Minimalist Art

Artist: Ellsworth Kelly Title: Light Blue with Orange (Bleu clair avec orange) from Suite of Twenty-Seven Color Lithographs One from a series of twenty-seve...

Artist: Ellsworth Kelly Title: Yellow with Dark Blue (Jaune avec Bleu Foncé), from the Suite of Twenty-Seven Color Lithographs Year: 1964-65 Medium: Lithograph in colors, on Rives BF...

Jae Hahn is a Korean-born artist living in Los Angeles. Known for abstraction and minimalism. She graduated with a Bachelors of Arts degree majoring in painting at UCLA in 1977. She spent her first 20 formative years in Korea, and the following 30 years in Los Angeles. Hahn’s search to find her own identity and cultural heritage resulted in studying Oriental philosophy, but more specifically, Taoism and Zen Buddhism. She later focused on figure painting, consolidating what she learned from all schools of masters. The first was about structure from cubism. Next were the dynamic color studies of Matisse, and third, the freedom of spontaneous gestural strokes found in Abstract Expressionism. During the late 1990’s, Hahn experienced her own Renaissance. Her paintings took on a new life, with more activity and interlocking positive and negative space, and varying textures (“folding”) and irregular shapes. This resulted in the Unfoldings series, which encompasses Hahn’s artistic attributes of color and form, surface layered depth of field, sculpture, geometry and structure. Jae's paintings are painted in varied tones of a single colour, and usually appear in the form of diptych, triptych or polyptych. The contents are patterns formed by lines such as a triangle, a diagonal, a cross or simply a horizontal line. Simplicity is indeed a quality that the artist intends to convey through her art. Following in the tradition of Donald Judd, John McCracken, Agnes Martin, Dan Flavin and Robert Morris, Her work tends towards a luminous minimalist style. She has showed at Kelley Roy gallery alongside John Henry, Dolly Moreno and Sebastian Spreng. She has also shown at Seth Jason Beitler Gallery in Miami. Selected Individual Exhibitions Millenia Fine Arts, Orlando, FL Lois Neiter Fine Arts, Sherman Oaks, CA Gallery Seohwa, Seoul, Korea Rule Modern and Contemporary Gallery, Denver, CO Lois Neiter Fine Arts, Malibu Beach, CA Grey McGear Modern, Santa Monica, CA T. Curtsnoc Fine Arts, Miami, FL Rule Modern and Contemporary Gallery, Denver, CO University of Wyoming Art Museum, Laramie, Wyoming T. Curtsnoc Fine Arts, Miami, FL Boritzer/Gray/Hamano Gallery, Santa Monica, CA The Seoul Club Exhibition, Seoul, Korea Claremont Graduate School - West Gallery, Claremont, CA Byucksan Museum, Seoul, Korea Boritzer/Gray Gallery, Santa Monica, CA Indeco Gallery, Seoul, Korea Brand Library Art Galleries, Glendale, CA Selected Group Exhibitions "Zen Summer”, Thomas Lavin, West Hollywood, CA The Fall Show, Susan Street Fine Art, Solano Beach, CA "Faces and Figures", Lois Neiter Fine Arts, Malibu, CA Jae Hahn, Kathleen Keifer, Caroyl La Barge, Maggie Lowe Tennessen Los Angeles County Museum of Art, Las Angeles, CA "Surface, Color, Light", Lois Neiter Fine Arts, Sherman Oaks, CA Miami Art Fair, T. Curtsnoc Fine Arts, Miami, FL London Art Fair 2002, Mark Jason Gallery, London, England "Abstractly", Rio Hondo College, Whittier, CA "Spring", LewAllen Contemporary, Santa Fe, NM "Contemporary Art Without A Mouse", LewAllen Contemporary, Santa Fe, NM "California Asian Women In Art", Fresh Paint Art, Culver City, CA "Summer Exhibition", Gallery Seohwa, Seoul, Korea "Update 2000", Fresh Paint Art, Culver City, CA Pasadena Historical Architecture Showcase, Pasadena, CA "Korean Contemporary Art," University of Wyoming Art Museum, Laramie, Wyoming Five Persons' Show, Cline LewAllen Contemporary, Santa Fe, NM "Korean Contemporary Art," Edwin Ulrich Art Museum, Wichita, Kan "Fall Exhibit" Lois Neiter Fine Arts, Sherman Oaks, CA "Paradise Lost-Abstraction after Modernism" Grey McGear Modern, Santa Monica, CA "Summer Exhibit" J.J. Brookings Gallery, San Francisco, CA "Korean Contemporary Art" The Cerrillos Cultural Center, Cerrillos, NM. "Essence in Purity" The Luckman Fine Arts Gallery, California State University, Los Angeles, CA. "Collector's Choice" Center for the Arts, Vero Beach, FL "Of Paint and Metal", Ken Elias Gallery, West Palm Beach, FL "Boom," T. Curtsnoc Fine Arts, Miami, FL "New Beginnings Old Friends," Fresh Paint Fine Arts, Culver City, CA Triton Contemporary Art Fair, San Francisco, CA Cerrillos Cultural Center, Cerrillos, NM "Inauguration Opening Exhibition", View gallery, New York, NY "Abstraction and Essence", Susan Street Fine Art Gallery, Solana Beach "Simply Small", Susan Street Fine Art Gallery, Solona Beach, CA "Idea House" Project, Pacific Design Center, Los Angeles, CA Works on Paper L.A. 1995 Art Fair, Santa Monica, CA USART, Ft. Mason, San Francisco, CA The 9th International Contemporary Art Fair, Los Angeles, CA "Big Littles", Boritzer/Gray/Hamano Gallery, Los Angeles, CA Jae H. Hahn and Julia N. Chu, Pierce College Art Gallery, Woodland Hills, CA The 7th International Contemporary Art Fair, Los Angeles, CA Neo-Modernism by Five American Artists, Markant Gallery, Langelo, Holland Summer Group Show, Janus Gallery...

