Men Sculptures

This half-shield from New Guinea is carved wood, embellished with vegetable pigment. It features an abstracted face with other designs. The shield is 31" x 9" x 4".

Fire by Jane DeDecker Allegorical Element Figurative Bronze with Gold Leaf 72x14x20" bronze ed/17 (available patina is the darker blue-grey hue) Shipping price includes the custom p...

This is a one of a kind original wall sculpture by San Diego artist, Cheryl Tall. It's 26 inches in height, with a length of 18inches and a depth of 4.5 in...

“ We come spinning out of nothingness, scattering stars like dust.” – Rumi Physics and astronomy inspire my artwork. As an artist I create mostly from an intuitive place while scientists’ work is of an empirical nature. I would like to be part of the link that bridges the gap between art and science. On this path I observe the micro and the macro universe, two sides of a natural polarity that together comprise a unified whole. This endless expanse is interconnected and entangled as energy waves activate all form; nothing is ever static. Whether we actually see it or not energy infiltrates all things. Dark matter that we cannot see occupies approximately 84.5% of the universe; we know of it because of its gravitational field only. Since infinite space surrounds us, I am intrigued by the concept of ambiguous spaces, such as space within space, suggestive of multidimensional space, and interstitial space, the space between matter. Energy and space make up our universe. In my current work I use drawing, painting, sculpture, photography, video, multi-media and installation as my forms of expression. Sometimes the work demands that I include the figure other times it does not. I hope to always explore space in all its dimensions and wonders; it is a limitless investigation. –Julie Rotblatt Amrany JULIE ROTBLATT AMRANY Exhibitions and Projects 2024 The Process of Discovery, Evanston Art Center, Evanston, IL Representation at Gallery Victor, Chicago, IL 2023 Firmly Rooted, Principal Gallery, Charleston, SC Cyclical Nature of Emergence, (solo exhibition), Koehnline Museum of Art, Des Plaines, IL Pushing Forward Reaching Back, (group exhibition), Brookgreen Gardens, SC 2022 Then and Now, Monmouth Museum, Lincroft, NJ In View, The Art Center Highland Park, Highland Park, IL 2021 Friends Expo, Ceres Gallery, New York, NY InterConnectivity, The Art Center Highland Park, Highland Park, IL HOME, National Association of Women Artists, Artios Gallery (online exhibition) 2020 Intersect Chicago SOFA Expo, Hive Contemporary, Chicago, IL IN DIALOGUE, Governors State University, University Park, IL 2019 Who’s Afraid of Red?, Gallery Studio Oh!, Chicago, IL SOFA, Hive Contemporary, Navy Pier, Chicago, IL Unlikely Pairings, Gallery Studio Oh!, Chicago, IL Biggs Body, Biggs Museum of American Art, Dover, DE De/construct, Gallery Studio Oh!, Chicago, IL Women Celebrating Creativity, National Association of Women Artists, Inc., New York, NY 2018 Surfaces, Millepiani, Rome, Italy SOFA, Hive Contemporary, Navy Pier, Chicago, IL Order & Chaos: The World of the Enlightened, Jankossen Contemporary, New York, NY 2017 SOFA, Navy Pier, Chicago, IL Narratives in Glass, Echt Gallery, The Art Center Highland Park, IL Continuum, ARC Gallery, Chicago, IL Seeing Red, ARC Gallery, Chicago, IL 2016 Dialogue Chicago: Full Force, exhibited by Chicago’s Bridgeport Art Center, Chicago, IL Dada Lives, exhibited by University of Cincinnati Blue Ash Art Gallery, Cincinnati, OH Art Palm Beach, exhibited by Chicago’s Echt Gallery, Palm Beach, FL 2015 Group Show, Echt Gallery, Chicago, IL Art Venice Biennale 3, The Biennial Project, Venice, Italy 2014 Science Inspires Art: