Silver Melting Skeleton LA Hands Resin Sculpture

The Beauty Of Rebellion (Limited Edition) 12” Polystone Art Collectible By Abell Octovan. Set to challenge the notion of beauty in todays society, the ...

For sale is a stunning sculpture entitled "Warm Thoughts" by the talented artist Death and Milk. This piece is a unique and thought-provoking work of art that will captivate and intrigue anyone who lays eyes on it. The artist, Death and Milk, began creating art as a way to cope with mental health issues, and this sculpture is a testament to the power of art to transform one's mood and outlook on life. The sculpture depicts a gentle geisha who appears to be lost in thought, but upon closer inspection, the viewer will notice that her tender demeanor is juxtaposed with the harsh skull upon which she sits. The sculpture invites the viewer to contemplate the duality of human nature and the conflicting emotions that can exist within the mind of a person. The geisha's warm thoughts are contrasted by the anger and rage that fuels her mind, turning the inside of her skull red...

Inspired by Japanese film maestro Akira Kurosawa’s 1957 masterpiece—Throne of Blood, this beautiful pigeon sculpt with a volley of arrows pierced throu...

Concrete Sculptural Planter inspired by En Iwamura Vessels 8 inch Tall / Hand casted and pigmented. 1 of 1 (Last picture is not actual vessel, it is a different variant but is pict...

"Moses and The Ten Commandments" is a Stainless Steel Sculpture by the artist MARIAN OWCZARSKI (Polish, 1932-2010). It measures 20 x 7 inches. The dat...

The modern Sculpture " Androide ” is a unique piece made from a burnout mold by David Marshall in 2015, sand cast in aluminium in our foundry, handcrafted by the Artist in his work...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Angelo Canevari’s Commander is a 30 x 8.5 inch mix media surrealist sculpture. It is made of metal, resin, automotive paint, and cardboard. It is a surrealist interpretation of a bust of a commander. The use of metal and wires to develop a tridimensional sculptural quality, as well as the expressionistic outcome of the imagery, has echoes in some contemporary African sculpture...