Contemporary Art

WOLF KAHN Untitled barn in wooded landscape ca. 1980 Pastel on Paper painting Hand signed on the front Provenance: from the legendary Allan Stone Collection Frame included: held in t...

Archival Pigment Print Early photo from South Street NYC 1982 All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"-...

Archival Pigment Print Early morning view of Fish Market All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edit...

Archival Pigment Print Early photo from South Street NYC 1982 All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"-...

Archival Pigment Print Seaport Area, Downtown NYC early 80's All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- ...

Archival Pigment Print Montage of church and factory All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition ...

Archival Pigment Print Early montage All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist ...

Archival Pigment Print Dalat Vietnam All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5 + 2 Artist ...

Insect I is a  contemporary artwork realized by the artist Fifo Stricker in 1981. Mixed colored aquatint and etching. Hand signed and dated by the artist on the lower right margin....

Signed and inscribed large poster by David Hockney 1982. In very good condition. Unframed, will be rolled for shipment.

Archival Pigment Print one of best early montages; Florence Italy All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X ...

Vintage Poster Moscow 1980, sponsored by Coca Cola. Offset print. 58 x 43 cm ; no frame 50 x 35 cm. Good conditions

Archival Pigment Print Alonso Family home in El Vedado, Havana All available sizes & editions for each size of this photograph: 27" X 69"- Edition of 5 + 2 Artist Proofs 36" X 92"-...

Classic montage from mid-80s. Title from James Joyce All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition o...

Original Italian poster: Fodere Bemberg. Occhio alla fodera!. Original Rene Gruau Italian fashion design. Size: 39" x 55". Original poster; r...

Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper Medium: Resist Ground Etching & Engraving Edition of 125 Year: 1982 One o...

MARC CHAGALL (1887-1985) "Fiançailles au Cirque" lithograph in colours, 1983, on wove paper. Signed in pencil, Numbered 18/50 in pencil Image 455 x 350 mm. Sheet 650 x 478 mm. LITERA...

Brauerei is a  contemporary artwork realized by the artist Fifo Stricker in 1985. Mixed colored aquatint and etching. Hand signed by the artist on the lower right margin. Numbered...

Untitled #106 by Jo Ann Callis presents a black bird hovering over a table with a layered strawberry cake. The raven flies over the table setting, with it's wing cutting across the center of the image. The bird appears to gaze downward, perhaps looking at the slice of cake as it's next meal. This vintage c-print measures 24 x 20 inches, and is presented matted with a silver metal frame, measuring 28.38 x 23.38 x 1.13 inches. This photograph is signed and dated in ink on the verso. This photograph was acquired from the Atlantic Richfield Company. Jo Ann Callis was born in Cincinnati, OH and relocated to Los Angeles in 1961. She enrolled at UCLA in 1970 where she began taking classes with Robert...

Stromboli is an artwork realized by Pedro Cano, 1980s.  Pastel and watercolor on paper.  h 72 x 92.5 cm with frame ; Sheet 49 x 70 cm. Hand signed and ti...

FIVE GEISHA WITH FANS is an original hand drawn lithograph printed on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. FIVE GEISHA WITH FANS is a freely expressed Chinese Ink Brush drawing of five robed women standing behind a Shoji screen...

Hangar is a contemporary artwork realized by the artist Fifo Stricker in 1981. Mixed colored aquatint and etching. Hand signed and numbered. Edition 17/25.

MARC CHAGALL (1887-1985) "Monde familier" lithograph in colours, 1983, on wove paper. Signed in pencil, Numbered 23/50 in pencil Image 350 x 270 mm. Sheet 545 x 430 mm. LITERATURE: M...

Emptiness is a Photograph realized by the Italian contemporary artist Marilù Eustachio in the 1980s. In very good conditions. 

China- National Children's Day - Historical Photo  is a black and white vintage photo, realized in 1989. It belongs to historical album including photo reportages of historical momen...

Oil on Canvas, signed on the lower right. Size is framed Very Good Condition Roberta De La Vega (late 20th century) was active/lived in California,...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Katia ‘ who was captured on film in 20...

Hand signed & numbered by the artist. Sheet size: 18.5 x 23 inches. Image size: 14 x 17.5 inches. Edition of 300. Artwork is in excellent condition. Certificate of authenticity in...

Nathalie - Platinum Palladium print over 24 carat Gold leaf on vellum paper Edition 1 of 8 , plus 2 AP ( size 2 ) Print: 2016 Woman in a wet silk bathrobe...

