Academic Art

Original poster: Food and the War! American wheat to win! Rare and very seldom seen original World War 1 authentic vintage poster. Archi...

Unknown/Unidentified Artist, "Untitled: Women In Bath", Signed Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 14 x 17, Late 20th Century, 1967 Colors: Black,...

Jan De Ruth (American/ Czech, 1922-1991), " After the Bath" Edition 19/250, Figurative Lithograph on Paper signed and titled in Pencil, 30 x 21 (Image: 25 x 15.50), ca. 1970s, Late 20th Century Colors: Blue, Yellow, Red, Grey, White, Purple Jan De Ruth enjoyed special popularity as a portrait artist and has become one of the best known painters of the nude female in the world today. It's a long way from sketching in leftover coffee to painting a portrait of Ethel Kennedy for the cover of Time Magazine, twenty-five years in fact; and during that period, Jan De Ruth's personal experiences have been enough to fill two ordinary lifetimes. Through them all, art has sustained him and been his primary interest. To begin with, De Ruth, a native of Czechoslovakia and now an American citizen, spent the years of World War II being shunted through 5 different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor-"I became a perfect thief during those years," he says. Jan drew a mother and child on a scrap of paper he scrounged from the factory where he worked, filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups; as a fashion designer, illustrator, vacuum cleaner salesman, theatre manager, and actor. In '55 Jan De Ruth made his professional debut as a full-time artist and two years later his first one-man show established him as a serious painter. His work has been acclaimed for combining the technique of the old masters with a modern manner, and has been exhibited in more than 40 one-man shows in galleries and museums across the United States. He has been judged positively by juries in 28 national exhibitions and his numerous awards include the Purchase Prize of the Butler Institute of American Art, and the Gold Medal of the National Arts Club. De Ruth, author of the books "Portrait Painting" and "Painting the Nude," has devoted his entire life to painting the female face and form. He enjoys special popularity as a portraitist and has become one of the best known painters of the nude female in the world today. Often asked why he concentrates on this most demanding of all art subjects he replies: . . . "Each painting of the nude becomes a new experience . . . It (the human figure) is nature's most perfect and most imperfect creation, communicating, even in silence and immobility, the physical and spiritual power-and frailty-of humanity." Articulate, sophisticated, outspoken and well informed, De Ruth has also been a welcome guest on radio and television shows. But, it is painting that gives a purpose to Jan De Ruth's existence: "It is an unending challenge-there is no end, no final result-to be found in painting the human body. I have never seen two gestures that are alike, but so are the possibilities of expression. There will always be painters who will find one more way of saying: "See! This is what I feel about humans." . . . So until a greater challenge and a more profound symbol comes along, it is the human figure I wish to paint." AWARDS Butler Institute of American Art Purchase Prize Oguniquit Art Center Knickerbocker Artist 1964 Audubon Artist, Grumbacher Purchase Prize National Arts Club of America Gold Medal Windsor-Newton Award of the National Arts Club ONE MAN MUSEUM EXHIBITIONS B'nai B'rith Museum - Washington D.C. Florida Gulf Coast Art...

Magazine Story Illustration most likely for Cosmopolitan or Woman's Home Companion. Caption: "'I will not heed these old ones,' said the maid. 'Let us flee together somewhere and ...

FOURNIER Victor Alfred (1872-1924) "Paris, Porte Saint Denis" Oil on canvas signed lower right and dated 1924 Old frame gilded with leaf (fine gold) Canvas size: 40 X 30 cm Frame size: 58 X 48 cm FOURNIER Victor Alfred (1872-1924) French 20th century Born in Paris in 1872. Died in Paris in 1924 Painter of landscapes, seascapes, beach scenes, urban landscapes. Victor Fournier...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed drawing: 11.75 x 14.5...