The Brain, New York Hall of Science, Queens, NY National Wet Paint MFA Biennial, Zhou B. Art Center, Chicago, IL 90 Year Celebration of Kibbutz Ashdot-Yaacov, Museum of Uri & Rami Nachushtan, Jordan Valley, Israel 2013 Boston Young Contemporaries Group Exhibit, Boston University, Boston, MA M.F.A. Graduate Exhibition, Art Institute of Boston at Lesley University, Boston, MA 2012 The Blues Legacy: Tribute to Buddy Guy, Muddy Waters, and Koko Taylor, Discovery Museum of Lake County, Wauconda, IL 2011 Beethoven Festival Set Design/Video, Ballet Chicago’s Creatures of Prometheus, Chicago, IL 2007 Group Show, The Fine Art Studio of Rotblatt Amrany, Highwood, IL 2006 Amdur Gallery, Glenview, IL 2003 Zigman-Voss Gallery, Chicago, IL 2002 Signature Art Gallery, Glencoe, IL 2001 Theatre of the Soul, one-woman exhibition, Chateau d’Amboise, France Cora Art Gallery, France The Ottinger Gallery, Chicago, IL 2000 Shanghai Art Fair 2000, Shanghai, China Beaux Arts Invitational Exhibition, Paris, France 1999 Moxley-Ross & Naranjo Gallery, Santa Fe, NM. Millennium Group Show, Oakton Community College, Des Plaines, IL Fall Show, Rotblatt-Amrany Fine Art School, Highland Park, IL 1998 Fine Art Exhibition, Daley Center, Chicago, IL 1997 East West Gallery, Miami, FL 1996 North Shore Congregation Israel, Glencoe, IL Mars Landing Celebration, Planetary Society, Los Angeles, CA 1995 Fall Show, Rotblatt-Amrany Fine Art School, Highland Park, IL Palette & Chisel Academy, Tavern Club, Chicago, IL Lineart International Art Exhibition, Ghent, Belgium 1994 Daley Center, Chicago, IL 1993 Carole Jones Gallery, River North Gallery District, Chicago, IL 1992 East West Gallery, Chicago, IL Portraits/Chicago, Chicago, IL 1990 Fermi Lab Invitational Exhibition, Batavia, IL Carlan Collection, Palm Springs, CA East West Gallery, Chicago, IL 1989 Colby’s Corporate Exhibition, Lincolnwood, IL Firenze Gallery, Lake Forest, IL North Shore Congregation Israel, Glencoe, IL 1988 Shai Danon Gallery, Tel Aviv, Israel La Galleria Caesar, Tiberias, Israel 1987 Orange Plus Gallery, Haifa, Israel 1985 Perugia Center for the Arts, Perugia, Italy 1984 Oakland Art Museum, Oakland, CA 1983 California College of Art and Craft, Oakland, CA Public Collections 2006 Preservation of the Union: Abraham Lincoln 1/3 section bronze bas relief, Lincoln Presidential Library, Springfield, IL 1994 The Spirit: Michael Jordan, Chicago Bulls, United Center, Chicago, IL. Replicas in collections of: White House Collection, Chicago Mayor Richard Daley, former Illinois Governor Jim Edgar Private Commissions 2021 A’ja Wilson, University of South Carolina, Columbia, SC 2019 David Beckham, LA Galaxy StubHubCenter, Carson, CA 2017 LA Kings Don Miller, Staples Center, Los Angeles, CA 2017 The Quintessential Engineer, University of Illinois Engineering Department, Champaign-Urbana, IL 2016 LA Kings 50th Anniversary, Los Angeles Kings Hockey Club, Los Angeles, CA 2016 John Wooden, Purdue University, West Lafayette, IN 2015 Solace (9/11 Memorial), Highwood City Hall, Highwood, IL 2015 Luc Robitaille, Los Angeles Kings, Staples Center, Los Angeles, CA 2014 Rosalind Franklin, Rosalind Franklin University of Medicine and Science, North Chicago, IL 2013 The Battle for Harmony, Jackie Chan Tribute, JC Group, Shanghai, China 2012 John Purdue, Purdue University, West Lafayette, Indiana Kareem Abdul Jabbar, Los Angeles Lakers, Los Angeles, CA 2011 Stan Mikita, Chicago Blackhawks United Center, Chicago, IL Jerry West, Staples Center/Los Angeles Lakers, Los Angeles, CA Scottie Pippen, Chicago Bulls United Center, Chicago, IL 2010 We Will Never Forget, Chicago Police Gold Star Families Memorial & Park, Chicago, IL Fred Silverman...