Liquitex on shaped canvas Exhibited: Waddell Gallery, New York, Artists for the Scholarship, Education, and Defense Fund, April 28-May 6, l967. Butchkes, who spent much of his care...

Josef Albers Homage to the Square - SET OF FIVE 1983 Color silkscreen(s) on semi gloss stock Size: 7.4 × 7.2 on 9.6 × 9.0 inches (each) Framed: 12.8 x 12.8 x 0.5 inches (each) Unsign...

SIX (6) Lithographs in brilliant Colors on paper, 1966 Image 6 x 6 inches (each) Sheet: 7.5 x 7.33 inches (each) Framed: 9 x 9 x 1 inches (each) COA provided (gallery issued) Origina...

Donald Judd Untitled #82, 1974 Etching on German etching paper with deckled edges Hand signed and numbered 7/35 by the artist on the front Catalogue Raisonne Ref: Schellmann & Jitta,...

Color screen print on paper by the renowned American painter and printmaker, Pat Steir. This impression is hand signed and numbered from the edition of 144 plus 18 signed, Artist pro...

"Poles" Minimalist Abstract Lithograph on Paper Bold abstracted lithograph by Arnold Mesches (American, 1923-2016). Negative space is filled in wi...

Robert Morris (1931-2018) Study for Copper Sculpture, 1980 Screenprint with Metallic Ink, signed and numbered in pencil Pencil signed, dated, and numbered PP1/7 by Robert Morris on t...

Josef Albers (1888-1976) is affiliated with numerous movements that defined art history in the 20th century. Art Historians credit Albers for fusing elements of American and European...