Ferdinand SCHEBEK (1875 - 1949) Oil on canvas signed low left - Tigers of Bengal - Old coppery frame - Dim canvas : 60 X 81 cm - Dim Frame : 95 X ...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Untitled - Horse and Woman Medium: Silkscreen, signed in pencil Edition: EA Size: 30 x 22 in. (76.2 x...

George Weissbort (Belgian / British, 1928 – 2013) A glass of wine in a classical study Signed ‘G Weissbort 62’ (lower right) Oil on board 13 x 21 in. (33 x 53.4 cm.) George Weissbort painted in a figurative classical style going against the grain of the modern abstract living and painting in the Wye...

Aquarelle sur papier, signée et datée 1937. Dimensions avec le cadre: 51x68 cm. Odilon Roche est né le 3 octobre 1868 à Châteauneuf-sur-Loire. Mort le 27 août 1947 à Six-Fours (Var...

Sam Barclay (British, 20th Century) Sailing vessels in a harbour, possibly Greece Watercolour Signed and dated ‘SAM BARCLAY.1.50’ (lower right) 14.1/2...

Roger Delapierre was born in Geneva in 1935. ... Roger Delapierre's painting has reached full maturity and the success of his exhibitions has proven i...

Kono Bairei (1844 – 1895) One Hundred Flowering Plants. Japan, 1901. (Posthumous.) Woodblock Print. 15 x 11.unframed. Okura Magobei, Publisher. The enthusiasm for nature prints transcends the centuries. “One Hundred Flowering Plants” is a mid-nineteenth century work illustrating varieties of flowers and plants in naturalistic styles. Traditional woodblock printing enhances the beauty of each work. The artist must carve different woodblocks for every color he wishes to transfer to paper. In this style of printing it is imperative that the register of each woodblock be exact as they must match perfectly to create an image without blurring. In addition to his illustrated flower books...

This is an almost lifesize portrait of a charming blond holding a basket of freshly picked flowers. The girl set against a verdant landscape with blue sky and cumulus clouds. The subject is the friend of the artist's daughter. 78 x 42in. framed. This joyful image of youth looks better in person due to its impressive size and clearly will be a statement piece in any home. Francis Luis Mora ( ( Uruguayan / American, 1874-1940) Studied under Edmund Charles Tarbell...

After Giovanni Antonio Canaletto Venice: View of the Grand Canal Héliogravure after the original etching (Atelier Jacomet) Printed signature in the plate On paper Vergé de Hollande,...

Wonderful still life oil painting by Franz Krischke from the 1950s. Painting depicts a clock, teapot, teacup, and open book arranged on a tabletop. Framed in a heavy, rustic frame. S...

Original watercolor with graphite tracings of interior crowded pub scene by the British artist, George Anderson Short. Signed top left and dated ...

Original watercolor with graphite tracings of interior crowded pub scene by the British artist, George Anderson Short. Signed bottom left. Circa...

Auguste Rodin French, 1840-1917 "Main Droite Feminine, doigts semi replies, annulaire leve" Feminine Right Hand, semi-folded fingers, raised ring finger Conceived circa 1890-1900; cast circa 1930-1940 Signed "A Rodin" on the right side of the wrist and with the foundry mark "Alexis Rudier...

Maurice DENIS (1870 - 1943) Portrait of a Model, Study for the Bacchanale, 1918 Original lithograph enhanced in pastel On light cream tinted vellum 35 x 26 cm (c. 13,7 x 10,2 inch) ...

DELAHOGUE Eugène Jules (1867-c1930) " Landscape of the Valley" Oil on canvas signed low right Frame gilded with leaves Dim canvas : 91 X 150 cm Dim frame : 110 X 172 cm DELAHOGUE Eu...