"I Worry About My Kids" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, mixed media, and paint.This piece measures 62"h x 40"w x 5"d and comes with a ...

One flame candle holder putto made of gilded wood. Those kind of objects were present in churches or noble villas, specially during the Baroque times. The base is not coeval.

Ruth Bloch, Blossoming with 3 balloons, Bronze sculpture, lovers or angels, flying high, work, romantic Israeli artist, Israeli art

An abstract modern cubist rendition of a mother playing with her child by Chaim Gross (Austrian, 1904 - 1991). Chaim Gross is known for these playful works and similar works can be f...

L'Hiver, which is French for winter. An evocative title which pretty much explains the piece. Number 1 out of a production of Seven. Artist Statement: I am very happy to announce that two of my bronze works are now available in a limited edition of 7. The first one, shown above, is my vision of Eros. He is more popularly known in the Roman interpretation of a chubby baby or young boy with an bow and arrow. I have always been more intrigued with the original Greek embodiment of the this deity as a young man. More than the god of love, Eros was a personification of the power of creation. He was balanced by his antithesis was Thanatos, that of destruction. In fact, Thanatos is currently in the design process. This work will exist in an edition of 7 and 2 artist's proofs. Each piece is hand chased by myself and I apply the patina as well. The sculpture was created using the Lost Wax...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina cast by Susse Frères - stamped with the founder's seal France created around 1890 and cast after his death height 12,5 cm A similar model reproduced inJules Dalou, le sculpteur de la République, Exhibition held at the Musée du Petit Palais, Paris, 2013, page 288, n°220. Biography : Aimé-Jules Dalou, said Jules Dalou (1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

A. LACARRIÈRE PÈRE, FILS & CIE French, (Mid 19th century) Bronze Figural Torchères - Médaille d'or - Exposition de 1867 Monumental Patinated Bronze Figural Torchères on Pedestal; ...

The beauty of the human form is captured is this dynamic bronze sculpture of a Muay Thai Fighter. Dean Kugler This Impact (Muay Thai Fighter) bronze 18h x...

Edition of 45 Jim Rennert was born in 1958 and was raised in the Southwest United States. Rennert began exhibiting his work in 1993 and has since become an important figure in contem...

Jacques COQUILLAY (né en 1935) Victoire Original bronze Size : 105 x 22 x 20 cm Copy No. 1/8 Signature and numbered on the base. Original bronze m...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Bronze Sculpture of a young boy playing a lute with a lamb by his side

Drawn from the performances of Stephan Choinier and his partner, Kristi Phillips, “Zumanity - Modern Dance V, Icarus Moon” takes the awe-inspiring moves ...

Sculpture art déco en céramique d’après un modèle du sculpteur Maurice Guiraud-Rivière (1881-1947), réalisée dans l'usine de Boulogne d'André Fau et Marcel Guillard Céramique craquel...

Title: El Doctor Year: circa 1990 Medium: Bronze Sculpture, signature and number inscribed Edition: V/XXX Size: 12.5 in. x 6 in. x 6 in. (31.75 cm x 15.24 cm x 15.24 cm)

The male figure lies atop a cresting wavelike column, seemingly elevated by the experience. One hand is nearly touching his heart while the other hand is held open in a gesture of re...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

Randy Cooper I Love You Wire Mesh 39 x 25.50 x 3 in

Marco Olivier is a renowned South African artist and owner of a bronze foundry in Cape Town. He is widely known for his original art in resin and bronze,...

Paul Joseph Raymond Gayrard (French, 1807-1855) "Daphnis and Chloe" Patinated Bronze Sculpture, cast by Vittoz Bronzier, Paris, late 19th century, the embracing figures seated on a r...

A beautiful African cast bronze and carved horn sculpture with a patina. Horns were used by the Bamileke tribe of Cameroon as status symbols for ...

"Ex Nihilo Fragment 6" by Frederick Hart is a figurative bronze with the edition of 55/65. Ex Nihilo Fragment No. 6, detail from the full-scale plaster for the final stone sculpture of Ex Nihilo, was commissioned as part of The Creation Sculptures at Washington National Cathedral...

Basquiat Bearbrick 400% Vinyl Figures Set of 2: A unique Basquiat Bearbrick statue set trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered collectibles reveal...

