Bronze sculpture, nude torso1992
1992
$6,589.79
£4,904.76
€5,500
CA$9,026.36
A$10,039.29
CHF 5,242.20
MX$122,167.45
NOK 66,950.95
SEK 62,788.18
DKK 41,869.58
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About the Item
Hermaphrodite I is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 31 cm × 25 cm × 20 cm (12.2 × 9.8 × 7.9 in). Dimensions of the metal base: 10 cm x 31 cm x 24 cm (3.9 x 12.2 x 9.4 in). Height of the sculpture with the metal base: 62 cm (24.4 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity.
Yann Guillon is a French sculptor born in 1962 who studied at the École des Beaux Arts in Paris. His oeuvre is characterized by depictions of the human body, especially bodies in motion. The recurrence of athletes and dancers in his pieces exemplifies this interest.In these bodies captured in full effort, the artist seeks to accentuate the tension and twisting to invite us to see this energy, through which the bronze sculptures express some of the mystery and grace of each human being.
- Creator:Yann Guillon (1962, French)
- Creation Year:1992
- Dimensions:Height: 12.21 in (31 cm)Width: 9.85 in (25 cm)Depth: 7.88 in (20 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803112923002
Yann Guillon
Depictions of the human body play a predominant role in Yann Guillon’s work. In these bodies captured in full effort, particularly athletes and dancers, the artist seeks to accentuate the tension and twisting to invite us to see this energy, through which the bronze sculptures express some of the mystery and grace of each human being. His direct carving technique and his forays into abstract sculpture allow him to explore other languages and other registers in sculpture. “When I’m working, I try to keep the first movement, the first energy from the feeling of the sculpture, so I always try to stand back, to work on several sculptures at the same time, to find a balance between raw, spontaneous sculpture and at the same time a finished sculpture.“
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