Charming oil on hardboard panel from mid 1950's, representing a bouquet of roses in a vase.The painting is signed on the lower left by Irene Kestova a russian listed artist who lived in France the main part of her life. The painting is in very good condition, it comes with a recent gilted wooden frame. Dimensions: With frame: 39 cm x 35cm - 15.35 in. x 13.78 in. Painting without frame : 24 cm x 19 cm - 9.45 in. X 7.48 in. Bio: Irène klestova Irene Klestova was born on March 13, 1907 in Saratov in Russia. She continues her studies in a private school of F. I. Rerberg in Moscow. In 1925, she emigrated to Western Europe. In 1925-1926, she attended the courses of the Academy of Fine Arts in Rome. In Venice, Irene Klestova meets the painter Lev Tchistovsky...

Initialed lower left, 'C.H.' for Charles Constantine Hoffbauer (French, 1875-1957) and painted circa 1900. Accompanied by the original artist-signed mat, original backing with inscription and newspaper clipping from Los Angeles Times' review of Hoffbauer's 1949 Legion of Honor Exhibition. Mat dimensions: 12.75 x 13.5 Inches An exceptionally fine and detailed, cabinet-sized gouache showing members of the Napoleonic guard relaxing in the courtyard of the Cathedral of Uspensky Sobor during France's brief occupation of Moscow during the fall of 1812. Born in Paris in 1875, Charles Hoffbauer studied at the Ecole des Beaux-Arts under Fernand Cormon and Gustave Moreau and, during his studies, became acquainted with Matisse, Rouault, and Marquet. He was the recipient of numerous prizes, medals and juried awards including an Honorable Mention in the Salon of 1896, and prizes at the Salons of 1898 and 1899. He was awarded a bronze medal at the Paris Universal Exposition of 1900 and, in the same year, a French government scholarship, the Prix National du Salon, that allowed him to travel and study in Italy, Greece and Egypt. In 1902, he won the Prix Rosa Bonheur. At the Salon of 1904, the French government purchased 'Champs de Bataille' for the Musée du Luxembourg and Hoffbauer was elected a member of the Legion of Honor. Hoffbauer served in the French Army as an official war artist during the first world war, winning the Croix de Guerre and acting as liaison officer to the American camouflage section. On the recommendation of the mural painter, James Wall Finn, Hoffbauer received the 1935 commission to paint the murals for Battle Abbey, the Confederate memorial in Richmond, Virginia. He revisited America to accept a commission for the mural in the Missouri State Capitol, and was appointed to membership of the jury of the 1937 International Exposition. Two years later, he became an American citizen and settled in Rockport, Massachusetts. Charles Hoffbauer's work may be found in the permanent collections of numerous national museums including the Museum of Modern Art in Paris. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, p. 1585; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 17/18, p. 246; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 7, p. 105; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. 1, p. 643; Steen, James T. "The Story of a Painting," Carnegie Magazine 31/32 (February 1957): 57-59; Charles Hoffbauer (1875-1957). Drawings, Temperas & Oil Paintings. Exh. cat. Somerville, MA: Gropper Art Gallery, 1977; Glueck, Grace. New York: The Painted City. Salt Lake City: Peregrine Smith Books...

Attributed to Felix Ziem and painted circa 1900. Bearing signature, lower right, 'F. Ziem' for Felix Francois Georges Philibert Ziem (1821-1911) Framed dimensions: 13.75 x 18 x .75 ...

Bronze fountain sculpture of Cupid hold a fish. This beautiful bronze sculpture features intricate details and has a nice natural patina.

Sculpture Terracotta From Marcel Bouraine (1886-1948)" Original terra cotta sculpture of Marcel Bouraine Naïade of the 1930's Signed Bouraine On the ...

Elsa Carlander (British, circa 1930) An autumn gust Watercolour and pencil on paper Signed and inscribed ‘Best wishes from Elsa Carlander’ (lower right) 6.5/8 x 5.7/8 in. (16.8 x 15 ...

Very beautiful French school painting of the early 20th century representing a floral arrangement of roses and lilies in a vase. A beautiful work réalised with delicacy and a choice...