American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.In 1991, Alice Asmar was chosen for prestigious Honorary Membership in the National League of American Pen Women. Only three such honors are given each year. This recognition reaches back to her childhood, Alice Asmar was considered a child prodigy, winning awards and recognition for her artwork before the age of 10. Her education from 1946 through 1959 included a BA magna cum laude, from Lewis and Clark College, Portland; an MFA from the University of Washington, Seattle; and a one-year fellowship to study at L'Ecole Nationale Superieure des Beaux-Arts, Paris, France. Born in Flint, Michigan of Lebanese and Greek descent. Her parents moved to Portland, Oregon when she was just a baby. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists. She Graduated magna cum laude from Lewis and Clark College in Portland and Obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawing for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child. After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. A master of many media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books,American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes. Prints including lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is recognized internationally. Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, Security Pacific International Bank of New York, The Public Art Museum of Gabrova, Bulgaria, kaiser-Permanente, and the Dr. Nicholas Townell collection in Angus, Scotland. Studied with Edward Melcarth & Archipenko, University of Washington, MFA. Work: National Museum of American History Smithsonian Institute, Washington. Los Angeles City-Scape at sunset (Mural), Commissioned by Dr. Walter jayasinghe, 66; Painting of doves, Bangs Manufacturing Co, Burbank Exhibitions: Seattle Art Museum. Museum of Science & Industry, Los Angeles. Circle Gallery Ltd, Houston, Abbot Hall Gallery, William Temple House, Portland Oregon. Nambe Mills, Santa Fe, New Mexico. Sr Eye Art Gallery, Long Beach. Descanso Gardens, La Canada Flintridge, California.Sun Cities Art Museum, Arizona. Audubon Art Exhibit, Portland Oregon.Walt Disney Art...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Evocative sketch of a kneeling m...

Keith Haring was an American artist and representative of American Pop Art of the 1980s. He first came to public attention with his chalk drawings in the New York underground, which ...

The limited edition lithograph TROUBLE AT WALNUT RIDGE is a stylized rural landscape; a visual story depicting an expanse of farm country with rolling green hills, a turquoise blue r...

QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by the African American master artist Romare Bearden is from Bearden's Mecklenburg series of images depicting recollections from his childhood in rural Mecklenburg County, NC. A colorful, intimate interior scene showing a black woman and young man tending to a multicolor quilt. Bearden's well known visual motif - the quilt, refers back to a time when the African American quilting tradition was employed by enslaved black people who worked coded messages into their handmade quilts to pass on information about the Underground Railroad...

untitled (Still Life with Cup and Horn) Color mezzotint, c. 1980 Numbered and signed in pencil by the artist (see photos) Edition: 100 (53/100) Published by John Szoke Graphics, New ...

Artist: Joanne Seltzer Title: Don't Give Up Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 200 + AP's Paper Size: 22 x 30 inches

A Summer Road is an original colored watercolor realized in 1997 by Armin Guther. Good conditions. Includes passepartout (50 x 60 cm). The artwork is hand-signed and dated on the l...

Gorgeous and super vibrant cover art by Keith Haring. Very rare Promo version of Sylvester Someone Like You. Gold color promo stamp on front cover right corner . Keith Haring 1986 pr...

Plum Branches and Flowers watercolor on wove paper, 1985 Signed and dated in pencil lower right corner From the artist's 1985 sketchbook Inspired by O'Sickey's love of Japanese and Chinese art and calligraphy. Provenance: Estate of the artist Condition: Excellent Image/Sheet size: 13 5/8 x 17 inches Joseph B. O’Sickey, Painter 1974 CLEVELAND ARTS PRIZE FOR VISUAL ARTS The title conferred on him by Plain Dealer art critic Steve Litt in a 1994 article, “the dean of painting in northeast Ohio,” must have pleased Joseph O'Sickey. It was more than 30 years since he had burst onto the local (and national) art scene. O’Sickey was already in his 40s in that spring of 1962 when he had his first one-man show at the Akron Art Museum and was signed by New York’s prestigious Seligmann Galleries, founded in 1888. In the decade and a half that followed, he would have seven one-man shows at Seligmann, which had showed the work of such trailblazing figures as Seurat, Vuilliard, Bonnard, Leger and Picasso, and appear in all of the group shows. O’Sickey took the Best Painting award in the 1962 May Show at the Cleveland Museum of Art (CMA). He and would capture the same honor in back-to-back May Shows in 1964 and ’65, and again in 1967. The remarkable thing, noted the Plain Dealer’s Helen Borsick, was that he accomplished this sweep in a variety of painterly styles, even using that most hackneyed of subjects, flowers. “The subject doesn’t matter,” he told her, “what the artist brings to it is the important thing.” O’Sickey’s garden and landscape paintings were big and bold, eschewing delicate detail in favor of vitality and impact. The great art collector and CMA benefactor Katherine C. White, standing before one of O’Sickey’s vivid garden paintings, compared the sensation to “being pelted with flowers.” Though he might represent an entire blossom with one or two smudged brush strokes or a stem with a simple sweep of green, O’Sickey rejected the moniker of Impressionist—or Pointillist or Abstract painter or Expressionist. “My work,” he said, “is a direct response to the subject. I believe in fervor and poetic metaphor. I try to make each color and shape visible and identifiable within the context of surrounding colors and shapes. A yellow must hold its unique quality from any another yellow or surrounding color, and yet read as a lemon or an object, by inference. It does not require shading or modeling—the poetic evocation is part of the whole.” “The subject,” O’Sickey used to tell his students at Kent State University, where he taught painting from 1964 to 1989, “has to be seen as a whole and the painting has to be structured to be seen as a whole.” He liked to think of it as “a process of controlled rapture.” When, in the 1960s, fond childhood memories drew him to the zoo, he found himself responding to the caged animals in their lonely dignity (or indignity) with sharp-edged, almost silhouette-like forms that evoked Matisse’s paintings and cut-paper assemblages. One observer was left with the impression that the artist had “looked at these animals, past daylight and into dusk when they lose their details in shadow and become pure shapes, with eyes that are seeing the viewer rather than the other way around. This is a world of shape and essence,” wrote Helen Borsick. “All is simplification.” O’Sickey attributed his ability to capture his subjects with just a few strokes—in an almost iconographic way—to a rigorous exercise he had imposed upon himself over a period of several months. Limiting his tools to a large No. 6 bristle brush and black ink, he set himself the task of drawing his pet parakeet and the other small objects in its cage (cuttlebone, feeding dish, tinkling bell) hundreds of times. The exercise gave him “invaluable insights into painting. . . . Because of the crudity of the medium, every part of these drawings had to be an invention and every mark had to have its room and clarity.” Then he began adding one color at a time—“still with the same brush and striving for the same clarity”—and headed off to the zoo where “the world opened up to me. I learned how little it took to express the subject.” Born in Detroit at the close of the First World War, O’Sickey grew up in St. Stanislaus parish near East 65th and Fleet on Cleveland’s southeast side. (The apostrophe was inserted into the family’s proud Polish name by a clerk at Ellis Island.) An early interest in drawing and painting may have been kindled by the presence on the walls of Charles Dickens Elementary School, one of only three grade schools in the district with a special focus on the arts, of masterful watercolors by such Cleveland masters as Paul Travis, Frank N. Wilcox and Bill Coombes. As a youngster O’Sickey took drawing classes at the Cleveland Museum of Art, and he and his brother spent hours copying famous paintings; while a student at East Tech High School in the mid-’30s, he attended free evening classes in life drawing with Travis and Ralph Stoll at the John Huntington Art and Polytechnic Institute, and Saturday classes at the Cleveland School (later the Cleveland Institute) of Art, where he earned his degree in 1940 under the tutelage of Travis, Stoll and such other legendary figures as Henry Keller, Carl Gaertner, William Eastman, Kenneth Bates...

