Abstract Geometric Art

Encaustic, red earth, piñon resin, carving and 21k moon gold leaf on wood panel

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #605, 2024. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

About the work A child of another South, Diadji "gives body" to this word , Fraternity and enriches the lexicon of plastic expressions known in Morocco with characters, inhabited by...

About the work A child of another South, Diadji "gives body" to this word , Fraternity and enriches the lexicon of plastic expressions known in Morocco with characters, inhabited by...

About the work A child of another South, Diadji "gives body" to this word , Fraternity and enriches the lexicon of plastic expressions known in Morocco with characters, inhabited by...

Apollonius. Determining Geometrical Porisms of Euclid. 2023

Signed and numbered art print by Julio Le Parc including all the "ALCHIMIES" drawn for its artists book "Petite bifurcation de celui qui n'est pas" published by Editions Sylvain Cour...

Bold and balanced abstract composition by Russell Green (American, 1910-1986). Completed in Green's characteristic style, this piece has a balanced interplay of shapes and colors. Blocks of black, reds, blues, and greys create a strong background. Over the top, lines of black, red, and white outline and divide the background shapes. Signed "Russell Green" in the lower left corner. Presented in a wood frame with a double mat. Frame size: 23.5"H x 30"W Image size: 14.5"H x 22.5"W Russell Davis Green (American, 1910-1986) painter, printmaker and teacher, was born in Traer, Iowa on December 29, 1910. He studied art at Iowa State College and the School of the Art Institute of Chicago. Green worked in the Illinois and New York Works Progress Administration-Federal Art Projects in the 1930s and two of his woodcuts are listed in the General Services Administration’s book WPA Artwork in Non-Federal Repositories. Green was also a painter and lithographer, and he was included in the Exhibition by Artists of Chicago and Vicinity at the Art Institute of Chicago in 1934. His work was also included in exhibitions at the Philadelphia Art Alliance; Museum of Modern Art and the Grand Central Galleries in New York; and the Iowa Federation of Women's Clubs, 1935. Green began his long teaching career at Stephens College in Columbia, Missouri in 1940 and eventually headed the art department. He is represented in the collections of the Baltimore Museum of Art; Art Institute of Chicago; Metropolitan Museum of Art; Newark Museum; and the St. Louis Art Museum. [After graduating from the Art Institute of Chicago in 1933, he returned to Iowa to begin teaching. In 1935, approximately the time he completed Thanksgiving, he served as a private art teacher in Sioux City. He also had a one-person exhibition of his work at the Sioux City School of Music, Dramatic Art and Dancing, which was located in the Commerce Building. The exhibition included 81 oil paintings, watercolors and prints.] Russell Green 1910 - 1986 A FINE SENSE OF BALANCE — Russell Green started attending college in small town Iowa during an era of unparalleled prosperity in the United States. Yet by the time Green graduated five years later from the Art Institute of Chicago, the Depression had brought the country to its knees economically. In those few years, ending with his Bachelor of Arts, Green had also undergone a personal transformation from a farm boy...

Whimsical and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-20...

David Morris Red Baron Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached ver...

Acrylic paint on galvanized steel plate 120X42 CM, Thickness 3 CM, 2022 Signed on the back

"Echolocation Six" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Six" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

Lauren Steinert Trace #4 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1034 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C...

"Echolocation Five" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Five" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes in original presentation gift box Poignant enameled Holocaust Project Logo pin & pendant based on the logo designed by Judy Chicago for the Holocaust Project: From Darkness into Light More about pioneering artist Judy Chicago Judy Chicago (born Judith Sylvia Cohen; July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno (formerly Fresno State College) which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman...

« Ref 317 » is the title of a sculpture in coloured resin by Dubreuille. Nicolas Dubreuille is a multi-faceted abstract artist who likes to multipl...

Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #10 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 40 x 25 inches

Original San Fermin Pamplona running of the bulls, vintage poster. Archival linen backed in very fine condition ready to frame. Artist: Alonso Astarloa....

One in a series of three small works created in 2021 with acrylic paint and charcoal on 270g archival quality paper. This abstract urban landscape painting was inspired by brutalist ...

James Siena Untitled geometric abstraction, 2006 3-Color etching on paper with deckled edges Edition 8/54 Signed, dated and numbered in graphite pencil on the front Frame included: Elegantly floated and framed in a hand made white wood frame This lovely 2006 Siena etching - known aptly as the Christmas print...