In original gold leaf pierced frame Signed and dated lower right 1902 Sight size 7.5 x 9.5 in

William Holt Yates Titcomb (British, 1858 – 1930) Gulls at St. Ives bay Oil on canvas Signed ‘W. H. Y. TITCOMB’ (lower right) 34 x 44 in. (86.3 x 111.8 cm.) Frame measurements: 110.3 x 136 cm.) William Holt Yates Titcomb (1858 - 1930) was an English artist. He was a figurative oil painter, particularly known for his depictions of the Cornish fisherfolk. Titcomb was born in Cambridge, the eighth child and first son of the Rev. Jonathan Holt Titcomb and his wife Sarah. He was educated at Westminster School in London and began his art training at the South Kensington School. His father was appointed the first Bishop of Rangoon, Burma in 1877 and Titcomb joined him there in December 1880. In Burma he made a series of paintings and sketches of life in the local monasteries. Titcomb was taught in Paris by Gustave Boulanger and at the Royal College of Art in Antwerp by Charles Verlat. He married Jessie Ada Morison, in 1892. She was also an artist, living at the time in St. Ives, Cornwall. His painting Primitive Methodists at Prayer, was displayed at the Dudley Museum and Art Gallery in 1889. It won many international medals and was the first of three paintings that Titcomb completed of the Primitive Methodist congregation of Fore street, St. Ives. In 1909, Titcomb settled in Bristol, where he was already an elected Academician of the Bristol Academy...

"Le Petit Cirque Prinder" is an original etching by Auguste Brouet. This piece depicts a variety of circus performers surrounded by small children. The artist signed the piece in the...

Finely carved mythological subject in Vicenza limestone of Apollo and Minerva Excellent condition from an estate of Veneto. Measurements: Statues cm 150, base cm 85.

Georges CONRAD (1874-1936) Elegant Woman Seen in Cafe de la Paix (Paris) Original pencil and color pencils drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x ...

Four Term Figure sculptures with classically draped figures and their distinguishing symbols in carved Vicenza stone. Autumn, winter, spring and summer. Measures: Height with squar...

ROSENSTOCK Isidor (1880-1956) Still Life of Flowers with China Porcelain Vase Watercolor on card signed low right Old original frame gilded with leaves and Glass Dim card : 38 X 58 c...

Finely carved mythological subject in limestone with Cornucopia associated with the harvest, prosperity, or spiritual abundance. Excellent condition from an estate of Veneto. Measur...

Klimko USA, c1938 Watercolor over pencil. Fashion has influenced men and women, kings and queen, rich and poor throughout time. Tumultuous as any history, the beginning of the...

Paul Jones. (1921-1997) Flora Magnifica. London, 1976. Edition of 506. Lithographs. The portraits of flowers by Paul Jones are quite impressive with dramatic backgrounds and ...

Unknown/Unidentified Artist, "Untitled: Solo Seated Nude Twist", Signed Figurative/ Nude Watercolor Painting on Paper, 18 x 14, Late 20th Century Colors: Black, Brown, Orange, Yellow, Turquoise, Green, Purple, Red *Unidentified/ Unknown Artist signature...

When the Wood Grows Dry "Good House Keeping Magazine" illustration How friendship and love were depicted in post-war America. There was a sense of innoc...