Alain Kirili To Cecil Taylor, Sculptor, 1995 Lithograph Pencil signed, dated and numbered 91/100 on the lower front Frame Included This work is floated and framed Measurements: Frame: 10 x 10 x 1 inch Print: 6 x 6 inches About Alain Kirili: Born in Paris, France, 1946 Died in New York City, 2021 ALAIN KIRILI was a French-American sculptor born in Paris, France 1946, died in New York City 2021. He has had solo museum exhibitions with the Musée de l’Orangerie, Paris; the Musée Rodin, Paris; and the Brooklyn Museum. Kirili has been included in group exhibitions at the Museum of Modern Art, New York; MoMA P.S. 1, New York; the Hirshhorn Museum, Washington, D.C.; and the Jardin du Palais-Royal, Paris. His work can be found in the collections of the Museum of Modern Art, New York; Centre Pompidou; The Jewish Museum, New York; and the Nasher Sculpture Center among others. Courtesy of Susan Inglett Galery ABOUT CECIL TAYLOR Cecil Taylor (b. 1929) is a towering, sometimes divisive figure within twentieth-century music. In the early 1960s, with fellow maverick artists Ornette Coleman, Albert Ayler and others, he revolutionized jazz by extending bebop into a radical terrain dubbed the "New Thing" or "free jazz"—the latter a term with political as well as aesthetic connotations given the social changes underway at the time in America. For Taylor, freedom meant a deep synthesis of the modern composers such as Béla Bartók and Igor Stravinsky that he encountered during his studies at the New England Conservatory of Music with the nuanced and original piano innovations of Thelonious Monk, Horace Silver, Bud Powell...

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: h...

CARL ANDRE Untitled Drawing, 1984 Felt tip pen, marker and stamp on Postmarked (franked) card to Lynn Charles Foster 3 3/5 × 6 1/10 inches Hand-sig...

Richard Serra Drawings Zeichnungen 1969-1990 (Hand signed by Richard Serra), 1990 Softback monograph Book (Hand signed by Richard Serra) Hand signed by Richard Serra on the half titl...

Dorothy Dehner Untitled from Lunar Series, 1971 Lithograph on white Arches paper 22 × 27 inches Pencil signed, dated and numbered; with inscription including unique series number; wi...

William Crovello Hakuin, 1984 Mirrored, reflective brass sculptue on plinth De-accessioned from the GE Corporate Art Collection Signed and dated Crovello '84 Measurements: 13 x 13-3/4 x 2-1/4 inches (33.0 x 34.9 x 5.7 cm) (work) 1 x 17-1/2 x 10-1/2 inches (2.5 x 44.5 x 26.7 cm) (plinth) This work is named after a legendary, Japanese Zen Buddhist Hakuin Ekaku, a major historical figure William Crovello Biography (written by Marshall Price, Nasher Museum Curator and former curator of the National Academy Museum): Best known for his large public sculpture. New York City native William Crovello initially studied painting at the Rhode Island School of Design from 1947 to 1951. He entered the air force in 1952 and was stationed in Japan from 1954 to 1955. Following his military duty, Crovello, seeking his expressive muse, returned to Japan in 1957 for four years and became enchanted with the rich tradition of classical calligraphy. The artist absorbed both the deep philosophy and technical execution of the ancient script by immersing himself in calligraphic study. After returning to New York in 1961, the artist moved to Spain in 1968 and shifted from painting to sculpture, creating forms whose presence activated three-dimensional space. His stone and metal works draw directly from the smooth strokes of the Japanese brush, echoing the graceful brevity and elegant fluidity of an ancient tradition. Following the movement of the calligraphic stroke, Crovello created numerous public sculptures, such as the painted steel Cubed Curve installed in 1972 outside of the Time-Life Building in New York City, and the Swedish...

Don Giffin (American, 1948-2003) Phone in the Desert, 1999 Mixed media painting Hand signed Don Giffin, titled and dated (verso) 76 x 52 inches. (including ...

Ellsworth Kelly Blue / Yellow / Red, 1992 Color lithograph on Rives BFK paper Signed lower right and numbered 51/80 lower left Frame Included: held in original hand made gold leaf frame with UV plexiglass (labels verso) Dazzling large (over three and a quarter feet framed) Ellsworth Kelly lithograph...

Bernar Venet Position of an Undetermined, Line, ca. 1979 Lithograph Hand signed and numbered 4/100 by the artist on the front 11 1/2 × 8 1/4 inches Unframed This lovely lithograph is...

David Novros (American, b. 1941) Untitled (Home Savings Study), 1986 Watercolor on paper Framed: 35 1/4 x 86 3/4 x 1 3/4 in. Each panel: 30 x 42 in. From Los Angeles and working fro...

