Photorealist Art

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Artist: Paul Beliveau, Canadian (b. 1954) Title: Vanitas 05.12.01 Year: 2015 Medium: Acrylic on Canvas, signed, titled, and dated verso Size: 30 x 60 inches

Artist: Steven Jones, American Title: The Silver Bowl Year: 2001 Medium: Oil on Linen on Panel, signed, titled, and dated verso Size: 42 x 60 inches Frame Size: 43.5 x 62 inches

Artist: Paul Beliveau, Canadian (b. 1954) Title: Vanitas 05.10.28 Year: 2015 Medium: Acrylic on Canvas, signed, titled, and dated verso Size: 30 x 60 inches

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

ROBERT COTTINGHAM HI FI, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM M, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and n...

ROBERT COTTINGHAM Rialto, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' ...

ROBERT COTTINGHAM Drinks, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009...

ROBERT COTTINGHAM Hot, from American Signs Portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...