Still-life Sculptures

Exceptional good size 19th century French hand made honey glazed terra cotta confit jar from Provence in the south east of France. Very beautiful patina to both the glaze and the te...

An impressive and important pair of grand tour sculptures of Lions in the manner of Antonio Canova, carved in bronze and resting on a marble base. The work, depicting a sleeping lion...

Title: Whispering Children Medium: Bronze Sculpture Measurements: 18" height Signature: Signed

Vesta cases are used to store matches and became popular mid 19th century. This vesta case is made in silver with an intricate and beautiful design that re...

This dynamic bronze done in a green patina is perfect size to grace a table or pedestal. Antoine-Louis Barye was acclaimed as the finest sculptor of the French Animalier School. As ...

A pair of nineteenth century caved oval wall plaques as ornamental hunting trophies with swags depicting a fox and partridge and another with a stag a...

Ferdinand Barbedienne (Saint-Martin-de-Fresnay 1810 – 1892 Paris) after Lorenzo Ghiberti (Florence, 1378 – 1455) The Story of Joseph from the Second Baptistery Doors, Florence (“The Gates of Paradise”) Signed at the lower right of the principal relief: F. BARBEDIENNE FONDEUR Nine bronze reliefs set into a wooden frame 27 ½ x 27 ½ inches (70 x 70 cm) The present work is a half-size reduction of nine panels from the famous Gates of Paradise by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. The central scene is one of the most remarkable, The Story of Joseph, comprised of seven episodes from the Biblical narrative integrated into one composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors. The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise: “The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844. Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’ At 25,000 francs, Collas’s and Barbedienne’s reduction of the Gates of Paradise was singularly more expensive than any other item for sale in their shop. All the reliefs, individual statuettes, and busts were cast separately and could be purchased either by the piece or as an ensemble. Fittingly, Barbedienne’s accomplishment earned him the Grand Prix at the 1878 Paris Exposition Universelle, along with numerous other medals.” Only two complete examples of the Barbedienne-Ghiberti doors are known. One, first installed in a chapel in the Villa Demidoff of San Donato near Pratolino, was later acquired by William Vanderbilt...

Carved and Ebonized Statue of an Eagle 19th Century. This Eagle statue measures 18 inches wide by 15 inches tall by 13 inches deep. The base detaches...

H. Wilson Circa 1860s Seguin Texas Potter Image Size: 4 Gallon Churn Medium: Pottery Circa 1860s 4 Gallon Churn Ultra Rare Details Utilitarian Biography H. Wilson & Co. was in business from (1869-1887) WILSON POTTERIES. The vessels made at the Wilson potteries of Guadalupe County represent both the westward extension of Old South cotton culture and the interaction of different cultural groups in mid-nineteenth-century Texas. During the last half of the nineteenth century the three potteries in the community of Capote, near Seguin, supplied a wide area of Central Texas with locally made stoneware necessary for both food storage and preparation. In 1857 John McKamey Wilson, a Presbyterian minister and educator, established the first Wilson pottery...

This is being sold as a piece of (functional?) decorator table sculpture for a kitchen or restaurant. I do not know if or how it works. the wheel and gears turn. It might be missing ...

Pair of 19th century decorative polished bronze (or brass) Japanese (or Chinese, these are definitely Asian) sculptural cranes (or flamingos) resting on a rock with snakes. Animalia ...

Lovely Alabaster figure of a woman with detachable pedestal by Giuseppe Bessi. Giuseppe (Professor) Bessi was an Italian sculptor famed for his lifelike busts and sculptures, such a...