Sol Lewitt (1928 – 2007) Five Pointed Star Color Screenprint on Arches wove paper, c. 1992 Sheet size: 32 3/4” x 22 ¼” Signed by artist and numbered Edition 104 of 250] Printed by Keizo Tasaka, Watanabe Studio, Ltd., Brooklyn Published by Puma Trading, Paris or Editiones Catalanes, Barcelona, for the International Olympic Committee, with blind stamp lower center Sol LeWitt was born on September 9th, 1928, in Hartford, Connecticut to Eastern European immigrants. LeWitt received a BFA from Syracuse University in 1949 (where he made his first prints) and then was drafted in the Korean War in 1951. During his service, he made posters for the Special Services and spent time in Japan, where he bought the first works that became the basis of a large personal art collection. In 1953, he moved to New York City, where he studied at the Cartoonists and Illustrators School (now the School of Visual Arts) and worked for Seventeen Magazine...

Lyman Kipp Original Mid Century Modern Painting on paper, 1969 Acrylic on paper painting Hand signed and dated by the artist on the front F...

Carl Andre Untitled (0813), 1976 Rubber stamp relief print Artist Stamp and Copy Right on the back. It is from a limited edition of 1000. Frame Included This is Minimalist master Car...

Carl Andre Handwritten Letter to the Artist's Parents, 1974 Letter handwritten with black marker on postmarked, stamped postcard (hand signed by Carl Andre) Boldly signed @ - the art...

Tony Delap Florian, Child of Air, 1977 Lithograph on Arches cover paper Pencil signed, titled, annotated and dated on the front This lithograph, "Fluorine, Child of the Air", is by C...

Joel Shapiro Poster (Hand Signed), 1990 Offset Lithograph poster Boldly signed and inscribed in black marker on the front 20 × 27 1/2 inches Unframed Hand signed and inscribed by Jo...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Lyman Kipp Untitled Minimalist Painting, 1964 Ink roller on paper Hand signed and dated by Lyman Kipp on the front; inscribed on the back to Gene Baro (the distinguished critic and c...

Untitled, 1973 Ellsworth Kelly Screenprint, on BFK Rives wove Signed and numbered from the edition of 300 With the artist's copyright inkstamp verso From The New York Collection fo...

Lyman Kipp Untitled Minimalist Geometric Abstraction, 1978 Acrylic painting on paper Hand signed and dated by the artist on the lower right front Frame Included: elegantly matted and...

Includes a Certificate of Authenticity.

Includes a Certificate of Authenticity

Richard Serra Marilyn Monroe - Greta Garbo Poster (Hand Signed), 1982 Offset Lithograph poster published by Leo Castelli Gallery Hand signed on lower front in black marker by Richard...

Robert Mangold Untitled minimalist drawing, ca. 1980 Drawing in Ink on Paper Hand signed and inscribed on lower front Inscription reads as follows: Best Wishes David Bob Mangold...

Carl Andre Handwritten letter from Amsterdam the artist's sister, 1982 Postmarked Postcard Hand addressed, handwritten and hand signed by Carl Andre. Letter is postmarked from Amster...

Lyman Kipp Untitled Abstraction, 1980 Ink roller Painting on Paper Signed and dated by the artist on the front 29 1/2 × 43 1/4 inches Unframed and affixed to original matting This oi...

Lyman Kipp Minimalist painting on paper, 1970 ink roller and oil paint on paper Signed and dated by the artist on the front Frame Included Unique oi...

Carl Andre Letter from Dusseldorf to the Artist's sister (Postcard), 1991 Vintage Handwritten and hand signed letter on stamped, postmarked (franke...

Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...

Lyman Kipp Untitled drawing, 1993 Unique Colored Ink Drawing on paper with two deckled edges Hand signed, inscribed and dated by the artist on lower front 26 1/4 × 20 inches Unframed...

Robert Morris Investigations (with Guggenheim Museum Labels), 1990 Graphite drawing on Mylar. Framed with the original Guggenheim Museum label (lent by Sonnabend), & Castelli Gallery...

Robert Morris A Final Tomb for Frank "Jelly" Nash, 1980 Silkscreen on wove paper Hand signed, dated and numbered 153/180 in graphite by the artist on the front 26 × 32 inches Unframe...

