Op Art

Technical Information: Julian Stanczak Let It Be Orange 1981 Screenprint 25 3/4 x 25 3/4 in. Edition of 175 Pencil signed and numbered Accompanied with COA...

TECHNICAL INFORMATION Victor Vasarely Titan A 1985 Screenprint 22 x 23 1/2 in. Edition of 300 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art Con...

This vibrant serigraph by Victor Vasarely shows two zebras with their necks entwined in front of a disco-style grid of various colors. The style of warping figures and skewed shapes ...

A colorful OP Art silkscreen by Poland-born American OP Artist, Julian Stanczak. Artist: Julian Stanczak, American (1928 - 2017) Title: Compounded Red Year: 1981 Medium: Screenpri...

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches Size...

A striking composition created by American artist L. L. Long and dated 1980. The artwork features a kinetic optical Op Art geometric cityscape design using reverse spray paint on a L...

Artist: James Norman, American (1927 - 2011) Title: Winter Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 40/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

Artist: James Norman, American (1927 - 2011) Title: Fall Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 34/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (63...

Artist: James Norman, American (1927 - 2011) Title: Oscillation I Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 35/95 Image Size: 10 x 33 inches Size: 25 x 3...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Thermal Inversion Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 140 Image Size: 18 x 25 inches Size: 22 x 29...

Original etching and aquatint, cca. 1980. Edition of 150 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauh...

Artist: James Norman, American (1927 - 2011) Title: Summer Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 39/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

Artist: James Norman, American (1927 - 2011) Title: Oscillation II Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 38/95 Image Size: 10 x 32 inches Size: 25 x ...

Artist: James Norman, American (1927 - 2011) Title: Spectral Image IV Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 67/95 Image Size: 7 x 36 inches Size: 25 ...

Richard Anuszkiewicz (American, 1930-2020) Temple of Evening Reds, 1983 Acrylic on canvas Signed verso 36 x 36 inches 36.75 x 36.75 inches, framed Richard Anuszkiewicz was born in E...

Victor Vasarely Vega-Tuz Year: 1981 Medium: Color Lithograph Size: 23.0 x 16.0 in. Signed in in the stone COA provided Victor Vasarely (Hungarian-French, 1906-1997) is one of the founding fathers of the Op-Art movement in Europe. His brightly colored optical patterns introduced a visually kinetic aspect to the traditionally flat paintings of his generation. Vasarely originally planned on becoming a doctor, however he abandoned medicine to follow his passion in the arts and enrolled at Sandor Bortnyik's private art school called Muhely, at the time widely recognized as Budapest's centre of Bauhaus studies...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Harlequin by Victor Vasarely, Hungarian (1908–1997) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 78/250 Image Size: 25.75 x 16 inches Size: 30.5 x 19.75 in....

Original etching and aquatint, cca. 1980. Edition of 150 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauh...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus ...

Original color silkscreen, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky’s and Malevich’s art and Constructi...

Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus ...

color serigraphy on Fabriano paper , edited in 1983 Limited Edition of 99 copies Hand signed in pencil by artist lower right and numbered EA ( artist proof ) lower left Paper size: 5...

Untitled. Original color silkscreen, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky’s and Malevich’s art and ...

Artist: Victor Vasarely (Hungarian-French, 1906-1997) Title: "E.T. (Fond Argent)" *Signed by Vasarely in pencil lower right Year: 1983 Medium: Original Screenprint on Arches paper Li...

Yaacov Agam Chateau Mouton Rothschild label (hand signed), 1984 Offset lithograph (hand signed by Yaacov Agam) Hand signed twice in black and ...

Artist: Jurgen Peters, German (1936 - ) Title: Imaginary Triangle Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Size: 23.5 x 23.5 inches Size: ...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus ...

Yaacov Agam "Life", (Hand Signed and numbered), 1980 Hand Signed, Stamped Gallery Art Center Envelope with French postage stamp & numbered Triple signature "Agam" and number 46/54 on the front Frame Included: floated in original vintage frame This very special vintage limited edition work features the “Agam” design by Yaacov Agam, a pioneer of Op Art. It is the first artist...

Untitled. Original color silkscreen, cca. 1980. Edition of 50 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by...

Victor VASARELY 1906 - 1997 EREBUS - 1982 Verre et bois Signature gravée sur le verre et numérotation sous la base "/2000" Edition Rosenthal studio-linie, Allemagne Dans sa boîte...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Tony Bechara’s abstract composition in red, blue, and green with the issue of visibility and representation in art. Abstracted and hazy, this rendering is emblematic of his works tha...

Untitled. Original color silkscreen, cca. 1980. Edition of 200 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely accepted as a grandfather and leader of the Op art movement. In 1928, he enrolled at Sán...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Two Tigers on Green Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250, CL I...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Richard Anuszkiewicz Soft Satellite Red, 1981 Silkscreen on wove paper Signed, dated and numbered 53 from the edition of 100 in pencil by the artist on the front. Bears label from Metzenbaum campaign on back of frame Vintage metal period frame included Terrific 1980s Op Art silkscreen, pencil signed and numbered from the limited edition of only 100. This work is framed in its original vintage frame, and bears the label from the campaign for Metzenbaum for Senator - the longtime Democratic Senator from the state of Ohio, along with a biographical blurb on the artist. Don't forget that Anuszkiewicz studied at the Cleveland Institute of Art in the 1950s before studying with Albers at Yale - so it is not surprising that he would contribute this work several decades later to support a liberal politician from Ohio - where he once studied. (Anuszkiewicz was born in Eerie Pennsylvania). Measurements: Framed: 36 x 36 x 0.5 inches Artwork: 35 x 35 inches Provenance: Originally sold to raise funds for Senator Metzenbaum's campaign. Very good; the work is held in its original 1980s vintage frame...

Tony Bechara’s abstract composition in red, blue, and green with the issue of visibility and representation in art. Abstracted and hazy, this rendering is emblematic of his works tha...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Polarization Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18 x 25 inches Size: 22 x 29.5 ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

A classic beauty by Op Art artist, Julian Stanczak. Signed, dated and titled on verso Original frame by the artist Provenance: Private Collection, Cleveland, Ohio; Acquired directly ...

This bright and psychedelic lithograph by Vasarely can be oriented both vertically and horizontally. It features a signature and dedication in pencil by the artist. Composition Iona...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Zebra Zambo is a contemporary artwork realized by Victor Vasarely (1906-1997) in 1983. Silkscreen in colors on wove paper. Hand signed on the lower right side in pencil. Edition ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Julio Le Parc (1928) "Genesis Americana #2" 1982, Pochoir on Fabriano "Murillo" paper of 360 grams25.6 x 19.7 in (65 x 50 cm). Ed 69/92.

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

The Agamograph is Yaacov Agam’s unique contribution to the OP Art movement. The object is a print behind a lenticular surface that fools the eye to show movement and three-dimensional depth. The “Yellow Abstraction” is hand-signed and numbered in marker by the artist. Yellow Abstraction Yaacov Agam, Israeli (1928) Date: circa 1980 Agamograph, signed and numbered in marker Edition of 39...

Yaacov Agam 2 +3 = 4, 1981 offers another excellent example of the artist’s ability to induce the illusion of movement through color and pattern. By combining a multicolor palette wi...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Hommage a Bach I. Original etching and aquatint, cca. 1980. Edition of 200 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. ...

Hommage a Bach II. Original etching and aquatint, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky's and Malev...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. From the edition of 250. Image size 23.25 x 30.25 inches. Sheet size 31 x 37.25 inches. Frame size approx 36 x 42 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...