Artist: Paul Edouard Delabrierre (French, 1829-1912) Title: Vogel Year: Circa 1900 Medium: Cast bronze sculpture, with dark brown patina Edition: Unknown Size: 12.3 x 9 x 9.25 inches Signature: Signed on the deck Condition: Excellent About the artist: Paul-Édouard Delabrièrre (29 March 1829 – 1912) was a French animalier sculptor who worked in the mid-to-late 19th century and the early 20th century. He had 70 of his sculptures juried into the prestigious Salon art exhibition held annually in Paris. His monumental work called L'Equitation adorns the facade of the Louvre museum. Delabrièrre was an important member of the animalier school who exhibited at the Salon from 1848 through 1882. His first two exhibits were typical of the style of his work throughout his career. He submitted Greyhound Holding a Hare and Wounded Deer. Most of his oeuvre were comparatively small models, however his larger pieces often incorporated figures. His work varies in style and quality with some models directly influenced by Antoine-Louis Barye who was the father of the animalier school. Delabrièrre's more popular realist bronzes were of impeccable quality and place him in the top echelon of his school. The facade of the Louvre incorporates one of his largest groups, the monumental L 'Equitation, which depicts a horse and two putti, one of whom is aboard the horse. It was completed by Delabrièrre in 1857 and installed that same year. In the final two years of his exhibiting career Delabrièrre experimented with iron as a worthy material for the Salon, although that idea did not go over well with collectors who were accustomed to bronzes. The works that were done in cast iron were produced by the art foundry Durenne Val Osne under the direction of Pierre Louis Rouillard. A list of Delabrièrre's 70 works presented at the Salon can be found in the Dictionnaire des Sculpteurs by Stanislas Lami. Versatility was one of Delabrièrre's strengths. The range of animals he sculpted covers nearly every large mammal to be found in continental Europe. He also did a few lion and panther sculptures during his career, as well as some camel and bird pieces, but his favorite subjects seemed to be dogs and big cats. He exhibited his Javanese panther in plaster at the 1857 Salon as well as Tigre du Bengale at the 1865 Salon. His repertoire also included some pieces executed in the orientalist genre. Delabrièrre used both the sand casting method and the lost wax method to create his sculptures. As early as December 1869 his sculptures had begun to be imported to the United States by the Philadelphia jewelry...

REISHIN GACHO (Album of Beautiful Designs) Japanese Kimono Designs Matsui Yuoku, Painter Japan, 1900 (Meiji 33) Honda Ichijirou, Publisher Woodblock Prin...

In original gold leaf pierced frame Signed and dated lower left 1902 Sight size 6 x 8 in

A.POURFILET (19th-20th Century) Still life with Peaches and Grapes Oil on card signed low left Old frame gilded with leaves Dim card : 33 X 41 cm Dim frame : 50 X 58 cm

FLOWERS FROM SHAKESPEARE’S GARDEN: A Posy from the Plays Walter Crane (1845 – 1915), Illustrator Cassell & Co., Publisher Lithography London, 1909 Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work. As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...

Diana Thorne’s Dogs: An Album of Drawings. Diana Thorne. Julian Messner, Inc. New York, 1944. 24 Drawings in Lithography. “In drawing them,” she writes, “I have tried to ma...

Georges CONRAD (1874-1936) Study of female nude and a couple Original pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, paper...

Yosha Zuko Fuzu Meiji 33 (1900) Woodblock with Original Hand-Coloring Writer: Kosugi Onson, Imaizumi Teisuke Publisher: Yoshikawa Hanshichi The Japanese litters and palanquins...

gouache with pen and ink signed "Seymour Thomas" at lower right

Unknown/Unidentified Artist, "Untitled: Left Side Seated Nude", Unsigned Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 18 x 14, Late...

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

Signed lower right, 'P. G. Pallmann' for Peter Götz Pallmann (German, 1908-1966). Displayed in a hand-rubbed, water-gilded, swept frame. Framed D...

Photographed in 1987 in John Rylands Library, Manchester and was part of Richard Heeps iconic series 'Ordinary Places', which was his first colour collection. The exhibition was show...

Adolphe LA LYRE 1850-1935 French "La danse des Sirènes" Oil on canvas Signed and dated lower left Painted in 1909 Canvas: 59" high x 78 3/4" wide Frame: 64"high x 84 5/8" wide ...

Georges CONRAD (1874-1936) French Woman with a Officer Original India ink and pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good co...

Classical style allegorical painting with puti and monarchy type figures floating within the clouds. The canvas is framed in a decorative gold frame. Dimensions Without Frame: H 43.5...

Here for your consideration is a beautiful watercolor still life on heavy paper by the German artist, E. Riehle. Signed and dated lower right, 1903. In good condition with it's orig...