Vasa Mihich is a renowned Los Angeles-based artist known for his sleek, colorful and captivating acrylic sculptures. He is a Senior Professor of Design at the University of Californi...

original painting; acrylic on high quality canvas stretcher, finished off with a glossy varnish. Comes in a white wooden frame and ready to hang. Measurements with frame: 73 x 90 x 3...

Forged by Providence, Rhode Island based Jewelry Artist, Heather Guidero, this pair of earrings feature a half-circle with 4 triangular dangles and are made with ethically-sourced gold. The graphic lines, textures, and patterns of her work are inspired by elements of modernist design, fashion, and urban architecture. Innately wearable, Heather’s collection boldly accentuates your personal style, her considerations of natural movement enabling the jewelry to come alive when worn. About Heather Guidero Having grown up under the open skies of rural Indiana, surrounded by animals and agriculture, Heather Guidero early on discovered a love for drawing everything in sight. A community arts center class led to her surprising fascination with jewelry and two decades later, she is as enamored with the metalsmithing process as ever. It shows in her masterfully handcrafted collection of contemporary fine jewelry. Formally trained at RISD, Heather worked as a goldsmith for renowned jewelry company Reinstein/Ross in New York before returning to Providence, Rhode Island to launch her namesake collection in 2005. Her interest in using line to render drawings three-dimensionally results in unique explorations of volume, movement, and pattern that transform into personal and interactive sculpture on the body. “Settling in at my bench and picking up my favorite antique files is as natural and reflexive as breathing. There's something comforting about the feel of my favorite tools in hand and being able to turn a sheet of metal or length of wire into a piece of jewelry that will be treasured and worn on a regular basis.” The graphic lines, textures, and patterns of her work are inspired by elements of modernist design, fashion, and urban architecture translated into ethically-sourced gold and silver. Select pieces are accented by brilliant diamonds or colorful gemstones. Innately wearable, Heather’s collection boldly accentuates your personal style, her considerations of natural movement enabling the jewelry to come alive when worn. Her work has been featured at prominent museums and galleries across the country including the Museum of Art and Design (NYC), DeNovo (Palo Alto, CA), and Jewelerswerk (Washington DC). She also regularly presents new work at wholesale shows such as the American Craft Council Wholesale Show and the Buyers Market of American Craft. Every piece in Heather’s collection is constructed and finished by hand in her Providence studio. In balance with her studio practice, Heather teaches jewelry classes around Providence, where she helps teens and young adults learn new metalsmithing skills. She counteracts long hours at the jewelry bench...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Subtly colored abstract geometric composition by J. Swidler (20th Century). A grid of 15 squares has been laid out in pencil, each square divided into different sections. Some of the...

Artist: Anne Youkeles, Austrian (1920 - ) Title: Kaleidoscope Year: 1969 Medium: 3-D Silkscreen on plastic, signed, numbered, dated, and titled in pencil Size: 23 x 22 in. (58.42 x ...

Artist: Larry Zox Title: Green Composition I Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 15/100 Image: 12 x 27.5 inches Paper Size: 21 x 36 in. (53.34 x 91....

The Antiquarian, 2020 collage on paper 15 3/4 H x 11 13/16 W in 40 H x 30 W cm The artist’s collages describe a series of faces composed of different materials – cardboards, textile...

Unique concrete sculpture work - Artist Proof The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, these miniature piece...

A silkscreen print by Ilya Bolotowsky circa 1970. A retro modern piece with an abstract geometric design. Artist: Ilya Bolotowsky, Russian/American (1907 - 1981) Title: Series 6 Yea...

Paper Size: 24 x 19.25 inches ( 60.96 x 48.895 cm ) Image Size: 24 x 19.25 inches ( 60.96 x 48.895 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

Dallas artist David A. Dreyer’s eighth solo exhibition at Valley House Gallery was presented early in 2021, accompanied by an exhibition catalogue. His recent paintings are inspired ...

Original Stephanie Henderson acrylic on Belgium linen.

Kim Seungwoo is a contemporary Korean sculptor, lives in Seoul, South Korea. Seungwoo is famous for his sculptures made from coins and buttons. He create...

Konrad Klapheck - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Konrad Klapheck (born...