Leonard Bernstein  is an original photograph realized in the 1980s. Good conditions.

Portrait of Nino Manfredi is a vintage black and white photograph realized in the 1980s. Good conditions.

Lynne Golob Gelfman, American (1944-2020) Composition in Blue Acrylic polymer on paper Hand signed and dated recto Sheet: 22.5 x 30 inches Frame dimensions: 26 x 33 frame with glazin...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Morgane ‘ who was captured on film in ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Morgane 2 ‘ who was captured on film i...

Historical Photo- Liu Binyan and Zhu Hong is a black and white vintage photo, realized in the 1980s. It belongs to historical album including photo reportages of historical moment an...

David Gilhooly (1943-2013) Agate Dog, 1988 Tiled in pencil on the verso Monotype on BFK Rives Paper Signed and dated in pencil, lower right Unframed: 30in H x 22 in L The monoprint i...

Suite of five prints including Gordon House "A Still Life at Millbank", R. B. Kitaj "Chris", John Piper "Eye and Camera, Red Blue and Yellow", Joe Tilson "Delphic Oracle", Gerd Winner...

Lynne Golob Gelfman, American (1944-2020) Composition in Pink Acrylic on paper Hand signed and dated recto Sheet: 22.5 x 30 inches Frame dimensions: 24.75 x 32.25 frame with glazing ...

Manifestation in in Beijing is a black and white vintage photo, realized in the 1980s. It belongs to historical album including photo reportages of historical moment and political ev...

FROM GENERATION TO GENERATION is a fine art limited edition commemorative poster by the American artist/sculptor Chaim Gross. FROM GENERATION TO GENERATION was printed using four col...

Lech Walesa is a black and white vintage photo, realized in the 1980s. It belongs to historical album including photo reportages of historical moment and political events, meticulous...

1985/2020 Signed, verso Archival pigment print 5 x 7 inches This photograph by Nan Goldin is offered by CLAMP in New York City.

Presenze is a print realized by Franco Fontana, in 1981. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by Franco Fontana (Modena, ...

Beautiful major original work by the well known French artist Urbain Huchet. Signed lower right. Circa 1985. The condition of the painting is excellent. Huchet perfectly captures...

Jennifer Losch Bartlett Rhapsody (hand signed and inscribed), 1985 Hardback monograph with dust jacket (hand signed and inscribed to Nadine) Hand signed and inscribed in black marker...

Artist: Kevin Red Star, American (1942 - ) Title: First Snow Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 150, AP Size: 30 in. x 22 in. (76.2 cm x 55.88...

Jim Dine Recents Prints is an artwork realized in 1984, in occasion of a Jim's Dine exhibition.  12 oktober - 3 november 1984. Offset colored poster.  h 125 x 80 cm. Good conditi...

Artist: Jim Pallas (1941) Title: Artist Fetish Year: 1987 Medium: Pigmented epoxy on glass jar and brushes Size: 10 x 7.5 x 4 inches Condition: Excellent In...