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Alexander CalderAlexander Calder - Original Lithograph - from "Derrière le miroir"1976
1976
$1,443.07
£1,050.40
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Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror
1976
Framed
Dimensions: 38 x 56 cm
Source: Derrière le miroir (DLM), n°141, 1976
Alexander Calder (1898 - 1976)
The American artist Alexander Calder was born in Philadelphia in 1898. He studies engineering from 1915 to 1919 at the Stevens Institute of Technology in Hoboken, New Jersey. He takes drawing courses with Clinton Balmer in New York in 1922, and studies at the Art Students League from 1923-25. Calder works for the magazine "National Police Gazette" as of 1924. For two weeks in 1925, he attends the daily show of a travelling circus in New York.
In 1926 Alexander Calder moves to Paris where he studies at the Académie de la Grande Chaumière. This is where he makes first small figure of wire, wood and cloth. In spring of 1927 he sets up a complete miniature circus with these figures, and performs shows that are visited by many Parisian artists. His miniature wire figures are on exhibition in the New Yorker Weyhe Gallery in 1928. His first one-man show takes place at the Paris Galerie Billiet-Pierre Vorms in 1929.
In 1930 Alexander Calder joins the artists group "Abstraction-Création". He increasingly deals with abstractions. A visit to the Paris observatory is a major inspiration for his first mobile and abstract wire sculptures, for which Marcel Duchamp comes up with the term "Mobile".
Alexander Calder presents these "Mobiles" in the Galerie Vignon in Paris in 1932 for the first time. In these "Mobiles" Calder has found his very own and most appropriate form of art. The perfectly balanced constructions, moved by a touch of air, are made of metal elements, wires, threads and sticks, they become more complex and abstract over the years, however, their impression is always one of great poetry and playful airiness. In the beginning he also makes constructions that are moved by a small motor, but Calder does not pursue this type of "Mobile". As counterparts to the "Mobiles", Alexander Calder also makes immobile, tectonically heavy, partly monumental constructions of sheet metal, for which Jean Arp invents the term "Stabile".
In 1933 Alexander Calder buys a farm house in Roxbury (Connecticut) and return to the USA with his wife Louisa James. In 1934 he creates the first open air mobile that he calls "Steel Fish" which is 3,5 meters tall. Besides sculptures, his oeuvre also comprises graphic art and gouaches. Additionally, he makes jewelry, stage designs and book illustrations.
Alexander Calder dies in New York in 1976. His grave is in Roxbury.
- Creator:Alexander Calder (1898 - 1976, American)
- Creation Year:1976
- Dimensions:Height: 14.97 in (38 cm)Width: 22.05 in (56 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16122812843
Alexander Calder
The American sculptor Alexander Calder is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling.
Because Calder's parents, both artists themselves, did not want him to suffer the hardships of trying to make a living in art, they encouraged the young Calder to study mechanical engineering at the Stevens Institute of Technology, in Hoboken, New Jersey. He worked a number of jobs, including as a hydraulic engineer and draftsman for the New York Edison Company, before deciding to pursue an artistic career. He never abandoned his engineering background, however, applying his understanding of gears and moving parts in all his artworks, from mechanical toys like the Cirque Calder (1931) and his revered prints to his free-standing abstract sculptures, called stabiles.
In 1926, Calder moved to Paris and established a studio in the Montparnasse quarter. He began creating the many parts of his famous miniature circus from found materials, such as wire, string, cloth, rubber and cork. Designed to be transportable, Cirque grew to fill five suitcases over the years. Always interested in putting forms in motion, Calder also pioneered a new art form called wire sculptures, which he described as “drawings in space.” Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles.
In the 1950s, Calder returned to his roots in mechanical engineering, creating monumental abstract sculptures that verged on the architectural. He worked from loose gestural drawings like this preparatory sketch for his Man Stabile, from 1966. Throughout his career, he also worked as a set designer for the theater, as well as an illustrator and printmaker, producing vibrant, whimsical drawings for books and journals.
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View AllAlexander Calder - Original Lithograph - from "Derrière le miroir"
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror
1976
Condition: Good Condition
Dimensions: 38 x 56 cm
Source: Derrière le miroir (DLM), n°141, 1...
Category
1970s Abstract Geometric Abstract Prints
Materials
Lithograph
Alexander Calder - Original Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Behind the Mirror
1 Original lithograph created in 1976
Framed
Dimensions: 38 x 56 cm
Source: Derrière le m...
Category
1970s Modern Portrait Prints
Materials
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Alexander Calder - Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Lithograph - Behind the Mirror
1 lithograph created in 1976
Source: Derrière le miroir (DLM), n°221, 1976
Dimensions: 38 x 28 cm
...
Category
1970s Modern Portrait Prints
Materials
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Alexander Calder - Original Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Behind the Mirror
1 Original lithograph created in 1976
Framed
Dimensions: 38 x 28 cm
Source: Derrière le miroir (DLM), n°221, 1976
Alexand...
Category
1970s Modern Portrait Prints
Materials
Lithograph
Alexander Calder - Original Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Behind the Mirror
1 Original lithograph created in 1976
Dimensions: 38 x 28 cm
Source: Derrière le miroir (...
Category
1970s Modern Portrait Prints
Materials
Lithograph
Alexander Calder - Original Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Behind the Mirror
1 Original lithograph created in 1976
Framed
Dimensions: 38 x 28 cm
Source: Derrière le miroir (DLM), n°221, 1976
Alexand...
Category
1970s Modern Portrait Prints
Materials
Lithograph
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Derrière le miroir:
In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253).
Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions.
Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies.
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Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York.
Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931.
His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry.
The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories Calder prints. Mid Century Modern. 1970s. Miro. Chagall. Calder lithograph. Figurative art. Alexander Calder Derrière...
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