Standing Together by Jane DeDecker Figurative Bronze. 42x24x24" Sandstone base is included. Two Girls stand back to back holding hands Sisters, or Best Friends. A union for life. A...

Cigale (Cicada) by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze sculpture with nuanced dark brown patina signed "A. Carrier-Belleuse" old edition cast France circa 1870 heigh...

"LarA 001" is a unique sculpture crafted in cement by Spanish artist Jose Perozo in 2024. Part of the LarA series, this piece measures 21 x 29 x 17 cm and merges the female form with...

Henri Honore Ple (French, 1853-1922) "La Nymphe" Patinated Bronze Sculpture, late 19th century, the draped standing figure with outstretched arms resting on a tree, signed to base "H...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Theseus and the Minotaur by Baltasar LOBO (1910-1993) A bronze group with a greenish dark brown patina Signed at the lower backside " Lobo " Cast by " Susse Fondeur Paris " (with th...

Expressionist completely hand carved wood sculpture ca. 1925-1927, unknown artist. Monogrammed with C Sch on the base. Expressively carved base. Small damage on the hand. Measuremen...

RICHARD LOUIS GARBE, RA (1876-1957) Helios Signed and dated 1929 Plaster with patinated surface 86 cm., 33 ¾ in. high Garbe was born in Dalston, London, the son of Gustave Garbe,...

"The Ties that Bind" by Jane DeDecker Cast bronze depiction of a father taking a time out from playing ball to help tie his child's shoe. 36" x 44" x 31" limited edition of 17, sign...

Earth by Jane DeDecker Allegorical Element Figurative Bronze 72x32x20" bronze ed/17 (available patina is a darker blue-grey hue) Shipping price includes the custom packing/crating n...

Rare Italian statue in patinated stucco from the first half of the 20th century. The work depicts a vestal with an amphora, probably Hebe, Goddess of youth and handmaiden of the deit...

Forward Still by JaneDeDecker Abstract Figurative Sculpture ©2015 80x54x10" limited edition of 21 A contemplative person walks on the top of a large ring ABOUT THE ARTIST: 'Part of...

Bronze sculpture Aziz Anzabi is a British artist with Iranian origins born in 1970 who lives & works in London, UK. He exhibits many artworks in the U.S, the Netherlands, and Iran....

Family Carved Sculpture American Scene Modernism Mid 20th Century WPA Realism Milton Hebald (American, 1917-2015), Family of Three 13 1/2 x 5 1/4 x 4 1/4 inches Carved wood, c. 19...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing staged archaeological excavations exposing the malleability of our history. During these performances he discovers his own versions of historical artifacts, crafted from objects from his youth--such as baseball cards, G.I. Joe action figures, POGS, and various other toys and items. His discoveries and claims, while false and absurdly comical, are based on real research. This exhibit highlights some of his most significant recent discoveries. Joshua Goode: Born in Fort Worth, Texas in 1981, Joshua Goode is researching and developing mythic historical misinterpretations and manipulations in an effort to expose the malleability of our past, present and future. His alternate history and mythology preserve memories of childhood ranch life in Texas by reimagining objects and imagery from his youth as iconic ancient artifacts. Having studied history and worked as an archaeologist on many actual excavations, he conducts staged excavations around the world, working with the community as a performance. The constructed artifacts of his invented civilization mix fact and fiction to appropriate and distort the history and myths of each region he engages. His ‘artifacts’ have been exhibited in solo exhibitions in international venues such as the Razliv Museum, St. Petersburg, (Russia); Capellades Museum, Barcelona, (Spain); Zendai Museum of Modern Art, Shanghai, (China); Darb 1718 in Cairo, (Egypt); LaSala Gallery, Zaragoza, (Spain); Galerija Miroslav...

Lost wax bronze 3/8. founder Paumelle. French artist, born in 1954 in Versailles. Lives and works in Paris but also in Lozère (in the south of France) where, as soon as she can, she ...

Jaguar Bronze Sculpture Polished Wild Animal In Stock Chris Tap (1973, Amsterdam, the Netherlands) attended university where he studied economy and cul...

Motherhood by Baltasar LOBO (1910-1993) A bronze group with a nuanced greenish dark brown patina Signed " Lobo " Cast by " Susse Fondeur Paris " (with the foundry mark) Artist's cas...

