Want more images or videos?
Request additional images or videos from the seller
1 of 2
Philip CampbellGarnish of Oleander2016
2016
$2,300
£1,762.67
€2,025.88
CA$3,230.46
A$3,615.48
CHF 1,892.58
MX$43,921.58
NOK 24,030.92
SEK 22,677.27
DKK 15,116.64
About the Item
Acrylic on hand-carved African mahogany
Signed, titled, and dated, verso
This artwork is offered by ClampArt, located in New York City.
Philip Campbell writes: “August 2016 we traveled to Chicago to attend an exhibit/book signing/jazz concert for Tony Fitzpatrick at the DePaul University Art Museum. Always the welcoming soul, Tony invited us back to his home for the after party. We stayed a while, but soon ventured out to find a great place to have dinner. Siri guided us to a trendy new restaurant on a corner in the heart of the city. We were sitting at one of the outside tables when my love (she is a botanical installation artist and has an extensive knowledge of plants and flowers) noticed that the pretty flowering plant that fills the planter wall, that was gently leaning over our dinner, was Oleander. Every part of that plant is capable of stopping your heart if ingested. The staff was oblivious to this. To celebrate our surviving that meal and those who did before and after us, the delicious slice of carrot cake is surrounded by pretty flowers, commonly welcomed in to our lives, that are poisonous to humans.”
Philip Campbell creates carved and painted bas-relief sculptures in wood, but identifies more as a three-dimensional painter than a woodworker. He executes his underpainting in African mahogany with a chisel to add depth, shaping texture that one can touch. The weight, strength, and grain of the wood adds life to his narratives.
Campbell started making bas-relief paintings in the mid-1990s, but beginning in 2009, his work became much more personal, as he began to tell personal stories lived and heard. He writes: “We are all the sum of our memories.”
- Creator:Philip Campbell (American)
- Creation Year:2016
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93234091232
About the Seller
5.0
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 2000
1stDibs seller since 2018
268 sales on 1stDibs
Typical response time: 7 hours
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllEdible Flower I
By Brian Buckley
Located in New York, NY
Photogram on Polaroid Type 809 (Unique)
Signed, titled, and dated in black ink, verso
This artwork is offered by ClampArt, located in New York City.
Brian Buckley’s work has alway...
Category
Early 2000s Contemporary Abstract Photography
Materials
Polaroid
Untitled (Still Life #4)
By Robert Calafiore
Located in New York, NY
Pinhole camera Chromogenic print (Unique)
Signed and dated, verso
This artwork is offered by ClampArt, located in New York City.
Robert Calafiore employs a hand-built pinhole camer...
Category
2010s Contemporary Color Photography
Materials
C Print
Untitled (Still Life #10)
By Robert Calafiore
Located in New York, NY
Pinhole camera Chromogenic print (Unique)
Signed and dated, verso
This artwork is offered by ClampArt, located in New York City.
Robert Calafiore employs a hand-built pinhole camer...
Category
2010s Contemporary Color Photography
Materials
C Print
Hollyhock.2
By David Bishop
Located in New York, NY
Dye sublimation on aluminum (Edition of 8)
Signed and numbered on label, verso
This work is offered by ClampArt, located in New York City.
David Bishop’s photography is strongly influenced by both baroque and contemporary art. His studies of 17th century Dutch still life...
Category
2010s Contemporary Still-life Photography
Materials
Dye Transfer
Cake
By Frances F. Denny
Located in New York, NY
Archival pigment print
Signed, titled, dated, and numbered on label, verso
11 x 11 inches
(Edition of 7)
15 x 15 inches
(Edition of 5)
This photograph is offered by ClampArt, locat...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Untitled (Still Life #3)
By Robert Calafiore
Located in New York, NY
Pinhole camera Chromogenic print (Unique)
Signed and dated, verso
This artwork is offered by ClampArt, located in New York City.
Robert Calafiore employs a hand-built pinhole camer...
Category
2010s Contemporary Color Photography
Materials
C Print
You May Also Like
#440
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil, Inkjet
#449
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil, Inkjet
#452
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Oil, Inkjet
Loretta's Flowers
By Drew Leshko
Located in Philadelphia, PA
This piece titled "Loretta's Flowers" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 8"h x .75"...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Enamel, Wire, Metal
Endless Summer, Still Life Art, Contemporary Floral Art, Affordable Art
By Vicky Oldfield
Located in Deddington, GB
Endless summer is a Limited edition hand coloured collograph print by Vicky Oldfield. Each print is individually painted, making every one unique.
Vicky Oldfield is available online ...
Category
21st Century and Contemporary Contemporary Still-life Prints
Materials
Paper
Peruvian Lily
By William Nelson
Located in Greenwich, CT
William Nelson Biography
American, b. 1961
Artist Statement
The intention of this work is to generate conversations about values and identity by assembling unlikely pairs, Hollywood...
Category
2010s Contemporary Still-life Paintings
Materials
Oil
More Ways To Browse
Carved Wood Life
Bas Relief Sculptures
Leaning Sculpture
Large Bronze Wrestlers
Lee West Chair
Les Lefevre
Life Saver
Lyme Regis
Manetti Artist
Maria Farmer
Max Howard Sculpture
Michael J Fox
Mont Blanc Poster
Morning Melodies
Nautical Oil Seascape Antique
Oil Canvas Greyhounds
Oil Landscape Paintings With Hay Bales
Peter La Cave