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Sandra ChevrierSandra Chevrier Art Sculpture Marvel DC Comic Book Heroes LES GENS PLEURENT2018
2018
About the Item
LA CAGE LÀ OÙ LES GENS PLEURENT
Ed. of 100
Polystone
Engraved signature
12 x 9 x 7 in
2018
''One of the fastest rising stars on the contemporary pop art scene, Sandra’s stellar rise to fame has been as surprising to her as it
has obvious to more seasoned art lovers. Since her debut with Reed Projects in 2013 Sandra has gone on to worldwide fame
with sell out shows at home and abroad and media coverage to rival that of some of the worlds leading names in contemporary art. '
With work demanding to be dissected beyond it's surface value, Chevrier's portraits are quite literally torn between the fantastical
heroics and iconography of comic books and the harsher underlying tragedy of oppressed female identity and the exposed superficial illusion therein.
Exhibiting a male-dominated world within her 'Cages', Chevrier's subjects denounce the role given to the female counterpart therein,
refusing to play the part of seducer or victim.
In the greater body of Chevrier's work, the images used within the 'cages' range from scenes of conflict, triumph and defeat.
The artist is choosing to highlight the fragility of the superhero, their own struggles and weaknesses, exposing the humanity within the superhuman.
Despite all the playfulness of the thing itself and all the “CRASH BAM POW,” superheroes are also fragile.
We are merely human; men and women and we are entitled to the flaws and errors.
- Creator:Sandra Chevrier (1983, Canadian)
- Creation Year:2018
- Dimensions:Height: 12 in (30.48 cm)Width: 9 in (22.86 cm)Depth: 7 in (17.78 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Draper, UT
- Reference Number:1stDibs: LU1327213533082
Sandra Chevrier
Sandra Chevrier is a Canadian contemporary artist known for her captivating portraits of women from The Cages series. Born in 1983, Chevrier got her bachelor's degree in visual and media arts from UQAM - L'Université du Québec à Montréal. As a self-taught artist, Chevrier first fell in love with art as a kid. Her art rapidly became a language on its own. At first, she drew sketches of eyes, all the time. This initial obsession is highly visible in her present work. In her portraits, Chevrier uses the contrasting mediums of paint and actual comic book cuttings to produce these intense mixed-media portraits, which express underlying messages through the female portrait.
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