Supreme Skateboard Decks, 2019 (set of 2 works): A standout Supreme skateboard deck set featuring the Supreme logo and a printed World Famous logo on front. Strong vibrant colors and classic imagery that combines for unique pop wall art that hangs with ease. Medium: Silkscreen on Maple Wood. 2019. Dimensions: 31.5 x 8 in. (applies to each individual work). Printed Supreme logo on front & reverse (applies to each). New in original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. Related Categories Damien Hirst. Andy Warhol. Supreme. 1980s Pop Art. Street Art. Skate Art.

Frank Meisler Israeli Judaica Rabbi Klezmer Violinist Sculpture. In good condition measures 14x6

GROTESQUE MASK Italy, 15h Century stone 30 x 31 x 20 cm 11 3/4 x 12 1/4 x 7 3/4 in

Provenance Acquired by the gallery directly from the artist Description Slatoff’s sculpture is a biblical reference to the central figure in the book of Nehemiah, which describes a ...

Standing Chief (Shield) by Yoram Wolberger, 2016 Additional information: Medium: Reinforced cast fiberglass composite and pigmented resin Dimensions: 84 × 65 × 29 in (213.4 × 165.1...

Floor to ceiling installation: install dimensions variable. Sarah Knouse is a sculptor, designer, and arts educator. She holds an MFA from City University of New York Hunter College...

Hans Harders (1875 Mörel - 1955 Berlin), Goethe (bookend). Patinated brass mounted on a wooden base, 15 x 12 x 6 cm (depiction), 17 x 14.5 x 7 cm (with ba...

Check It Out by Jane DeDecker 48x22x15" ed/31 Figurative Bronze with Sandstone base A child steadies a stack of books on their head, ABOUT THE ARTIST: 'Part of Jane's artistic geniu...

The legendary Greek god Perseus is the subject of this elegant half-bust by Ubaldo Gandolfi, a major painter and sculptor from Bologna. The son of Zeus and Danaë, Perseus was the le...

Trojan Kouros Bronze Sculpture Torso Male Nude Figure Classic For years Joris August Verdonkschot decicated himself to filming. He studied Law ...

Adonis Bronze Sculpture Man Standing Contemporary Figurative KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Jul...

Jean BULIO (1827-1911), "Venus and Love," bronze medal patina group signed on base. Susse Frères foundry mark engraved on the back. Otttimo state of preservation. Measurements :...

"Benji - Dance of Sorrow" is a bronze sculpture of a dancing man. The bronze is covered with green patina. It is created by the artist Maestro Willem Botha. About the artwork Edition : 7 of 14 in total Certificate of authenticity: issued by Snow Pearl art gallery NEW MOVEMENT & STYLE: Contemporary Maestro Willem Botha The masterpiece is suitable for representative offices, gardens, parks, homes etc. “The impressions of this artwork on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his sculptures bring positive energy, emotion, represented by the vast creative power of the author's talent.” Maestro Willem Botha was born in South Africa in 1962. Today he lives in Bulgaria and works in a creative workshop in Sofia. Willem started his career as Sculptor at Shows and Exhibitions in the South African Defense Force in 1981. He was mentored by Artists like Andre Prinsloo and Jan van Der Merwe. In 1986, he moved to Namibia where he was a Sculptor for the Windhoek State Museum. During the time in Windhoek, he had several one man and group expeditions in various galleries in Windhoek and Swakopmund. In 1988 he was commissioned to remake the Atlas Sculpture on the House Hohenzollern Building in Swakopmund. In 1990, he moved to Town where he sculpted full time. Willem did some freelance work for Jean Doyle, helping with the bronze casting of her work. During his time in Cape Town, he exhibited in several galleries in and around Cape Town. In 1991, he moved to Graskop, where he continued full time sculpting and he opened his own foundry. He moved back to Pretoria in 1992, to continue sculpting and established Art Cast Foundry. In the same year he was commissioned to do several decorative works for the Palace of Sun City, that includes, all the doors bronze handles. Sculptors that he did castings for are to name but a few, the late Bobby Lawrence, Niko van Rensberg, Maureen Quinn, Anton Smit, Andre Prinsloo, Barry Jackson...