Charles Hinman Untitled Minimalist Drawing (Mid-Century Modern), 1980 Pastel on off-white wove paper Signed in pencil and dated by the artist on the lower-right front. Jeffrey Fuller Fine Art, Philadelphia label on the back. Framed This 1980s drawing features Hinman's classic cubist-Minimalist work. This excellent piece was most likely a preliminary drawing for the geometric abstraction painting...

Richard Serra Synagoge Stommeln (German Synagogue) The Drowned and the Saved (Hand signed twice by Richard Serra), 1992 Offset lithograph poster (hand signed twice by Richard Serra) Signed twice on the front 32 × 24 inches Unframed Many people don't realize that the sculptor Richard Serra, who was commissioned by Sheikha al-Mayassa al-Thani to create a monumental minimalist structure in the Qatari desert, is Jewish. This Richard Serra sculpture...

Wonderful minimalist watercolor of sand dune with grass and birds by Ed Walaitis (American, 1914-2005), 1978. Signed and dated lower left. Condition: Excel...

Includes a Certificate of Authenticity.

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York. Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch...

Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: Untitled - Gold Minimalist Year: 1975 Medium: Oil on Canvas, signed and dated verso Size: 66.5 x 66.5 in. (168.91 ...

More Sketches of Spain - For Miles Davis, #6 1991 Limited edition of 40 Etching and aquatint on Guarro paper

"Annette" is an original black and white lithograph by Alberto Giacometti. It depicts the bust of a nude woman in scratchy lines. Annette was Alberto's wife and frequently modeled fo...

In this abstract sculpture by Ruth Vollmer, the fusion between contrasting concepts: mathematical precision and natural "organicism", materials in both raw and manipulated states are evident. Signed by the artist. Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich. She was born in 1903 and named Ruth Landshoff. Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer. Their family was Jewish. At age 19 she began to work as an artist and took the advice of her father to draw every day. She also had many connections to the teachers and students at the Bauhaus. In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin. Ruth and Hermann move from Germany to New York in 1935. Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores. Her displays experimented with wire, steel, and copper mesh to create figural forms. In 1943, Vollmer becomes a U.S. citizen. In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress." Vollumer continues to work with wire mesh and shows her work Composition in Space at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design." In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency. Vollumer visits Giacometti for a second time during the summer of 1951. During the 1950s she begins to works with clay as well. Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties. In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell. 1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space. Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times. In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on. By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids. Sol LeWitt wrote a short essay on Vollmer's work for Studio International titled "Ruth Vollmer: Mathematical Forms." Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971. In 1976, she had a large one-person exhibition at the Neuberger Museum of Art. In 1982, Ruth Vollmer dies after a long battle with Alzheimer's. A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA. Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Vardea Chryssa. Exhibitions 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

STEEL ROOM, 1989, steel sculpture, 8 x 8 x 8”, signed and dated. Peter Lodato was born in 1946 in Los Angeles, California, has exhibited extensively and received significant acclai...

Artist: Sondra Mayer Title: Key Collection Year: 1979 Medium: Etching and aquatint, signed and numbered in pencil Edition: 41/250 Image Size: 14 x 18 inches Paper Size: 22 in. x 26 ...

Genre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...

This minimalist drawing features an interesting combination of red, black, and grey lines and blocks. The main grey block on the right part shows a fabric-like area topped...

Robert Morris (1931-2018) The Mind/Body Problem (Hand signed and dated), 1995 Offset lithograph 33 × 23 1/2 inches 83.8 × 59.7 cm Edition of 250 (this is a uniquely hand signed print, aside from the regular unsigned edition) Signed and dated '97 in black marker by Robert Morris; unnumbered Unframed Published by Deichtorhallen, Hamburg, Germany This work was acquired from the estate of artist and noted art collector Rick Collar. This limited edition hand signed offset lithograph, published on the occasion of a 1995 German museum exhibition, reprises Robert Morris' historic and controversial advertisement for his New York Castelli-Sonnabend exhibition from April 6-27, 1974. According to Wikiart, the original poster was part of Robert Morris' "continuing dialogue with the artist Lynda Benglis, with whom he had previously collaborated on film projects. In the ad, featured in Artforum magazine, Morris is seen from the waist up, flexing his muscles and outfitted only in S & M gear: a German Army helmet, aviator sunglasses, steel chains, and a spiked collar...