Bright and colorful abstract geometric watercolor with multicolor connected forms cascading in a dynamic vertical composition by Ellwood Graham (American, 1911-2007). Signed "GRAHAM" in the upper right corner, and "Ellwood Graham" on verso. Circa 1961-1966. The title "Indian Dance...

Screenprint in colours, 2014, signed, edition of 50, 54 x 42 cm. (21¼ x 16½ in.) Keith Coventry was born in Burnley in 1958 and lives and works in London. He attended Brighton Polytechnic 1978– 81 and Chelsea School of Art London 1981– 82. He was featured in the seminal exhibition Sensation at the Royal Academy of Arts, London, in 1997 and in 2006, he received a mid-career retrospective at Glasgow's Tramway (Art Centre). He was also a co-founder and curator of City Racing, an influential not-for-profit gallery in Kennington, South London from 1988-98. His work has been exhibited widely in the UK and Europe and is included in collections worldwide, including the British Council; Tate Modern; Arts Council of England; Walker Art Center, Minneapolis;, and The Museum of Modern Art, New York. In 2010 Coventry was awarded the John Moores Painting...

Peter Lodato offers new oils on canvas, whose layers of paint and scumbled surfaces resonate like tuning forks to the soul.

This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...

John Norment (American, 1911-1988), "Trio" Edition 221/250, Abstract Serigraph Screen Print signed and numbered in pencil, 19.50 x 24, Late 20th Century Colors: Black, Brown, Red, W...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Condition: Good Condition Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1...

Interesting colored etching, 1971, representing an abstract composition. Edition of 50 prints. Print run, Title and signature hand-written with pencil on lower margin. In excellent...

Soft yellow abstract shapes with curves and lines, 'Still Life' from Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Still Life' — 3 x 4 feet (36 x 48 inches), — is from a series of paintings that characterize sacred spaces such as Mexican chapels...

Artist: Max Epstein Title: Untitled - Abstract with Checkers Year: 1974 Medium: Acrylic on Canvas, Signed Lower Right Size: 48 x 48 in. (121.92 x 121.92 cm) Frame Size: 49 x 49 inc...

Signed, titled, dated, and numbered (1/1) in pencil, verso Pigment print on rag paper 30 x 24 inches, sheet This artwork is offered by ClampArt in New York City.

Jean Bazaine (after) - Lithograph 1958 Dimensions: 32 x 24 cm Signed in the plate From the art revue XXe siecle Unumbered as issued

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Framed Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1976 Alexander Cald...

Image dimensions: 5 x 6.5 cm. Grey Grammature is contemporary artwork realized by Elio Marchegiani and published in 1973 by La Nuova Foglio. Colored etching. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left by the artist. Edition of 68/100. In good conditions. This contemporary print belongs to the series Grammature di colore realized by the artist during the 1970s. The artwork is composed of a white square shape inside which there is a small gray triangle at the bottom left. The "Grammature di colore" is an abstract geometric synthesis of the Italian fresco, which remains a constant research reference. A "Grammatura di colore" is currently on display in the Italian Contemporary Art Collection at the Farnesina (Ministry of Foreign Affairs, Rome); two Grammature of color (on plaster and on blackboard) are exhibited at the GNAM in Rome, in the hall of the '900, and again at the' Museo del 900 'and at the' Cantiere del '900' Gallerie d'Italia in Milan. Elio Marchegiani (Siracusa, 1929) He began to paint by himself, but it was the meeting with Mario Nigro, the knowledge and friendship with Gianni Bertini...

Bill Jacobson Place (Series) #387, 2010 Pigment print mounted to museum board 37 3/4 x 31 3/4 inches Ed. 7

Artist: Hugo Dietz, Swiss (1930 - 1973) Title: Diamond Composition Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition: 25/50 Size: 22 x 22 inches Frame: 31.5 x 31.5...

Joan Scheibel works in layers, working from light to dark. She is often asked about her process which she feels is more than just a process but is a way of life. She sees people and ...

Grammature Di Colore is an original print realized by Elio Marchegiani in the 1970s. Colored etching. Good conditions, except for a fold on the lower right corner. Hand-signed in p...

An early painting by Omar Rayo from 1955. An abstract geometric work with multi-colored shapes on a surrealist horizon. Artist: Omar Rayo, Colombian (1928 - ) Title: Mountains Year:...

Artist: Enrique Carbajal Sebastian, Mexican (1947 - ) Title: Deconstructed Cube Year: circa 1974 Medium: Serigraph, signed and numbered in p...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper S...